Old Enough Jun 2007
Old Enough To Remember
June 2007
Welcome to The Plaza Pages Newsletter San Angelo Texas
Old-Time Radio
Old-Time Radio and the Golden Age of Radio refer to a period of radio programming lasting from commercial radio's introduction in the early 1920s to its replacement in the late 1950s and early 1960s by television as the dominant home entertainment medium. During this period, when radio was dominant and the airwaves were filled with a variety of radio formats and genres, people tuned into regularly to their favorite radio programs. In fact, according to a 1947 C. E. Hooper survey, 82 out of 100 Americans were found to be radio listeners. The end of this period coincided with music radio becoming the dominant radio form and is often marked by the final CBS broadcasts of Suspense and Yours Truly, Johnny Dollar on September 30, 1962.
Origins:
The audio theatre art form was invented prior to radio, developing in the 1880s and 1890s on early wax recordings. The first examples were recordings of vaudeville sketches, sometimes modified for the medium, but original audio pieces were being created well before Reginald Fessenden first broadcast sound over the radio on Christmas Eve, 1906. Similar to films, early radio shows reflected these vaudeville origins with cornpone gags and ethnic humor interspersed between song numbers. However, as the medium matured, sophistication increased.
Types of programs:
During the Golden Age of Radio, radio featured genres and formats popular in other forms of American entertainment—adventure, comedy, drama, horror, mystery, musical variety, romance, thrillers—along with classical music concerts, big band remotes, farm reports, news and commentary, panel discussions, quiz shows, sidewalk interviews, sports broadcasts, talent shows and weather forecasts.
In the late 1920s, the sponsored musical feature was the most popular program format. Commercial messages were regarded as intrusive, so these shows usually displayed the sponsor's name in the title, as evidenced by such programs as The A&P Gypsies, Acousticon Hour, The Champion Sparkers, The Clicquot Club Eskimos, The Flit Soldiers, The Fox Fur Trappers, The Goodrich Zippers, The Ingram Shavers, The Ipana Troubadors, The Planters Pickers, The Silvertown Cord Orchestra (featuring the Silver Masked Tenor), The Sylvania Foresters and The Yeast Foamers. During the 1930s and 1940s, the leading orchestras were heard often through big band remotes, and NBC's Monitor continued such remotes well in the 1950s by broadcasting live music from New York City jazz clubs to rural America. Classical music programs on the air included The Voice of Firestone and The Bell Telephone Hour. The Metropolitan Opera was also featured in weekly broadcasts of complete operas, then sponsored by Texaco. The broadcasts, now sponsored by the Toll Brothers, continue to this day on NPR and are one of the few examples of live classical music still broadcast on radio. One of the most notable of all classical music radio programs of the Golden Age of Radio featured the celebrated Italian conductor Arturo Toscanini conducting the NBC Symphony Orchestra, which had been created especially for him. At that time, nearly all classical musicians and critics considered Toscanini the greatest living maestro.
Top comedy talents surfed the airwaves for many years: Fred Allen, Jack Benny, Victor Borge, Fanny Brice, Billie Burke, Bob Burns, Judy Canova, Jimmy Durante, Phil Harris, Bob Hope, Groucho Marx, Jean Shepherd, Red Skelton and Ed Wynn. More laughter was generated on such shows as Abbott and Costello, Amos 'n' Andy, Burns and Allen, Easy Aces, Ethel and Albert, Fibber McGee and Molly, The Great Gildersleeve, The Halls of Ivy, Meet Corliss Archer and Meet Millie.Radio comedy ran the gamut from the small town humor of Lum and Abner, Herb Shriner and Minnie Pearl to the dialect characterizations of Mel Blanc and the caustic sarcasm of Henry Morgan. Gags galore were delivered weekly on Stop Me If You've Heard This One and Can You Top This?, panel programs devoted to the art of telling jokes. Quiz shows were lampooned on It Pays to Be Ignorant, and other memorable parodies were presented by such satirists as Spike Jones, Stoopnagle and Budd, Stan Freberg and Bob and Ray. British comedy reached American shores in a major assault when NBC carried The Goon Show in the mid-1950s.
Some shows originated as stage productions: Clifford Goldsmith's play What a Life was reworked into NBC's popular, long-run The Aldrich Family (1939-1953) with the familiar catchphrases "Henry! Henry Aldrich!", followed by Henry's answer, "Coming, Mother!". Moss Hart and George S. Kaufman's Pulitzer Prize-winning Broadway hit, You Can't Take It with You (1936), became a weekly situation comedy heard on Mutual (1944) with Everett Sloane and later on NBC (1951) with Walter Brennan.Other shows were adapted from comic strips, such as Blondie, The Gumps, Li'l Abner, Little Orphan Annie, Popeye the Sailor, Red Ryder, Reg'lar Fellers, Terry and the Pirates and Tillie the Toiler. Bob Montana's redheaded teen of comic strips and comic books was heard on radio's Archie Andrews from 1943 to 1953. The Timid Soul was a 1941-1942 comedy based on cartoonist H.T. Webster's famed Casper Milquetoast character, and Robert L. Ripley's Believe It or Not! was adapted to several different radio formats during the 1930s and 1940s.
Availability of recordings:
During part of the Old-Time Radio era, the Armed Forces Radio Service obtained copies of network radio entertainment programming for distribution to Armed Forces Radio Service radio stations serving U.S. troops overseas. Those programs were edited to delete commercials, and disks were pressed for shipment to stations. Many Old-Time Radio shows have survived only in the edited Armed Forces Radio Service version; some exist in both original and Armed Forces Radio Service formats.
