juno 60
Roland Juno-60
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Roland was one of the main pacemakers in analogue synthesis, also competing
with the Sequential and Oberheim products. They did anticipate the moving
market and produced the Juno-6 relatively early. This was one of the first
accessible synths, having a reasonably fat analogue sound without the price
card of the monster predecessors. It brought synthesis to the mass market that
marked the decline of Sequential Circuits and Oberheim who continued to make
their products bigger and fatter. The reduced price tag meant it had a slightly
thinner sound, and a chorus was added to extend this, to be a little more
comparable.
The synth again follows the Mini Moog design of oscillators into filter into
amp. The single oscillator is fattened out with harmonics and pulse width
modulation. There is only one envelope generator that can apply to both the
filter and amplifier.
Control:
DCO: Amount of pitch wheel that is applied to the oscillators frequency.
VCF: Amount of pitch wheel that is applied to the filter frequency.
Tune: Master tuning of instrument
Glide: length of portamento
LFO: Manual control for start of LFO operation.
Hold: (*)
Transpose: Up/Down one octave
Hold: prevent key off events
LFO:
Rate: Frequency of LFO
Delay: Period before LFO is activated
Man/Auto: Manual or Automatic cut in of LFO
DCO:
LFO: Amount of LFO affecting frequency. Affected by mod wheel.
PWM: Amount of LFO affecting PWM. Affected by mod wheel.
ENV/LFO/MANUAL: Modulator for PWM
Waveform:
Pulse or Ramp wave. Pulse has PWM capabily.
Sub oscillator:
On/Off first fundamental square wave.
Sub:
Mixer for fundamental
Noise:
Mixer of white noise source.
HPF: High Pass Filter
Freq:
Frequency of cutoff.
VCF:
Freq:
Cutoff frequency
Res:
Resonance/emphasis.
Envelope:
+ve/-ve application
Env:
Amount of contour applied to cutoff
LFO:
Depth of LFO modulation applied.
KBD:
Amount of key tracking applied.
VCA:
Env/Gate:
Contour is either gated or modulated by ADSR
Level:
Overall volume
ADSR:
Attack
Decay
Sustain
Release
Chorus:
8 Selectable levels of Dimension-D type helicopter flanger.
* The original instrument had a basic sequencer on board for arpeggio effects
on each key. In fact, so did the Prophet-10 and Oberheims. This was only
implemented in 0.10.11.
The LFO cut in and gain is adjusted by a timer and envelope that it triggers.
The Juno would improve from the use of the prophet DCO rather than its own one.
It would require a second oscillator for the sub frequency, but the prophet DCO
can do all the Juno does with better resampling and PWM generation.