I have inspired myself with some of the refined kanji that I have done in the last weeks, as I created 2 prototypes of the animated gifs Tsuki(月) and Mizu(水), which I believed the animated forms of illustrated kanjis could be something innovative in the field of language learning
The reason I have animated them by turning still illustrated objects into the actual forms of kanjis since they further tell a clearer picture from the stories I have created before, which I believe can lead to more effective learning. Hence they also require my further exploration as I am also new to animation-making
While the still images in previous prototypes somehow do not reveal how the actual kanji look like instead more focus on its visualised elements, animated kanjis give me the chance to reveal the form of how an actual kanji form looks like, so they could be less distracting and confusing for the learners to learn over it (the past prototypes tended to reflect that problem as I mentioned which could cause a misunderstanding as observed)
I believe this could not entirely let the learners learn through the kanji's actual meaning and logographic since it does not show the actual kanji strokes which they may misunderstand this illustrated form is the correct way of how 月 is written
The problem of this past illustration I did for 水 also reveals the problem same as above
Animated gif of Tsuki developed from the refined Tsuki from week 2, bringing in a more easily understandable context of its kanji meaning and actual logographic in illustrated form
I believe this could be a better-refined solution for 水, as I got rid of the water stroke element as I did before but simply using the animation of flowing water patch which is much easier to read
While I was suggested I do not need to transform most of kanji the components into illustrated objects from the comments given by my Japanese teacher since it will cause confusion in learners, I looked into the Japanese typographer, Hotaka the way how they perceived a certain Japanese kanji phrase/vocab in a more typography focus approach
Since I was currently taking a more illustrative approach to reflect my interpretation in turning most of the kanji components into illustrated objects, Hotaka's typographic works influenced me to experiment with a new set of kanji illustrations during the 40-minute sprints during class
40-minute sprints referencing Hotaka's typography design style - For these characters, I also considered how the kanjis could be animated by trying to draw out the 'movements' of the components
Posted 6 July 2023, Digital medium
I was inspired by how the font gives me a sense of liquid flowing from the clouds during the rainy season, as I have brought this element in one of my new sets of kanji this week (as shown in the character at the left 泳, swim).
Posted 15 August 2023, Digital medium
Hotaka uses simple shapes and light weighted lines based on the forms of fruits, bringing out a sense of sweetness and freshness from fruit wine with a fruity-looking pastel colour palette (While in my case if I was visualising 果実酒 for my project, I might have directly illustrated a whole fruit in my kanji letters which shows our different approaches).
Posted 6 July 2023, Digital medium
This typographic piece successfully delivered the sense of the joyfulness of enjoying sushi in terms of the rounded edges applied for the entire font, which brings me to my own design of the character 食, eat at the left.
In one of my peers Noelle's exhibition, she used a combination of presenting her research findings and interactive activities through a poster series, which requires a sense of engagement among the class as she also uses this exhibition as a chance for her to collect feedback in measuring the effectiveness of each of her research has done
Going through her presentation, we went through her posters from the top from left to right, the process requires us to first read through chunks of paragraphs of her findings -> complete the activities by taking part in her mindmap -> back to look at the presentation findings of her designed collage -> interactive feedback session, the toggling of her different presentation approaches could potentially cause a sense of confusion in providing her feedback as pointed by Dion
This feedback also made me cautious about my exhibition which I will be presenting my research in the future I have been writing that as a reference and reminder in this documentation
Noelle's research findings of her co-design research with teachers
Since this is the first consultation carried out in the semester, I first clarified myself by asking a few questions regarding past assignments starting with how to actually make my academic more critical as I was commented the way I wrote was more on a reported and descriptive side that dragged my grades down – So that it needed to be clarified in order to let me continue work on this documentation without hesitation
As my current understanding of 'critical' was using literature references and analysis of other existing works that help to reference my project, critical refers to explaining and reasoning the cause in a number of perspectives after a particular fact as explained by Dion
Aside from the critical 'why' part, the descriptive 'what' part is also vital, these mentioned aspects have been recorded as a reference here and kept as a reminder for my future writing
As we went through some of my animated gifs and drawings created over the week, I initiated the conversation by explaining why the animated gifs have been developed from the still drawings mentioned above on this page, as my reasoning also involve some critical statements stated by Dion – this also gained me confidence for my documentation writing
Feedback has been provided for the documentation site that I should put in what I have explained to Dion about the reasoning behind the drawings and gifs, as well as my new inspiration from Hotaka, the Japanese typographer – as I noted this could help lead to a more effective conversation during the upcoming semester