• Historical context

Analysis

• Johann Sebastian Bach – 15 Inventions, BWV 772-786 (1720–1723)

• Johann Sebastian Bach – Brandenburg Concerto No. 3 in G major, BWV 1048 (1721)

• Johann Sebastian Bach – "Sind Blitze, sind Donner" from St Matthew Passion, BWV 244 (1727)

• Arcangelo Corelli – Trio Sonata Op. 3 No. 2 (1689)

• George Frideric Handel – "All we like sheep have gone astray" from Messiah (1741)

• Johann Pachelbel – Canon in D, P 37 (c. 1680)

• Barbara Strozzi – "L'amante consolato" from Cantate, ariette e duetti, Op. 2 (1651)

• Antonio Vivaldi – "Gloria in excelsis Deo" from Gloria in D major, RV 589 (c. 1715)

• Antonio Vivaldi – "Spring" from The Four Seasons (1725)

Composition

• Composing a canon

Theory

• Figured bass

Analysis

• Ludwig van Beethoven – Piano Sonata No. 8 in C minor (Sonata Pathétique), Op. 13 (1799)

• Joseph Haydn – Piano Sonata in E minor, Hob. XVI/34 (1783)

• Joseph Haydn – Symphony No. 104 in D major ("London Symphony"), Hob. I/104 (1795)

• Joseph Haydn – String Quartet No. 2 ("Fifths"), Op. 76 (1797)

• Marianna Martines –

• Wolfgang Amadeus Mozart – Twelve Variations on "Ah vous dirai-je, Maman", K. 265/300e (1782)

• Wolfgang Amadeus Mozart – Serenade No. 13 (Eine kleine Nachtmusik), K. 525 (1787)

• Wolfgang Amadeus Mozart – Piano Sonata No. 16 in C major, K. 545 (1788)

• Wolfgang Amadeus Mozart – Clarinet Concerto in A major, K. 622 (1791)

• Wolfgang Amadeus Mozart – Dies irae from Requiem in D minor, K. 626 (1792)

• Maria Hester Park – Sonata in C major, Op. 7 (c. 1796)

Composition

• Composing a sonata form exposition

Analysis

• Frédéric Chopin - Fantaisie-Impromptu, Op. 66 (1834)

• Nikolai Rimsky-Korsakov - Scheherazade, Op. 35 (1888)

• Camille Saint-Saëns - The Carnival of the Animals (1886)

• Franz Schubert - "Die Krähe" from Winterreise, D. 911 (1828)

Composition

• Composing a character piece