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The work that comes from neither one artist nor the other, even though our own idiosyncrasies and styles, the symptoms of our original natures, still exert their natural pull. Nor does the work come from a compromise or halfway point (averages are always boring!), but from a third place that isn't necessarily like what either one of us would do individually. What comes is a revelation to both of us. There is a third, totally new style that pulls on us.
The work that comes from neither one artist nor the other, even though our own idiosyncrasies and styles, the symptoms of our original natures, still exert their natural pull. Nor does the work come from a compromise or halfway point (averages are always boring!), but from a third place that isn't necessarily like what either one of us would do individually. What comes is a revelation to both of us. There is a third, totally new style that pulls on us.
Stephen Nachmanovitch, Free Play: Improvisation in Life and Art, 1990.
A surprise colleague duet!
A surprise colleague duet!
Collaborating as choreographers and performers was an experience that brought us together as dance educators.
Collaborating as choreographers and performers was an experience that brought us together as dance educators.
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