Untitled (Shark and Pup with Other Fish)

Micky Wungulba

Australian (Nagara), 1939 – circa 1988

Untitled (Shark and Pup with Other Fish), 20th century

Ochre pigments on Eucalyptus bark

© Artist’s estate

Gift of the Thaddeus W. Tate Jr. Revocable Trust

2017.018

Micky Wungulba is a member of the indigenous Nagara (Nakara) people of the Arnhem Land in Australia. This culture is especially noted for the people’s appreciation and devotion to the natural world. Their art is rooted in the landscape and the people’s link with their land has been passed down through generations living in their ancestral place and through art making. Arnhem Land painters are well-known for their use of natural minerals (ochre pigments) on bark (eucalyptus tetradonta). Paintings such as this one do not simply depict an animal, but represent a complex social hierarchy and an intimate kinship with the natural world and with the ancestors.

-Brianna Gettier ‘22

History of Ochre Painting:

Ochre painting has a long history within Australian Indigenous art. The original purpose of this type of painting was for telling Dreamtime Stories and creating maps. Dreamtime Stories, in simple terms for this tradition is unique for each different peoples, is when the people would retell their creation and spiritual beliefs. Ochre painting used common, natural pigments found within the Australian soil and sometimes charcoal, which limited the color palette down to about 6 pigments. They communicated messages that could be passed between tribes, including instructions and warnings, making them highly valuable for the information they held. While Untitled (Shark and Pup with Other Fish) is ochre on Eucalyptus, this style of painting could be done on rocks, objects, and even bodies, which was most common in ceremonies.

To read more about the history, go to Japingka: Aboriginal Art

The back of Untitled (Shark and Pup with Other Fish)

History of Bark Painting:

Bark painting is a newer artistic medium. Created in the early 1900s by missionaries and anthropologists, it's a style based on the traditional ochre body and rock paintings. In essence, it is a contemporary and experimental form of art that expresses the history, spirituality, and traditional practices of the Aboriginal peoples. The process starts with finding a suitable tree to take the bark from, normally during the wet season when there is less tree sap. Once the section is removed, the rough bark is stripped off to smooth the surface. The bark sheet is then placed over a fire in order to dry it out and make it more pliable. As the bark sheet is cooling, weights are placed on it to keep it from curling or warping. Once fully cooled, the bark is ready to be painted on.

To read more about the process, go to Maningrida Arts and Culture

SIMILAR IMAGES--PAINTING

Individual

Individual

Kin

Natural World

Natural World

Art Making