By the end of this lesson, students will be able to:
Demonstrate further proficiency sight-reading, improvising, and transcribing rhythms that include small subdivisions and subdivisions into 5 or more.
Sight sing and improvise melodies that incorporate augmented sixths over a given chord progression.
Transcribe chord progressions, melodies, and outer voices in examples from the repertoire that include augmented sixth chords.
Introduction to Augmented Sixth Chords (Integrated Musicianship) - See especially “Ear Training Tips”
Augmented Sixth Chords (Developing Musicianship Thorugh Aural Skills, p. 355–356) - Available online through the library
Types of Augmented 6th Chords and Scale Degrees
(Source: Music Theory for the 21st Century Classroom)
Melodic Sight-Reading (Aug 6 Chords): Sight read melodies in the “Augmented 6ths” section of the anthology. Additional melodies are linked below for extra practice.
Warmups:
Steps for Singing Augmented 6th Chords: Image | PDF | MuseScore (from Integrated Aural Skills)
Warmups and Pitch Patterns (from Developing Musicianship through Aural Skills, p. 356–357)
Sing along with David Newman's “International Chords Song,” including a review of the Neapolitan. Lyrics are provided on the linked page.
Additional Melodies for Sight-Singing
Solos, Duets, and Sing & Play (from Developing Musicianship through Aural Skills, pp. 379–386)
Augmented Sixth Chord Outlines (SFCM Sight Singing Textbook)
Rhythm Sight Reading (Cont. Work): Continue work with divisions into 5 or more and small subdivisions. See below for additional rhythm exercises:
Developing Musicianship Through Aural Skills, pp. 333–344
Rhythm: Advanced Studies, See various examples on pp. 15–59 with a review of other simple and compound meters from Unit 2.
Rhythmic Improvisation (Small Subdivions, cont.): Continued practice with subdivisions into 5, 6, 7, and small subdivisions. See improvisation exercises from Lessons 3-1 and 3-2.
Melodic Improvisation (Augmented 6ths): Improvise a melody over one of the following progressions or compose your own progression using an Augmented 6th chord.
Chord Player: | I | ii65 | Ger+6 | Cad64 V7 | [Link]
| I | ii65 | It+6 | V7 | [Link]
| I | ii65 | Fr+6 | V7 | [Link]
Online Worksheets (from Multimodal Musicianship)
Contextual Listening: Listen to a playlist of examples that include Augmented 6ths and try to spot them. Solutions provided. See Exercise 42.3.
Aural ID of Predominants: ID the second chord in the progression as the correct predominant including Aug6, N6, mode mixture PD chords, and others. Solutions provided. See Exercise 42.4.
Harmonic Dictation. Starting chord, key, time signature provided. Solutions provided (click the arrow to the right of the example. See Exercise 42-5.
Transcription: Guided questions and transcription with examples from the repertoire. See Exercise 42-6. (Instructor solution available)
Theory & Aural Anthology: See examples incorporating Augmented 6ths in the theory and aural anthologies for chord ID, chord dictation, and transcription practice. For additional practice examples, see also:
Paula Maust, Expanding the Music Theory Canon: Augmented 6th
Diverse Music Theory Examples: Augmented Sixth Chords
Open Music Harmony Anthology: See the section “Augmented Sixth Chords”