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Year 2
Year 2
In the second year we support you in developing the skills and passions that you identified through your first year work, by encouraging you to focus on your preferred production roles as you work, across your modules. In the second term you start to prepare for your third year.
In the second year we support you in developing the skills and passions that you identified through your first year work, by encouraging you to focus on your preferred production roles as you work, across your modules. In the second term you start to prepare for your third year.
Official Selection
In your second year you will work on coverage of the IMMERSED live music festival held in Cardiff.
In your second year you will work on coverage of the IMMERSED live music festival held in Cardiff.
The festival is now partnered with and broadcast by BBC Radio 6 Music.
The festival is now partnered with and broadcast by BBC Radio 6 Music.
@immersed_fest is over for another year, a crazy experience to be part of @bbc6music fringe and join up with other events over Cardiff, 2 days of music and one night of Immersed TV, so much hard work from the students and we all smashed it.
@immersed_fest is over for another year, a crazy experience to be part of @bbc6music fringe and join up with other events over Cardiff, 2 days of music and one night of Immersed TV, so much hard work from the students and we all smashed it.
We sometimes have the opportunity to run 3 day location, drama production, field trip. This was previously held at Baskerville Hall in the Brecon Beacons.
We sometimes have the opportunity to run 3 day location, drama production, field trip. This was previously held at Baskerville Hall in the Brecon Beacons.
The 'Doyle' project context...
The 'Doyle' project context...
Second Year Media Production students worked, through the Concept & Script Development and Visual Production 2 modules, to create episodic scripts that they then shot, on-location at Baskerville Hall near Hay on Wye in the Brecon Beacons, and in Cardiff; Four of forty-two scripts were selected for production to fit into the narrative, created by Media Production staff, as ‘alibi’s’.
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