1.0 Objectives
1.1 Introduction
1.2 Relevance of Classical Criticism
1.3 Plato’s Theory of Mimesis and Aristotle’s Defence
1.3.1 Aristotle's Reply to Plato's Objection
1.3.2 Aristotle's Objection to the Theory of Mimesis
1.4 Aristotle’s Concept of Tragedy
1.4.1 The Definition of Tragedy
1.4.2 Six Formative Elements of Tragedy
1.4.3 Plot and Character
1.4.4 The Tragic Hero
1.5.1 Unity of Action
1.5.2 Unity of Time
1.5.3 Unity of Place
1.6.1 Why Aristotle had adopted this theory
1.6.2 The Meaning of Catharsis
1.6.3 The Relevance of the Theory of Catharsis in the Present Scenario
1.7 Let us Sum up
1.9 Reading List
“Tragedy is an imitation of an action that is serious, complete and of a certain magnitude…through pity and fear effecting the proper purgation of these emotions.”(Poetics, p. 10)
The above given definition of Aristotle indicates that the function of tragedy is to arouse ‘pity and fear’ in the spectator for both moral and aesthetic purpose. One has to remember in this context that he had Plato’s famous charge against the immoral effects of poetry on people’s minds. Aristotle uses the word in his definition of tragedy in chapter –VI of Poetics, and there has been much debate on exactly what he meant. The key sentence is: ‘Tragedy through pity and fear effects a purgation of such emotions.’ So, in a sense, the tragedy, having aroused powerful feelings in the spectator, has also a salubrious effect; after the storm and climax there comes a sense of release from tension, of calm. His theory of Catharsis consists in the purgation or purification of the excessive emotions of pity and fear. Witnessing the tragedy and suffering of the protagonist on the stage, such emotions and feelings of the audience are purged. The purgation of such emotions and feelings make them relieved, and they emerge as better human beings than they were. Thus, Aristotle’s theory of Catharsis has moral and ennobling function.