Artist Peter Matthews commissioned twelve portraits to capture the lives of local fisherman and their outstanding personalities. The portraits featuring Rumbelow, Ewen, and Shannon family members were painted by William (Bill) Needs and Peter’s younger son, Andrew Matthews.
Peter wrote ‘I offer the portraits so that they may be safeguarded and exhibited from time to time – when hopefully Victor Harbor will have a gallery of its own and that I ask for no remuneration. It is just something that I thought worthwhile of the men portrayed and who lost their lives at sea."
The Rumbelow family arrived at Port Adelaide from Suffolk on October 5, 1854, in the barque ship ‘Pestongee Bomanjee’ with 350 emigrants. They played an important role in developing the fishing industry. They were renowned for their excellent boat skills, physical strength and strength of character. There are many well documented stories of their Rumbelow fishermen and boatmen of their bravery and being involved in many rescues of people from the coast.
It is interesting that the ability to save lives at sea has continued throughout the generations, Florence Rumbelow was one of the first female lifesavers to achieve their surf bronze medals in 1935 and another descendant, Don Rumbelow is involved in sea rescue, his father Graham and grandfather Lionel were presented with Humane Society Awards for Bravery.
The Rumbelow women played a key role in the fishing business, there are images of the family boatshed, a simple but beautiful structure. This is where the fish were sorted to take to market in Adelaide. The portrait of Malen Rumbelow perhaps depicts the boatshed in the background.
The Rumbelow family had many tragic experiences in their life at sea and women with the loss of their husbands were left to bring up children and support their family.
Throughout historical documents, there are many comments about the Rumbelow involvement in the community and this is described well by the unnamed Victor Harbor Correspondent in the South Australian Register on June 12, 1907.
‘One cannot meet the Rumbelow family without admiring the genial, cheery dispositions of all, traits that have distinguished each generation. The family carry with them the esteem and regard of all who know them, and it is hoped success and renewed vigor will crown them in their new sphere’
Extract from 2021 Exhibition Guidebook, Coral Street Gallery Council Exhibition.
Peter Harold Matthews
1920 – 1989
(L-R): Andrew Mathews, Peter Mathews , Chris Matthews
Studio portrait of 23494 Signalman Peter Harold Matthews
Peter (left) is shown with a fellow sailor and the bands around the caps indicates they are at HMAS Cerberus, Flinders Naval Station.
Peter (left) is shown with two fellow sailors, the date and location is unknown.
Peter is shown here aboard the HMAS Nizam with two soldiers just evacuated from Tobruk on 17 October 1941; the soldier on the right is Alan Francis (SX5011 SGT A.G. FRANCIS) of Victor Harbor, the soldier on the left is only identified as “Laurie”. Alan served with the 2/43rd Infantry Battalion.
Peter Harold Matthews was born in Mannum but lived most of his life in and around Victor Harbor, South Australia. He left school at the age of sixteen and worked in the butchering business of his foster-family, the Fields, before joining the Royal Australian Navy in mid-1939. He had an early interest in art, purchasing his first set of artist’s paints whilst serving overseas during World War II. This was in 1941 while in Haifa, then part of the British Mandate of Palestine.
After the war Peter returned to Victor Harbor and married Margaret Leicester Smith in 1949. He embarked on an agricultural land development business involving scrub clearing, private road construction, fencing and dam building across the lower Fleurieu Peninsula. His years of experience in both farming and working the land led him to devise new systems of tracking on bulldozers. To develop his inventions, he and Margaret sold their 640 acre property at Willow Creek, west of Victor Harbor in 1960 and moved to England with their three children: Jane 9, Christopher 6, and Andrew 2.
After three years in England and with financial resources almost exhausted, they returned to Australia by way of a Swedish freight ship, the Cumulus, that had the capacity to accommodate fourteen passengers in spacious cabins. It was then that Peter finally found the time to try his hand at painting. With no easel to support his canvas, Peter just sat on the floor in the main passenger lounge with his painting propped against the wall, and his small colour-palette at his side. Peter found that he loved the challenges of painting. His subjects were drawn from sketches made of the ports visited as well as portraits of his fellow passengers.
The Matthews family settled again in Victor Harbor where a close friend immediately offered Peter a job in a real estate business. In his spare time, Peter pursued his newfound love of painting using the large bathroom of their rented house as his new ‘studio’. He had a great affection for Encounter Bay area and for the resourceful fishermen that lived there.
Peter Matthews, together with small groups of students of George Bray, an art teacher, formed the Southern Districts Arts Society 60 Years ago.
Peter was the first president of that small group. They had night classes at the school and displayed their artworks together on the lawns at Warland Reserve.
Forty six years ago, another of this collegiate group Alfred Engel became the Founder of the Rotary Art Show held on Warland Reserve.
In recent times Glenn Irvine, a much-valued contributor to ‘The Collective’ provided the now named Victor Harbor Art Society with historical information about the foundation of the society.
During the mid-sixties, Peter became a foundation member of the new Southern Districts Art Society that formed in Victor Harbor. During this time of new prosperity, many people were showing an interest in the arts. The Victor Harbor council was approached and permission was gained for local artists to begin exhibiting their works at Warland Reserve.
Peters paintings using oils with a palette knife, were much admired and sold well at these weekend exhibitions. He began painting professionally, selling his works both locally and interstate, and exhibiting at the Adelaide Festival of Arts.
Peter Harold Matthews was born on 28 January 1920 in Adelaide to William Harold and Dorothy Matthews (nee Byrnes). He was the fourth of their five children, who all served in the Australian armed forces during World War Two.
After completing his education at Victor Harbor High School, Peter worked as a butcher’s assistant. He was active in the community; being a member of the Fire Brigade, Drum Major of the Municipal Band and played for the senior football team.
Peter enlisted in the Royal Australian Navy on 14 August 1939 for twelve years, completing recruit and communications training at HMAS Cerberus, Flinders Naval Depot, Victoria. After basic training and specialist training he was classed as an Ordinary Signalman and joined the cruiser HMAS Perth in Sydney on 4 May 1940. The next day Perth sailed, escorting RMS Queen Mary carrying Australian soldiers. On 20 October 1940 he was promoted to Signalman while Perth patrolled Australian waters until late November 1940. The ship escorted a convoy to Aden then reached Alexandria in Egypt after passing through the Suez Canal to the Mediterranean in late December 1940.
During the ensuing five months, Perth was damaged by a near bomb miss in Malta, then they ferried troops to Greece and Crete. Later, the ship evacuated soldiers from Crete where the ship was again near missed before being hit by a German bomb on another trip, causing casualties. Perth spent most of June being repaired at Alexandria.
In July 1941, Perth bombarded Vichy French positions in Syria as allied forces fought to capture Syria. Peter was transferred to the destroyer HMAS Stuart on 17 July 1941. Over the next five weeks this ship, often under attack by German aircraft, completed 12 ferry runs to Tobruk. After several days aboard the destroyer HMAS Vendetta he joined the newer destroyer HMAS Nizam on 28 August 1941.
During the remainder of 1941 Nizam undertook ferry runs to Tobruk, escorted convoys to Malta and rescued survivors from the British battleship Barham when it exploded after being torpedoed by a German submarine.
It was during Peter’s service in the Mediterranean that he managed to souvenir the Battle Flag of Admiral Andrew Cunningham, the most senior naval officer in the Mediterranean during the Second World War. Post-war, Peter wrote the retired admiral, then 1st Viscount Cunningham of Hyndhope, telling the retired admiral how he had come in possession of the flag. Viscount Cunningham acknowledged the transgression and wished Peter well for the future. Peter later donated the Flag to the Victor Harbor RSL, where it remains today.
During January 1942, Nizam, with sister ships Nestor and Napier, was sent to Singapore to join the British Eastern Fleet. Afterwards she was based in Ceylon as a convoy escort and as part of a battle group sweep across the Indian Ocean which unsuccessfully searched for Japanese ships.
In June 1942, Nizam was part of the escort of an important convoy to Malta. During September 1942, Nizam was part of the screen during the British operation to capture Madagascar from the Vichy French. The ship then underwent three months of refit at Simonstown, South Africa.
It appears Peter left Nizam at Mombasa in early 1943 to return to Australia. He remained at Adelaide’s naval depot from 8 February to 1 July 1943. Service in the Melbourne naval depot, HMAS Lonsdale, followed before returning to Adelaide on leave on 10 March 1944. He would have been involved in communication duties at both depots. Further training followed at HMAS Cerberus where he passed the Visual Signalling qualification for Leading Signalman.
On 17 July 1944 he joined the frigate HMAS Barcoo and, apart from periods of leave, remained with the ship until 17 January 1946. Barcoo was then deployed escorting convoys around New Guinea and rescued two American fighter pilots from the sea in August, before spending September in Sydney for a short refit. November and December 1944 were spent at New Britain where the ship provided naval gunfire support to shore operations, before returning to Sydney for maintenance during February 1945.
Peter returned to Adelaide on 10 February 1946. After a fortnight in hospital, he received his release and discharge from the Royal Australian Navy on 28 February 1946, after paying 26 pounds to buy out the remainder of his unfinished twelve year engagement.
Being a Signalman, Peter was on duty near the ship’s bridge while at sea. There he had the advantage of seeing much of what was happening around ship, together with understanding the situation from the signals being sent and received.
After serving in five warships around the world, Peter returned to Victor Harbor and butchering.
He married Margaret Leicester SMITH, and there were three children of the marriage. Peter and Margaret were the principal developers of the Maude Street industrial area in Victor Harbor.
Died: 28 October 1989, aged 69 years
Memorials: Victor Harbor WW2 Roll of Honour
Service file of 23494 Peter Harold Matthews accessed from the National Archives of Australia.
Website of the Royal Australian Navy.
Information supplied by Chris Matthews.
Compiled by the Victor Harbor RSL History Research Team (researched by Lt Commander Dean Watson, RAN retired), November 2020.
Surname MATTHEWS
Given names PETER HAROLD
Cemetery name Victor Harbor
Cemetery section GENERAL
Grave row ROW 13
Plot 1317
Date of death 22/10/1989
Date of burial 27/10/1989
Grave depth SINGLE
Type of interment Burial
Permit number 664
Burial number 452
by Judith Crowley
Times (Victor Harbor, SA : 1987 - 1999), Tuesday 26 May 1992, page 6
Local artist and author Christopher Matthews says he is devoutly anti-religious but looks upon himself as being "tremendously fortunate". fortunate".
"My fortune being the foundation stone of the way things have turned out in my life. "I haven't had to battle against the odds — I am very much aware of the odds against being born so fortunate.
"Firstly, I was born in Australia, to a secure and loving family and I am very grateful for the independent thought processes and example set by both my parents. "It is impossible to divorce what one is now from where you came from." His mother's family of Smith came to South Australia in the 1860s and moved to Victor Harbor in the 1860s and built the first Victor harbor hotel, called Victor Harbor House, which was knocked down in 1959-60 to make way for the current Hotel Victor. When they sold Victor Harbor House, the Smith family bought the Fountain Inn and the 30 to 40 acres of land which surrounded it on Franklin Parade. From there they bought Simpson Newland's farm which took in much of Encounter Bay from Whalers Road through to Maud Street and from the river to the seafront. Peter Matthews, Chris's father, was born at Mannum, but from the age of eight was fostered out to the Fields who ran a butcher shop on the corner of Ocean Street and Albert Place from the 1860s through to the 1940s.
Chris was the second of Peter and Margaret's children — he has an older sister Jane and a younger brother Andrew. Born and bred in Victor Harbor, Chris attended local schools before getting a job as a clerk in the Lands Department for 18 months. "I had no intention of staying in the public service, it was just an avenue to get out of Victor Harbor and save some money to go overseas. "After 18 months I went — by ship to London to visit my sister who was there at the time."
Chris then went to Israel — a move which influenced the rest of his life. "I was in Israel for six months and did a Hebrew study course on a kibbutz for six months which was half work and half play. "I had known for some years I would go there and that area has had an impact on my life since. "It is an impressionable period of one's life, from 18 to 23, and what happens in that period becomes a reference point for later life." Israel left a strong imprint on Chris and he has been back five times since. It was also the start of his career in art — a beginning which was disastrous. "I had not made any concerted effort to paint until I went to Israel in 1974. I decided I'd have a go but the effort was abysmal. "It struck me then how typical it was of me to make the least of my opportunities to
Chris Matthews whose works of art, both painting and writing, have been strongly influenced by his life in two worlds, Victor Harbor and Israel.
''Dad had been painting professionally for about 10 years while I was at home and I hadn't made any use of his expertise or help to learn and now after having been gone only a matter of days, I was trying to paint. "I was in the most difficult of circumstances and far from anyone who could help before I decided to have a go. "I went back to London for six months and applied for various jobs and ended up working as a storeman in a hospital. "After six months I was sick of England and went back to Israel via Morocco, Algeria and Tunisia. "The idea of wanting to paint became stronger when I realised I could have earnt money by selling paintings to tourists rather than doing other odd jobs.
"I resolved then that when I got back to Australia I would get stuck into it — I realised I hadn't taken advantage of what I could have done." After his second trip to Israel, which lasted nine or 10 months, Chris came back to Australia and married Froulge whom he had met in Israel and who came to Australia six months after he returned. "We have lived in Victor Harbor ever since apart from six months in 1984 when we went back to Holland and Israel as a family, with Joachim who was five and Amiel, three." They have since had a daughter Danah, who is nearly six. Following his marriage, Chris took up painting within 12 to 18 months and sold his first paintings in three weeks and decided to turn professional.
"That decision was a little premature," he laughs, ''I took another five years to get to a stage where it could support the family. "It is like anything else, there is an apprenticeship to serve but you are not sure how long it is going to last. "I decided to work in watercolors because both my father and brother were working in oils and it was confusing enough to have three Matthews painting, and also because watercolors are more transportable. "The strongest artistic influence on my work at that time was Hans Heysen, but I also liked a Victorian artist, J.J. Hilder. "While Heysen's style of painting influenced my work, my lifestyle was influenced by my father. "Because he liked what he was doing and because he could do it and travel there was no difference for him between holidays and work days. "I was self taught but Dad helped with common things between painting in oils and watercolors such as composition and color sense. "His use of colors, particularly his boldness of colors, also had an influence on my work." Although art has been his life's work so far, Chris has found time to pursue other interests. "As well as painting, I have built a couple of houses and had a book published — A1 Jazzar (The Butcher), a spy thriller set in Jordan and Israel which won the Australian Vogel Literary award in 1981. "I have also written a number of other things which have not yet been published. "I am very happy with my painting and writing and hope to get another book published soon." Chris also hopes to go overseas again to gather more material for his art.
"About 50 percent of my work is derived from trips in Australia and the other half is based on overseas experiences in the Mediterranean and Middle East. "While I am away I get my ideas on film which makes the basis for my paintings when I return. "Apart from our trip as a family, I have been away twice since, for about two months at a time."
But Chris's heart is where his home is. "Victor is a lovely place to come back to, it is a district which has a lot to offer."