B > Be

— — — — —

BEAVERS, ROBERT (1949)

u > | U.S.A. |

— — — — —

The Hedge Theatre (2002, 19 min)

— — — — — 2000s

BECKER, HAROLD (1928)

u > | U.S.A. |

— — — — —

Sighet, Sighet (1967, 27 min)

— — — — — 1960s

BECKER, JACQUES (1906-1960)

f > | FRANCE |

— — — — —

Rue de l’Estrapade (1953, 97 min)

— — — — — 1950s

BECKETT, ADAM (1950-1979)

u > | U.S.A. |

— — — — —

Sausage City (1974, 5 min)

— — — — — 1970s

BECKETT, SAMUEL (1906-1989)

i > | IRELAND |

— — — — —

BECKS, CHRISTOPHER

c > | *CANADA | g > | GERMANY | l > | LEBANON | n > | NETHERLANDS |

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I Don’t Think I Can See an Island (2016, 4 min) | LEFRANT, EMMANUEL (1975) |

Ritournelle (2012, 3 min) | MILLER, PETER |

Ouverture (2010, 5 min)

— — — — — 2010s

BEKKVIK, STIAN (1995)

n > | NORWAY |

— — — — —

Before I Close My Eyes (2015, 5 min)

Hjertepumpe (2015, 7 min)

— — — — — 2010s

BENE, CARMELO (1937-2002)

i > | ITALY |

— — — — —

One Hamlet Less (1973, 70 min)

— — — — — 1970s

BEREZŇÁKOVÁ, BARBORA (1987)

s > | SLOVAKIA |

— — — — —

Remembering 90 (2015, 24 min)

— — — — — 2010s

BERGER, LUDWIG (1892-1969)

g > | GERMANY |

— — — — —

I by Day, You by Night | Ich bei Tag and du bei Nacht (1932, 98 min)

— — — — — 1930s

BERGNER, MARCUS (1956)

a > | AUSTRALIA |

— — — — —

Thread of Voice (1993, 19 min) | BUCKLEY, MICHAEL | LOVECE, FRANK | STIRPE, MARISA |

— — — — — 1990s

Stramm (1986)

Doppelganger Films (1985, 14 min)

ARF ARF / 85 (1985, 12 min) | BUCKLEY, MICHAEL | LOVECE, FRANK | STIRPE, MARISA |

— — — — — 1980s

BERGSMARK, ESTER MARTIN (1982)

s > | SWEDEN |

— — — — —

— — — — — 2000s

BERGSTRØM, KÅRE (1911-1976)

n > | NORWAY |

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Lake of the Dead | De dødes tjern (1958, 76 min)

— — — — — 1950s

BERKELEY, BUSBY (1895-1976)

u > | U.S.A. |

— — — — —

The Gang’s All Here (1943, 103 min)

— — — — — 1940s

BERNARD, JOSEPH

u > | U.S.A. |

— — — — —

Common Air (1984, 13 min)

Variant Chants (1983, 16 min)

Film for Untitled Viewer (1983, 3 min)

The Function of Film (1982, 8 min)

Night Mix (1982, 11 min)

Intrigues (VI) (1981, 5 min)

Intriques (V) (1981, 3 min)

Intrigues (IV) (1981, 2 min)

Intrigues (I) (1981, 4 min)

Fugue (1981, 3 min)

Drawings on Africa (1981, 2 min)

620 Commercial (1980, 9 min)

Splices for Sharits (1980, 6 min)

Diversion (1980, 3 min)

— — — — — 1980s

Ritual (1979, 3 min)

White Film (1978, 5 min)

Icon (1978, 6 min)

— — — — — 1970s

COMMON AIR (19 Nov 2015)

a short refreshing creative commons breath of common air tainted by airborne dust and color filter pollutants (the concomitants of occasional temperature inversion from negative to positive and vice versa)

DRAWINGS IN AFRICA (23 Nov 2015)

a study in juvenile psychocartography

FUGUE (23 Nov 2015)

sequel to “Hringurinn”

SPLICES FOR SHARITS (23 Nov 2015)

sequel to “Hringurinn” without a car (leaving a car in the garage this time and making the all-round cruise four times, instead of just once — each time attempting anew pace and anew perception of surrounding splicescape)

620 COMMERCIAL (23 Nov 2015)

architects are usually rather sceptical about the ability of a film footage to convey the space experience (or a spirit) of a building... this short film is one of the rare examples proving the attempt to capture the architecture (and its spatiality, flavour, subtlety etc. etc.) on a film is not futile in advance

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BEST MAUGARD, ADOLFO (1891-1964)

m > | MEXICO |

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The Blood Spot (1937, 70 min)

— — — — — 1930s

BEYZAI, BAHRAM (1938)

i > | IRAN |

— — — — —

Death of Yazdgerd | Marg Yazdgerd (1982, 120 min)

— — — — — 1980s

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