Left: An open jam at the beginning of the year, in the NGHS music room.
Below: America records keys for an original song.
For the North Grand High School Music Club, the year was full of firsts. Most students were new to the music club, most students were new to music making, and we were all new to sharing physical space again. Given these unfamiliar circumstances, we decided to emphasize the Big Idea of listening. How can listening help us connect with one another? How does listening foster social and musical possibility? What can we learn and create through the act of listening? This exploration took on many forms over the course of the year, from musical exercises, cover songs, emotional conversations, and songwriting projects.
For the first time, we maintained a daily physical and musical warm up. First, we would arrive, eat snack, and chat about our days. Then, we would reset the energy of the space, give attention to our breath and bodies, and then focus on some simple musical exercises. By the end of the year, the students who had been consistently attending were able to play four or more scales altogether; scales here being one of many avenues through which students can learn to play together, and which requires listening across the ensemble (am I playing the same note as my bandmates? Am I playing the same rhythm? Are we together?).
By starting from the position of this shared musical lexicon, students were pushed to explore the potential of the group. At times there were up to 7-8 students- what kinds of combinations can we explore? Students would improvise with each other, jam on discovered motifs, and learn cover songs. For the first 6 months, our work was exploratory and improvisatory, but always rooted in our shared and growing music skills.
Towards the end of the year, we embarked on a more formal and focused project centered on “Belonging in STEAM,” a prompt given to us by the organization 100Kin10. Students began with a handful of prompts: Where do you belong? Have you ever felt like you don’t belong? What does belonging look like and sound like? What is the emotional landscape of belonging (or not)? Students created writing and musical improvisations in response to these questions, which unfolded into a formal songwriting process. Once the music was written, students transitioned from the role of musician to the role of audio engineer. The club went to the studio and began to explore the possibilities of recording technology, and the work, science, and techniques of audio engineering.
One goal of this project was to create an artwork that explored the idea of belonging in STEAM. Yet, another crucial goal was to create an experience of belonging in STEAM. The recording studio became a site of belonging, a supportive environment in which students could express their feelings and ideas through creative use of music technology.
Several students spoke to a feeling of closeness in the music club at that point in the year; they felt more comfortable socially with one another (and at large), and felt excited about what they had accomplished artistically. This speaks to an ongoing practice of listening, through which students could connect to music, their creativity, and each other.
Left top: John records bass while Nick engineers.
Left bottom: Leo records drums.
Above: Early sketches of lyrics and form of our belonging song
Right: Our final project, inclusive of student interviews and our original song