REDDY, PATTABHIRAMA (1919-2006)
i > | INDIA |
— — — — —
Funeral Rites | Samskara (1970, 113 min)
BETWEEN 60-120 MIN |
— — — — — 1970s
REICHMANN, MAX (1884-1958)
g > | GERMANY |
— — — — —
The Miracle of Flowers | Das Blumenwunder (1926, 81 min)
BETWEEN 60-120 MIN |
— — — — — 1920s
REINERT, ROBERT (1872-1928)
a > | *AUSTRIA | g > | GERMANY |
— — — — —
Nerves | Nerven (1919, 110 min)
BETWEEN 60-120 MIN |
Opium (1919, 96 min)
BETWEEN 60-120 MIN |
— — — — — 1910s
REIS, ANÓNIO (1927-1991)
CORDEIRO, MARGARIDA (1939)
p > | PORTUGAL |
— — — — —
Ana (1982, 115 min)
BETWEEN 60-120 MIN |
— — — — — 1980s
Jaime (1974, 35 min)
BETWEEN 15-60 MIN | w/out CORDEIRO, MARGARIDA |
— — — — — 1970s
REISENBÜCHLER, SÁNDOR (1935-2004)
h > | HUNGARY |
— — — — —
The Advent of Light (2002, 10 min)
BETWEEN 0-15 MIN |
— — — — — 2000s
Merry Apocalypse (1999, 8 min)
BETWEEN 0-15 MIN |
Allegro Vivace (1990, 5 min)
BETWEEN 0-15 MIN |
— — — — — 1990s
Farewell Little Island (1987, 13 min)
BETWEEN 0-15 MIN |
— — — — — 1980s
The Year of 1812: War and Peace (1973, 11 min)
BETWEEN 0-15 MIN |
Age of Barbarians (1970, 10 min)
BETWEEN 0-15 MIN |
— — — — — 1970s
Stealing Sun and Moon (1968, 12 min)
BETWEEN 0-15 MIN |
A Portrait from Our Century (1965, 9 min)
BETWEEN 0-15 MIN |
— — — — — 1960s
REITZ, EDGAR (1932)
g > | GERMANY |
— — — — —
Heimat Fragments: The Women (2006, 143 min)
BEYOND 120 MIN |
— — — — — 2000s
Heimat: A German Chronicle (1984, 11 Ep., 940 min)
BEYOND 120 MIN |
— — — — — 1980s
Speed (1963, 13 min)
BETWEEN 0-15 MIN |
— — — — — 1960s
RENDL, JAN (1977)
c > | CZECHIA |
— — — — —
Love at the Monastery | Láska z kláštera (2015, 41 min)
BETWEEN 15-60 MIN |
Experience of an Exorcist | Zkušenost exorcisty (2011, 17 min)
BETWEEN 15-60 MIN |
The Confession | Zpověď (2010, 14 min)
BETWEEN 0-15 MIN |
— — — — — 2010s
EXPERIENCE OF AN EXORCIST (22 Dec 2015)
the full armor of God consists of a belt of truth (buckled around the waist), a breastplate of righteousness, a shield of faith, a helmet of salvation and a sword of Spirit (which is a word of God)
THE CONFESSION (22 Dec 2015)
“the crossroad is always watched by a demon”
— — — — —
RESNAIS, ALAIN (1922-2014)
f > | FRANCE |
— — — — —
Last Year At Marienbad (1961, 94 min)
BETWEEN 60-120 MIN |
— — — — — 1960s
Hiroshima Mon Amour (1959, 90 min)
BETWEEN 60-120 MIN |
— — — — — 1950s
LAST YEAR AT MARIENBAD (22 Sep 2016)
Last Year in Marienbad: A Film as Art (Kunsthalle Bremen, Nov2015-Mar2016, curator C. Grunenberg) // E. Atget (photos of empty gardens and parks of the Ancient Régime in Versailles and Saint-Cloud) / paintings by P. Delvaux, G. de Chirico, R. Magritte / Eaux d’artifice (K. Anger, 1953) / Slow Angle Walk – Beckett Walk (B. Nauman, 1968), The Red Tapes (V. Acconti, 1977) / On a Stormy Night AKA Aus einer Sturmnacht (poem by R. M. Rilke) – memorabilia of Volker Schlöndorff (assistant director) / J. Mekas: commercial+experimental (in the footsteps of M. Deren) // Hotel for Strangers (A. Máša, 1967), book: A House Far Away AKA Dům daleko (V. Linhartová, 1968), video installation: Reflection AKA Odlesk (J. Mančuška)
sn1: around 1960 the regime of socialist Czechoslovakia was sending in (real, denazified, degermanized) Marienbad workers’ collectives (i.e. loyal plebeians) for their convalescent stays
sn2: in the iconic scene in the park only humans drop down shadows (not shrubs or statues) = shadow as an attribute of mortality / when the same scene is humanless, shrubs and statues make shadows
sn3: paintings of H. Rousseau are mostly shadowless — the (only) exception is "Alleyway in the Park of Saint-Cloud" / magic realism usually avoids shadows (light doesn’t come from external source — all the items are self-emanating)
sn4: Marienbad = the meeting place of J. W. Goethe and U. von Levetzow
— — — — —
REY, NICOLAS (1968)
f > | FRANCE |
— — — — —
Differently, Molussia | Autrement, La Molussie (2012, 81 min)
— — — — — 2010s
REZAEE, PANAHBARKHODA (1977)
i > | IRAN |
— — — — —
A Light in the Fog | Cheraghi dar meh (2008, 76 min)
BETWEEN 60-120 MIN |
— — — — — 2000s
REZVANI, NAVA (1982)
i > | IRAN |
— — — — —
Dolls Don’t Know (2014, 57 min)
— — — — — 2010s