Course Description: Broadcast journalism is an introductory course designed to acquaint students with basic broadcast writing style and develop on-camera techniques. In addition, students will explore the history of radio and television and examine the responsibilities and ethics of broadcast journalists.
Students will learn the basics of television production. The class begins with the history of broadcast journalism and moves to the exploration of story types. Students will be trained in digital video camera techniques, including the basics of shooting and electronically editing video stories. This class collaborates with the print journalism (newspaper & yearbook) classes to combine /converge print media with broadcast media, for publication on the Internet.
Students will learn to write in broadcast style and will produce video announcements which will be broadcast (via the student-operated online newspaper) to the student body on a consistent basis. The prospective student acknowledges and agrees to the necessity for occasional after-hours (early mornings, evenings, weekends, etc.) work to cover stories and meet deadlines. The commitment to meeting deadlines means the student must be able to exercise good time-management, and from time-to-time give priority to their broadcast responsibilities over other non-essential outside activities.
Methods of Instruction
Lecture/discussion • Group/individual activities • Writing assignments • Current Events (The information can also be found watching local TV news. We will discuss the news daily, but you should become accustomed to the media and what is happening in the world around you.)
Course Goals
Develop skills necessary to create a good video story. • Provide students with a working knowledge of publication workflow. • Provide an overview of content and an introduction to basic broadcast concepts. • Students improve photography, filming and writing skills.
We will produce a 4-5 minute newscast (PirateTV) segment once a week. This is done with the understanding that we will follow professional broadcast rules, dress, and professionalism. This newscast will be viewed by students, faculty and the community at least once a week.
First: Go to https://panzoid.com/creations/40101
Second: Follow the directions in the "panzoid directions" clip
Third: This makes a NASTY mkv file (save it to your desktop)
Fourth: Load it into the https://cloudconvert.com/mkv-to-mp4
5th: Make it an MP4, download to desktop again!
Now: follow the rest of the directions for creating a COUNTDOWN and add the PANZOID VIDEO TO THE END!
Now that you know how to add clips and move them around in WeVideo, please make a short COUNTDOWN video--Follow the directions in the sheet.
When you are done, export it to your Google Drive and share it with me: karla_shotts@engschools.net
The pandemic has made it harder to film subjects in person. Use this guide to learn how to be creative about getting b-roll during social distancing and remote learning.
VIDEO: B-roll workshop recording from the 2020 SRL Teacher Workshop
Learn why scripting is an essential part of video production and storytelling, and why transcribing is critical in the story production process.
EXTRAS:
Explore SRL's tutorial series aimed at inspiring your students to take their storytelling and camerawork to new heights. Students can learn about the principles of photography, how to get good quality audio and more.
Writing to be heard and seen- Inside Reporting
Shattered Glass Activity (Google Drive)
Audio
Lighting
Planning/storyboarding- What is your angle?
Interviewing **PBS Student reporting lab
Attribution
Stand-ups
B-roll (composition, Rule of 3rds, Natural Sound)
Editing (iMovie, Final Cut Pro)
Live broadcasts (news/sports)
Podcasts
Working in TV/Markets/Ratings
Source:
https://www.dongoble.com/resources.html
In the links below, follow Don's curriculum, which he uses for both levels of Broadcasting he teachers at Ladue Horton Watkins High School.
(Not all curriculum listed was originally created by Don, but was shared freely online by other credible sources.)
Top 10 activities for a first level Broadcast course
Detailed links for first level Broadcast lessons
Easy ways to incorporate video lesson plan PRESENTATION
Headline Newscast, 5 W's and H, Broadcast news writing
Music Video and Music Video Scoring Guide
PSA and PSA rubric
"iAm" iMovie Trailers https://www.lhstv.net/iam-imovie-trailers.html
Pieces for lessons taken from http://www.jeadigitalmedia.org/guide-to-broadcast-video/
Starting Out
11 Tips for Creating Better Online Video from SmartBlogs.com
Broadcast journalism skills, objectives, and learning outcomes
Audio
Avoid copyright and use royalty-free music for video production
Perspective: Why you shouldn’t use music in broadcast stories
Mini-lessons for advisers when news cycles are slow: Natural Sound
Videography
The reaction in broadcast journalism is just as important (if not more) as the action
Mini-lessons for advisers when news cycles are slow: Shooting tips part two – WALLDO
Mini-lessons for advisers when news cycles are slow: Shooting tips part one – BRoll
Editing
Editing System Differences: Final Cut Pro vs Premiere Pro vs. Avid
Have broadcast students create an iAm video project using the iMovie ’11 film trailer theme
Reporting & Anchoring
Finding Story Ideas and Successfully Preparing for your Student Television Show
10,000 Words Blog Posts Second Semester Inspiration for Video Storytellers
Mobile/Online Video
iPhoneography: How and Why To Use iPhones For Broadcast Journalism
For the backpack journalist, consider lightweight, inexpensive audio/visual equipment
Writing, shooting, editing and publishing a video news package, all on a mobile device
Live Broadcasting
Copyright
Creative Commons is an important tool for copyright and fair use
Avoid copyright and use royalty-free music for video production
Photo Multimedia
Writing
Why Writing is the Most Important Skill for Broadcast Journalists
Teresa Schmedding Explains Why SEO Headline Writing is Important on the Web
Mini-lessons for advisers when news cycles are slow: Brainstorming and planning
Although the combination of a play-by-play announcer and one or more color commentators is standard today, in the past it was much more common for a play-by-play announcer to work alone. ASA Hall of Famer Vin Scully, longtime announcer for the Brooklyn/Los Angeles Dodgers baseball team, is one of few examples of this practice still existing today. Others currently in this capacity include Rich Schvotkin, (psychiatrist and play-by-play/color analyst for Georgetown Hoyas basketball games), and Dave Johnson, radio broadcaster for the Washington Wizards.
While there were sports broadcasts from 1912, the first sports commentary was broadcast in April 1921 by Florent Gibson of the Pittsburgh Star newspaper covering the fight between Johnny Ray and Johnny "Hutch" Dundee at the Motor Square Garden, Pittsburgh.[1]
In the United States, nearly all professional sports teams, most collegiate teams—as well as a dwindling number of high schools have their own Sports commentators, who are usually recognized as the voice of the team on radio broadcasts and are often identified as part of the team like the players or the coaches. In addition, television networks and cable channels will have their own stable of play-by-play announcers that work with various teams.
Play By Play and Color Commentating take practice!
4 volunteers - two racers - one play-by-play announcer & one color commentator. Each race is conducted by the racers completing two laps as the play-by-play announcer and color commentator are delivering the game announcements. After the winner is declared everyone switches places and in-between games ANNOUNCERS get feedback to the play-by-play announcer and provides even more instruction through situational developments
By: Jonathan Cooper
A news package is an innovative way to convey news to a broad audience. It is a visual form of news that has a story, characters, entertainment value, and facts. Reporters spend copious amounts of their time researching stories, interviewing characters, and eventually writing the scripts for these packages. The general population rarely sees news package scripts because the aspect you see on the evening news are video forms. This guide is intended to teach you how to write a news package script. Whether you are an inexperienced reporter or somebody interested in public genres, understanding news packages can give us a more informed perspective of the news we watch daily.
Writing a script should be the final step in creating an entire news package. Long before you sit down to write out the script, you should be thinking of sound bytes and ways to structure your story. News packages need to have a beginning, middle, and an end, as well as characters. Be thinking of the direction you want it go as you shoot video and conduct interviews. Once you have enough audio and video for your story, you are ready to begin:
Separate the script into two columns. On the left side, write video. On the right side, audio. Because you are writing for a visual medium, it is vital to separate out what the audience will see and what they will hear.
Choose sound bytes that are emotional, provide an interesting opinion, or help your story along. As you choose these sound bytes, mark the time on the tape next to the sound byte you write out so the editor can find it easily.
Write voice-overs that you, the reporter, will say to push the story along. The voice-overs should not stick out, but rather sound natural with the story.
Weave sound bytes and voice-overs together to create a cohesive audio section to your story.
Find places to put natural sound, which is strongly connected with video.
Write down video you have that complement the audio. You will have a large selection from shooting B-Roll in the field. Mark times next to the video so the editor can find it easily.
Read over your script and make sure it sounds natural, follows the guidelines of a story, and is easy to read so the editor will have an easier time editing it later.
Once the script is completed you are ready to go into the sound booth and record your voice-overs.
Be creative in the story you tell. You want to entertain as well as inform.
Be sensitive in how you convey your story in sad subject matters.
Don’t log every sound byte if you know you are not going to use it. Only take sounds bytes that are relevant to the direction of your story.
Feel free to modify the format of your script if you feel it makes it easier to understand.
If you work for a news station, you will be working on a strict deadline so you must be able to write scripts quickly and efficiently.
Think of a title that is unique and best expresses your story.
Ask for assistance from your photographer for good ideas for video.