BAMbill
AND SING!
Mon, May 6, 2024
Harvey Theater at BAM Strong
Brooklyn Youth Chorus presents
AND SING!
A conversational concert hosted by BAM
Created by Davóne Tines
Conceived by Dianne Berkun Menaker
Curated by Arreon A. Harley-Emerson
Directed by Maureen Towey
DATE:
Mon, May 6, 2024
LOCATION:
Harvey Theater at BAM Strong
RUN TIME:
90min
AND SING! is sponsored in part by the Diamonstein-Spielvogel Foundation, as part of the Diamonstein-Spielvogel Youth and Contemporary Music Initiative at Brooklyn Youth Chorus.
Brooklyn Youth Chorus is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. Special funding is provided by Councilmembers Shahana Hanif and Lincoln Restler. Our programs are also made possible by the New York State Council on the Arts with the support of the Office of Governor Kathy Hochul and the New York State Legislature. The Concert Ensemble of the Brooklyn Youth Chorus is supported in part by the National Endowment for the Arts.
Season Sponsor:
Leadership support for BAM Access Programs provided by the Jerome L. Greene Foundation
Performers
Brooklyn Youth Chorus
Dianne Berkun Menaker, Artistic Director and Conductor
Arreon A. Harley-Emerson, Conductor and Additional Piano
Davóne Tines, Bass-Baritone
Kiena Williams, Soprano
Rachel DeVore Fogarty, Piano
Riley Palmer, Percussion
Uton Onyejekwe, Bass Guitar
Program
Lift Ev’ry Voice and Sing
John Rosamund Johnson
Arr. by Davóne Tines and Michael Schachter
Text by James Weldon Johnson
Hlohonolofatsa
South African Traditional
Arr. by Lucas Bok
Transcribed Kurt Runestad
Children Go Where I Send Thee
Traditional Spiritual
Arr. Kevin Phillip Johnson
Rap crafted by Ayana Davis
Song of Our Saviour
Music and text by Julia Perry
Total Praise
Music and text Richard Smallwood
Stardust
Music by B.E. Boykin
Text by Brittny Ray Crowell
Now Let Me Fly!
Traditional Spiritual
Arr. Stacey V. Gibbs
Text from I’ll Fly Away by Albert E. Brumley
I Smile
Music by Kirk Franklin, James Harris, Terry Lewis, and Frederick Tackett
Text by Kirk Franklin
Sign Me Up
Concert Gospel quoting "Roll, Jordan, Roll"
Music by Brandon A. Boyd
Text by Jerome Metcalfe and Kevin Young
My Life, My Love, My All
Music and Text by Kirk Franklin
Let It Shine
Traditional Spiritual
Arr. Davóne Tines
BROOKLYN YOUTH CHORUS
Dianne Berkun Menaker, Artistic Director
Liz Geisewite, Junior Ensemble Conductor
Scott Semanski, Bass Ensemble Conductor
Arreon A. Harley-Emerson, Artistic Advisor
Aleeza Meir, Pianist
Rachel DeVore Fogarty, Pianist
Concert Ensemble
Sofia Aguirre
Mayzie Andersen
Boji Azmanova
Lydia Bach
Eloise Baker-Robbins
Trilliane Bergeron
Safira Berrada-Riggs
Sofia Rossa Bologna Gitti
Leah Brown
Lily Brown
Palmares Bustamante
Emma Callahan
Maggie Callahan
Greta Currah
Zadia Danon
Josie Devlin
Margaret Dicus
Pia Dorosin
Margot Ehrsam
Matilda Endres
Arianne Fahie
Jane Gesser
Laila Gilabert
Selayah Gray
Talia Greenland
Kendall Hollmon
Victoria Johnson
Stella Kear
Olivia Kern
Vivian Kravet
Amelia Levenson
Gertrude Lipkin
Amaranthe Lirenman
Lucy Mellon
Faith Monroe
Lucy Nadoban
Maahika Nair
Nia Nelson
Sylvie Oates
Violet Paris-Hillmer
Sophie Penenberg
Ellie Powell
Kiki Rosenberg
Amelia Sammons
Savannah Savas
Niko Sembo
Malana Simms
Elise Struthers
Vaikuntha Tamayo
Marisa Triola
Eve van den Brulle
Frida Velez
Bass Ensemble
William Brady
Connor Domingo
Emmanuel Gray
Carter Hollmon
Phineas Kelly
Ruslan Lymarenko
Naveen Menezes
Colin Mui
Paul-Eric Pawa
Raymond Penalo
Kevin Russell
Owen Swift
Junior Ensemble
Gretta Adams
Aine Alexander-Mullen
Emily Avram
Daniela Avrekh
Nola Baruchowitz
Isla Bloxham
Simone Braunstein-Coulston
Milena Broesche-Jones
Evelyn Cribbs
Charles de Boisblanc
Zelda de Zayas
Lincoln DePietro
Laia Dorais
Zoe Drubetskoy
Leilani Dumlao
Aurora May Dumlao
Ismene Ferri
Kalina Francois
Charlotte Golden
Tessa Goldwasser
Melina Mays
Zadie Moran
Dzintra Morgan
Ariana Negron
Raphaela Newman
Hanah Park
Chloe Puliga
Chloe Roberts
Stella Santos Hendricks
Maia Schechter
Liliana Slotnick
Livia St. Lewis
Nefertiti Stanton
Grace Tooman
Fabiola Vulcano
Arlo Zidell
Brooklyn Youth Chorus Staff
Dianne Berkun Menaker, Founder & Artistic Director
Megan Lemley, Executive Director
Angela Batchelor, Training Divisions Program Manager
Marjory Bruno, Registrar & Finance Associate
Caitlyn Douglas, Concert Ensemble Chorus Manager
Liz Geisewite, Director of Choral Education
Meghana Goli, Development Assistant
Julie Griffith, Director of Development
Kyle Henning, Director of Program Operations
Ruben Llopiz, Finance & Business Manager
Tessa Minardi, Junior Ensemble & Bass Ensemble Chorus Manager
Ryan Pointer, Director of Marketing & Communications
Duncan Sutherland, Production & Events Manager
Dianne Berkun Menaker, Liz Geisewite, Sydney Anderson, Julianna Grabowski, Seth Velez, Kristen Von Bargen, Katie Willey, and Kiena Williams, Conducting Faculty
BAM would like to acknowledge that the land we are on today and on which all of our physical buildings are located is the stolen land of the Lenape people. We acknowledge the Indigenous stewardship of this land and honor the Lenape elders past and present, as well as future generations.
PROGRAM NOTE?
How was your day? Do you feel welcome? Do you usually read the program note? Some do, but MANY DON'T! The intent of the program note is to offer context for the material in the performance. Maybe some historical background, or polite commentary on what you're about to see, with the hope of building some sort of bridge between the audience members and performers. BUT, what if the act of building bridges and connecting the dots happened THE WHOLE TIME? What if you, the one sitting in the seat, spending your precious time, energy, and attention, were continually being invited into the material clearly and directly over and over again? I'm interested in breaking down the formality of the concert ritual so that people feel at ease and continually welcomed to connect their lived experience to what they're watching, listening to, and feeling IN REAL TIME. This is all the program note you're going to get for now BECAUSE the real program note is going to unfold right in front of you throughout the show. So, take a deep breath, filling every millimeter of your lungs, then exhale and feel your body sing into your seat. Now do that two more times. But actually: DO IT NOW. And see you on the other side. / DAVÓNE TINES
Who's Who
Davoné Tines
Heralded as an artist “changing what it means to be a classical singer” (The New Yorker) and “[one] of the most powerful voices of our time” (Los Angeles Times), Davóne Tines is a pathbreaking artist whose work encompasses a diverse repertoire, ranging from early music to new commissions by leading composers, while exploring the social issues of today. A creator, curator, and performer at the intersection of many histories, cultures, and aesthetics, he is engaged in work that blends opera, art song, spirituals, contemporary classical, gospel, and protest songs as a means to tell a deeply personal story of perseverance connecting to all of humanity.
Arreon A. Harley-Emerson
Arreon A. Harley-Emerson is a conductor, composer, nonprofit strategist, equity coach, and the President and CEO of Equity Sings. Committed to the principles of equity and justice, Equity Sings assists organizations in remaining relevant in the 21st century. Harley-Emerson’s work includes longitudinal studies, strategic planning, board governance, resource and asset development, and board diversification. Mr. Harley-Emerson is a University Fellow at the Boyer School of Music Dance at Temple University where he is pursuing a Ph.D. in music education with a cognate in choral conducting and has completed a graduate certificate in Diversity in Higher Education.
Brooklyn Youth Chorus
Brooklyn Youth Chorus’s Grammy Award-winning ensemble, led by Founder & Artistic Director Dianne Berkun Menaker, is one of the most highly regarded ensembles in the country and has stretched the artistic boundaries for the youth chorus. The Chorus has performed with acclaimed conductors including Jaap van Zweden, Alan Gilbert, Marin Alsop, Esa-Pekka Salonen, Gustavo Dudamel, Joe Hisaishi, Reinbert de Leeuw, and Lorin Maazel. The Chorus has also collaborated with an impressive range of organizations and artists, including the New York Philharmonic, London Symphony Orchestra, Los Angeles Philharmonic, Kronos Quartet, International Contemporary Ensemble, David Byrne, The National, Arcade Fire, Sir Elton John, and Barbra Streisand. In 2002, the Chorus had its debut with the New York Philharmonic in John Adams's On the Transmigration of Souls, the recording for which the Chorus won a Grammy Award. Brooklyn Youth Chorus has developed an active commissioning program, and has collaborated with some of the most important composers of our time, including Caroline Shaw, Tania León, David Lang, John Adams, Julia Wolfe, Nico Muhly, Angélica Negrón, Bryce Dessner, Richard Reed Parry, Paola Prestini, Nathalie Joachim, Paul Moravec, Toshi Reagon, Alev Lenz, Anna Clyne, Aleksandra Vrebalov, and William Brittelle. Founded in 1992, Brooklyn Youth Chorus has served over 10,000 students through its core after-school and public-school outreach programs. The Chorus’s professional faculty teach a wide range of repertoire and styles using founding artistic director Dianne Berkun Menaker’s proven Cross-Choral Training® method, emphasizing healthy and versatile vocal technique, music theory, sight-singing, and ear training. www.brooklynyouthchorus.org
Dianne Berkun Menaker
Dianne Berkun Menaker is the Founder & Artistic Director of the Grammy Award-winning Brooklyn Youth Chorus. She is the creator of the Cross-Choral Training® program, an experiential approach to functional voice and musicianship pedagogy. She prepared the Chorus for its 2002 debut with the New York Philharmonic in John Adams's On the Transmigration of Souls, the recording for which the Chorus won a Grammy Award. With Brooklyn Youth Chorus, Ms. Berkun Menaker has developed an active commissioning program and has collaborated with some of the most important composers of our time. Ms. Berkun Menaker is a choral clinician and teaching artist for such organizations as the New York Philharmonic and The Weill Music Institute at Carnegie Hall, and has presented workshops and master classes for New York University, New York State School Music Association, the American Choral Directors Association, and the New York City Department of Education.
Maureen Towey
Currently curating a live performance series for Hermès, Maureen Towey has worked as a Creative Director for Grammy award-winning musicians such as Arcade Fire, Ray LaMontagne, and esperanza spalding. She has directed music videos for Sharon Van Etten, Tune-Yards and Caroline Shaw. Her short film The 8th Year of the Emergency, starring Mary Beth Peil, Linda Emond, Phillipa Soo and Jeffrey DeMunn, had an acclaimed festival run. A highlight of her live performance work was directing Black Mountain Songs, which was conceived by Bryce Dessner (of The National) and starred the Brooklyn Youth Chorus (BAM in NYC, Barbican in London). For The New York Times, Towey directed Sensations of Sound, which premiered at the American Museum of Natural History and went on to win a Lumiere Award for Best VR Documentary of 2017. She also served as the lead director for The Daily 360, the only series in the world to create professional VR journalism on a daily basis. Towey has been recognized as a Fulbright scholar (South Africa), a Princess Grace fellow, a TCG Leadership U grantee (Berkeley Rep), and a PBS/AOL MAKER.
Kiena Williams
Kiena Williams is a professional vocalist and conductor born and raised in Brooklyn. She currently serves as a Training Division Conductor at the Brooklyn Youth Chorus, adjunct Vocal Coach at The Calhoun School and freelance conductor/teaching artist. Williams is an alumna of Fiorello H. LaGuardia High School of Music & Art and Performing Arts and Pennsylvania State University, where she received her Bachelor of Arts in music. She continues to perform professionally as a featured soloist, chorister, and background vocalist. Some recent features include: Il Tabarro (OnSite Opera), “Naturaleza” Choral Festival (Usuhaia, Argentina), Daphne (Bard Festival Chorale, Carnegie Hall), Daniel Fish’s “bold new work” Most Happy in Concert (Williamstown Theater Festival 2022), Elizabeth Greenfield Award Competition (James Toland Vocal Arts - Finalist), National Music Festival (Vocal Apprentice), In the Green (Mannes Opera), New York District Round (Met Opera Laffont Competition), Great to Be Here (Album-Liam Forde), L’amico Fritz (Teatro Grattacielo), 2021—22 Young Artist (Camerata Bardi Vocal Academy), Così fan tutte (Opera NexGen), Celebration of Voices (Studio LIS Voice), and weekly services at First U Brooklyn. Keep in touch at kienawilliams.com