What is the orientation to the story?
What is the complication and what is the climax?
What is the resolution?
Do you think Miss Scofield got what she deserved? Give your reasons.
What is the significance of the title?
Describe the protagonist in this story?
What is the mood of this story?
Find three examples of figurative language or powerful imagery.
A motif in literature is a recurring image or idea that runs through a piece of writing. In this story the motif of ‘hands’ is everpresent. Reread the story noting the word each time it occurs. What is the effect of this recurring image?
What is the theme?
Describe the way education has been presented in this short story. What are some of the ideas about school life that the author is asking us to consider? Go into detail in your discussion, and refer closely to the story.
Margie even wrote about it that night in her diary. On the page headed May 17, 2155, she wrote, Today Tommy found a real book!
It was a very old book. Margie’s grandfather once said that when he was a little boy his grandfather told him that there was a time when all stories were printed on paper.
They turned the pages, which were yellow and crankily, and it was awfully funny to read words that stood still instead of moving the way they were supposed to – on a screen, you know. And then, when they turned back to the page before, it had the same words on it that it had had when they read it the first time.
Gee, said Tommy, what a waste. When you’re though with the book, you just throw it away, I guess. Our television screen must have had a million books on it and it’s good for plenty more. I wouldn’t throw it away.
Same with mine, said Margie. She was eleven and hadn’t seen as many telebooks as Tommy had. He was thirteen.
She said, Where did you find it?
In my house. He pointed without looking, because he was busy reading. In the attic.
What’s it about?
School.
Margie was scornful. School? What’s there to write about school? I hate school. Margie had always hated school, but now she hated it more than ever. The mechanical teacher had been giving her test after test in geography and she had been doing worse and worse until her mother had shaken her head sorrowfully and sent for the County Inspector.
He was a round little man with a red face and a whole box of tools with dials and wires. He smiled at her and gave her an apple, then took the teacher apart. Margie had hoped he wouldn’t know how to put it together again, but he knew how all right and, after an hour or so, there it was again, large and black and ugly with a big screen on which all the lessons were shown and the questions were asked. That wasn’t so bad. The part she hated the most was the slot where she had to put homework and test papers. She always had to write them out in a punch code they made her learn when she was six years old, and the mechanical teacher calculated the mark in no time.
The inspector had smiled after he was finished and patted her head. He said to her mother, It’s not the little girl’s fault, Mrs. Jones. I think the geography sector was geared a little too quick. Those things happen sometimes. I’ve slowed it up to an average ten-year level. Actually, the over-all pattern of her progress is quite satisfactory. And he patted Margie’s head again.
Margie was disappointed. She had been hoping they would take the teacher away altogether. They had once taken Tommy’s teacher away for nearly a month because the history sector had blanked out completely.
So she said to Tommy, Why would anyone write about school?
Tommy looked at her with very superior eyes. Because it’s not our kind of school, stupid. This is the old kind of school that they had hundreds and hundreds of years ago.
Margie was hurt. Well, I don’t know what kind of school they had all that time ago. She read the book over his shoulder for a while, then said, Anyway, they had a teacher.
Sure they had a teacher, but it wasn’t a regular teacher. It was a man.
A man. How could a man be a teacher?
Well, he just told the boys and girls things and gave them homework and asked them questions.
A man isn’t smart enough.
Sure he is. My father knows as much as my teacher.
He can’t. A man can’t know as much as a teacher.
He knows almost as much I betcha.
Margie wasn’t prepared to dispute that. She said, I wouldn’t want a strange man in my house to teach me.
Tommy screamed with laughter. You don’t know much, Margie. The teachers didn’t live in the house. They had a special building and all the kids went there.
And all the kids learned the same thing?
Sure, if they were the same age.
But my mother says a teacher has to be adjusted to fit the mind of each boy and girl it teaches and that each kid has to be taught differently.
Just the same, they didn’t do it that way then. If you don’t like it, you don’t have to read the book.
I didn’t say I didn’t like it, Margie said quickly. She wanted to read about those funny schools.
They weren’t nearly half finished when Margie’s mother called, Margie! School!
Margie looked up. Not yet, mamma.
Now, said Mrs. Jones. And it’s probably time for Tommy, too.
Margie said to Tommy, Can I read the book some more with you after school?
Maybe, he said, nonchalantly. He walked away whistling, the dusty old book tucked beneath his arm.
Margie went to the schoolroom. It was right next to her bedroom, and the mechanical teacher was on and waiting for her. It was always on at the same time every day except for Saturday and Sunday, because her mother said little girls learned better if they learned at regular hours.
The screen was lit up, and it said: Today’s arithmetical lesson is on the addition of proper fractions. Please insert yesterday’s homework in the proper slot.
Margie did so with a sigh. She was thinking about the old schools they had when her grandfather’s grandfather was a boy. All the kids from the whole neighborhood came, laughing and shouting in the school yard, sitting together in the schoolroom, going home together at the end of the day. They learned the same things so they could help one another on the homework and talk about it.
And the teachers were people…
The mechanical teacher was flashing on the screen. When we add the fractions ½ and ¼ …
Margie was thinking about how the kids must have loved it in the old days. She was thinking about the fun they had.
What was the book that Tommy found was about?
Why does Margie say, “How could a Man be a teacher”?
Why had Margie started hating her school?
What views did Margie’s mother have about teachers and learning?
Why does Margie feels that learning was fun in the schools of the past?
Does The Fun They Had by Isaac Asimov present a positive or negative view of the world of school and education?
What values beliefs and attitudes to education are represented in -The Fun They Had by Isaac Asimov ?
Do you think TECHNOLOGY should replace human teachers? Give reasons in support of your
answer and write a paragraph on it.
The Jordan's never spoke of the exam, not until their son, Dickie, was twelve years old. It was on his birthday that Mrs Jordan first mentioned the subject in his presence, and the anxious manner of her speech caused her husband to answer sharply.
‘Forget about it,’ he said. ‘He’ll do all right.’
They were at breakfast table, and the boy looked up from his plate curiously. He was an alert-eyed youngster with flat blond hair and a quick, nervous manner. He didn’t understand what the sudden tension was about, but he did know that today was his birthday, and he wanted harmony above all. Somewhere in the little apartment there were wrapped, beribboned packages waiting to be opened, and in the tiny wall-kitchen something warm and sweet was being prepared in the automatic stove. He wanted the day to be happy, and the moistness of his mother’s eyes, the scowl on his father’s face, spoiled the mood of fluttering expectation with which he had greeted the morning.
‘What exam?’ he asked.
His mother looked at the tablecloth. ‘It’s just a sort of Government Intelligence test they give children at the age of twelve. You’ll be taking it next week. It’s nothing to worry about.’
‘You mean a test like in school?’
‘Something like that,’ his father said, getting up from the table. ‘Go and read your comics, Dickie.’ The boy rose and wandered towards that part of the living room which had been ‘his’ corner since infancy. He fingered the topmost comic of the stack, but seemed uninterested in the colourful squares of fast-paced action. He wandered towards the window, and peered gloomily at the veil of mist that shrouded the glass.
‘Why did it have to rain today?’ he said. ‘Why couldn’t it rain tomorrow?’
His father, now slumped into an armchair with the Government newspaper rattled the sheets in vexation. ‘Because it just did, that’s all. Rain makes the grass grow.’
‘Why, Dad?’
‘Because it does, that’s all.’
Dickie puckered his brow. ‘What makes it green, though? The grass?’
‘Nobody knows,’ his father snapped, then immediately regretted his abruptness.
Later in the day, it was birthday time again. His mother beamed as she handed over the gaily-coloured packages, and even his father managed a grin and a rumple-of-the-hair. He kissed his mother and shook hands gravely with his father. Then the birthday cake was brought forth, and the ceremonies concluded.
An hour later, seated by the window, he watched the sun force its way between the clouds.
‘Dad,’ he said, ‘how far away is the sun?’
‘Five thousand miles,’ his father said.
Dickie sat at the breakfast table and again saw moisture in his mother’s eyes. He didn’t connect her tears with the exam until his father suddenly brought the subject to light again.
‘Well, Dickie,’ he said, with a manly frown, ‘you’ve got an appointment today.’
‘I know Dad. 1 hope –’
‘Now, it’s nothing to worry about. Thousands of children take this test every day. The Government wants to know how smart you are, Dickie. That’s all there is to it.’
‘I get good marks in school,’ he said hesitantly.
‘This is different. This is a – special kind of test. They give you this stuff to drink, you see, and then you go into a room where there’s a sort of machine –‘
‘What stuff to drink?’ Dickie said.
‘It’s nothing. It tastes like peppermint. It’s just to make sure you answer the questions truthfully. Not that the Government thinks you won’t tell the truth, but it makes sure.’
Dickie’s face showed puzzlement, and a touch of fright. He looked at his mother, and she composed her face into a misty smile.
‘Everything will be all right,’ she said.
‘Of course it will,’ his father agreed. ‘You’re a good boy, Dickie; you’ll make out fine. Then we’ll come home and celebrate. All right?’
‘Yes sir,’ Dickie said.
They entered the Government Educational Building fifteen minutes before the appointed hour. They crossed the marble floors of the great pillared lobby, passed beneath an archway and entered an automatic lift that brought them to the fourth floor.
There was a young man wearing an insignia-less tunic, seated at a polished desk in front of Room 404. He held a clipboard in his hand, and he checked the list down to the Js and permitted the Jordans to enter.
The room was as cold and official as a courtroom, with long benches flanking metal tables. There were several fathers and sons already there, and a thin-lipped woman with cropped black hair was passing out sheets of paper.
Mr Jordan filled out the form, and returned it to the clerk. Then he told Dickie: ‘It won’t be long now. When they call your name, you just go through the doorway at the end of the room.’ He indicated the portal with his finger.
A concealed loudspeaker crackled and called off the first name. Dickie saw a boy leave his father’s side reluctantly and walk slowly towards the door.
At five minutes to eleven, they called the name of Jordan.
‘Good luck, son,’ his father said, without looking at him. ‘I’ll call for you when the test is over.’
Dickie walked to the door and turned the knob. The room inside was dim, and he could barely make out the features of the grey-tunicked attendant who greeted him.
‘Sit down,’ the man said softly. He indicated a high stool beside his desk. ‘Your name’s Richard Jordan?’
‘Yes, sir.’
‘Your classification number is 600-115. Drink this, Richard.’
He lifted a plastic cup from the desk and handed it to the boy. The liquid inside had the consistency of buttermilk, tasted only vaguely of the promised peppermint. Dickie downed it, and handed the man the empty cup.
He sat in silence, feeling drowsy, while the man wrote busily on a sheet of paper. Then the attendant looked at his watch, and rose to stand only inches from Dickie’s face. He unclipped a penlike object from the pocket of his tunic, and flashed a tiny light into the boy’s eyes.
‘All right,’ he said. ‘Come with me, Richard.’
He led Dickie to the end of the room, where a single wooden armchair faced a multi-dialled computing machine. There was a microphone on the left arm of the chair, and when the boy sat down, he found its pinpoint head conveniently at his mouth.
‘Now just relax, Richard. You’ll be asked some questions, and you think them over carefully. Then give your answers into the microphone. The machine will take care of the rest.’
‘Yes, sir.’
‘I’ll leave you alone now. Whenever you want to start, just say “ready” into the microphone.’
‘Yes, sir.’
The man squeezed his shoulder, and left.
Dickie said, ‘Ready.’
Lights appeared on the machine, and a mechanism whirred. A voice said: ‘Complete this sequence. One, four, seven, ten . .
Mr and Mrs Jordan were in the living room, not speaking, not even speculating.
It was almost four o’clock when the telephone rang. The woman tried to reach it first, but her husband was quicker.
‘Mr Jordan?’
The voice was clipped: a brisk, official voice.
‘Yes, speaking.’
‘This is the Government Educational Service. Your son, Richard M Jordan, Classification 600-115 has completed the Government examination. We regret to inform you that his intelligence quotient is above the Government regulation, according to Rule 84 Section 5 of the New Code.’
Across the room, the woman cried out, knowing nothing except the emotion she read on her husband’s face.
‘You may specify by telephone,’ the voice droned on, ‘whether you wish his body interred by the Government, or would you prefer a private burial place? The fee for Government burial is ten dollars.’
As in any piece of literature we will look first at the title. How well does it fit in with the plot? Find 3 pieces of information from the text that suggests this is not the type of examination we would expect, or suggests that the test is a very important one.
What is “an intelligence test”. What is it supposed to tell you about a person?
What kind of home do the Jordans live in? Write two quotes that have helped you make this decision.
Now we will examine the setting. Find information that suggests this is not a society like our own but a rather sinister society in the future. Write down a number of words or phrases from the text (quotations).
In this short story the characters are very interesting as their behaviour and attitudes suggest a lot more than they actually say. Mr and Mrs Jordan react differently to the idea of the test. What do we think that we understand about them from their reactions?
How well do you expect Dickie to do in the test? Give two reasons for your answer.
From Mr Jordan’s explanation of the test what seems to be a very sinister aspect of the proceedings?
How does Slesar make the test building seem oppressive and a little frightening?
How does the writer make the woman handing out the registration forms seem unpleasant?
Every examination candidate has an identification number. These students have a classification number. What does that tell you about how they are treated?
The candidates are drugged so that they give truthful answers to the questions. Why do you think the government needs to do this?
Why were Mr and Mrs Jordan sitting in silence? What is the effect of the word speculating?
What has happened to Dickie and why?
Finally, we will examine the powerful ending to this short story. We are at first confused and then shocked when the reason for Dickie being killed is realised. Did you find it unexpected, clever and effective?
Describe the way education has been presented in this short story.
Based on a short story by Roddy Doyle this poignant short film deftly captures the experience of being the new boy in school through the eyes of Joseph, a nine-year-old African boy.
It's the first day of school in Ireland for Joseph, an African lad of about ten or 12. The teacher introduces him to the class, he sits, and as the day progresses he remembers moments of his schooling back home. Two of the boys in class start to tease and pick on him; he's stoic, ignoring them at first. He's defended by one of the girls in class. Recess approaches and one of the lads tells Joseph to watch out. How will the confrontation play out?
Using the technique of flashback, the film shifts between the present day class setting and a class day in Joseph’s past. The filmmakers work at paralleling the two points in time.
One film critic when reviewing this film said people should watch this . . . “because we can all somehow relate to being “the new kid” even if we never switched schools.”
Here is a list of possible themes for this story.
• Dealing with change.
• Fitting in.
• Cultural difference.
• Misunderstandings.
• Don’t judge a book by its cover.
• Racism and prejudice.
• Similarities and differences
Dealing with change…fitting in…cultural differences… These are just a few of the themes this incredible short touches on. Just be prepared to have a tissue on hand.
New Boy is an Irish short film that won Best Narrative Short at the 2008 Tribecca Film Festival and was nominated for an Oscar. It’s easy to see why. The film centers on Joseph, the new kid in class. He also happens to be African. The film shifts between the present day class setting and a class day in Joseph’s past. The filmmakers work at paralleling the two points in time, showing us both the similarities and differences in setting and culture.
New Boy never forgets that the majority of its characters are children and, thankfully, they act as such. There’s the bully, the tattle-tale, the kid who doesn’t stop writing when he’s supposed to, etc. And, of course, there’s the new boy. Except, this new boy didn’t move to a new town/school because his dad got a new job or housing was cheaper in the new neighbourhood.
Something horrible happened in Joseph’s past to cause this life change. Unfortunately, Joseph is the new kid and is picked on regardless, and no one but Joseph (and the viewer) knows or comprehends his history.
The real success of this film is the subtle way in which it conveys Joseph’s hardship in the face of a new and not-entirely-welcoming setting. Being the new kid in class can be a horror unto itself, but add that to another kind of horror and you’ve got a heartbreaking scenario in front of you. Watching this film, you can’t help but empathize with Joseph.
One last thing to note is that New Boy is beautifully shot. Transitions between the past and present are flawless, and the film employs a fantastic use of depth of field throughout. New Boy is powerful, emotional viewing with a strong, yet simple message. If you weren’t convinced of the merits of short films beforehand, this film should certainly do it.