BAMbill

Alvin Ailey American Dance Theater

DATE:
Jun 6–11

LOCATION:
BAM Howard Gilman Opera House

RUN TIME:
1hr 55min

Alvin Ailey American Dance Theater

Season Sponsor:

Leadership support for BAM Access Programs provided by the Jerome L. Greene Foundation

Leadership support for programming in the Howard Gilman Opera House provided by:

Leadership support for dance at BAM provided by The SHS Foundation

Leadership support for dance at BAM provided by:

Alvin Ailey American Dance Theater

Alvin Ailey, Founder

Judith Jamison, Artistic Director Emerita



Robert Battle, Artistic Director


Matthew Rushing, Associate Artistic Director

COMPANY MEMBERS


Jeroboam Bozeman

Khalia Campbell 

Patrick Coker

Sarah Daley-Perdomo

Caroline T. Dartey 

Ghrai DeVore-Stokes 

Solomon Dumas 

Samantha Figgins

Jau’mair Garland

James Gilmer 

Vernard J. Gilmore

Ashley Kaylynn Green 

Jacquelin Harris 

Michael Jackson, Jr. 

Yazzmeen Laidler 

Yannick Lebrun

Xavier Mack 

Renaldo Maurice

Ashley Mayeux

Corrin Rachelle Mitchell

Chalvar Monteiro

Alisha Rena Peek

Belén Indhira Pereyra

Miranda Quinn

Hannah Alissa Richardson

Deidre Rogan

Kanji Segawa 

Courtney Celeste Spears 

Constance Stamatiou

Christopher Taylor

Jermaine Terry 

Christopher R. Wilson


Ronni Favors, Rehearsal Director

Clifton Brown, Assistant Rehearsal Director


Bennett Rink, Executive Director

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs
in partnership with the City Council and by the New York State Council on the Arts with the support of
the Office of the Governor and the New York State Legislature.


Major funding of Alvin Ailey American Dance Theater is also provided by Anonymous, American Express,
Bank of America, Bloomberg Philanthropies, BNY Mellon, Diageo North America, Ford Foundation,
Fund II Foundation, Häagen-Dazs, The Hearst Foundations, Howard Gilman Foundation,
Institute of Museum and Library Services, The Kendeda Fund, Andrew W. Mellon Foundation, New York City Center, Prudential, Salesforce, The SHS Foundation, The Shubert Foundation, and Verizon Communications.

Program A: Brooklyn Bonds 

DANCING SPIRIT

(2009, new production 2023) 

Choreography by Ronald K. Brown 

Rehearsal Associates: Arcell Cabuag, Matthew Rushing 

Music by Duke Ellington, Wynton Marsalis, Radiohead, War 

Costumes by Omotayo Wunmi Olaiya 

Lighting by Clifton Taylor 

Happy Birthday, Judith Jamison!


Constance Stamatiou, Sarah Daley-Perdomo, Khalia Campbell, Ashley Kaylynn Green,

Yannick Lebrun, Vernard J. Gilmore, Chalvar Monteiro, Renaldo Maurice, Xavier Mack

(June 6, 8)


Hannah Alissa Richardson, Jacquelin Harris, Khalia Campbell, Deidre Rogan,

Solomon Dumas, Jermaine Terry, Michael Jackson, Jr., Christopher R. Wilson, Patrick Coker

(June 10 eve)


Generous support for the creation of Dancing Spirit was received from Dr. Crawford Parker 

and the Kansas City Friends of Alvin Ailey through the generosity of its donors.


Fabric dyeing of costumes by Shayee Awoyomi 


Ronald K. Brown is an advocate for the growth of the African-American dance community and uses movement as a way to acquaint audiences with the beauty of traditional African forms and rhythms.  Mr. Brown founded Brooklyn-based Evidence, A Dance Company in 1985 and has also set works on Alvin Ailey American Dance Theater, Ailey II, Cleo Parker Robinson Ensemble, Dayton Contemporary Dance Company, Jennifer Muller/The Works, Jeune Ballet d’Afrique Noire, Ko-Thi Dance Company, Philadanco and others.  Mr. Brown choreographed Regina Taylor’s award-winning play, Crowns, for which he won an AUDELCO Award.  In addition, he has received a John Guggenheim Memorial Fellowship, a National Endowment for the Arts Choreographers Fellowship, a New York Foundation for the Arts Fellowship and a United States Artists Fellowship, among others.


“The Single Petal of a Rose” by Duke Ellington, performed by Stefon Harris, courtesy of Sony Music Entertainment, by arrangement with Sony Music Licensing. “What Have You Done?” by Wynton Marsalis, performed by Wynton Marsalis, Victor Goines, Wycliffe Gordon, Douglas Wamble, Reginald Veal, Herlin Riley and Eric Lewis, by arrangement with Boosey & Hawkes, Inc on behalf of Wynton Marsalis Enterprises, Inc (WME) doing business as Skaynes Music, copyright owner. “The Single Petal of a Rose” performed by Joe Temperley, courtesy of Sony Music Entertainment, by arrangement with Sony Music Licensing. “Tsotsobi – The Morning Star (Children)” by Wynton Marsalis, performed by Wynton Marsalis, Yacub Addy, Odadaa!, and the Jazz at Lincoln Center Orchestra, by arrangement with Boosey & Hawkes, Inc on behalf of Wynton Marsalis Enterprises, Inc (WME) doing business as Skaynes Music, copyright owner. “Everything In Its Right Place” performed by the Vitamin String Quartet, © T. Yorke, E. O’Brien, C. Greenwood, P. Selway and J. Greenwood, courtesy of Warner/Chappell Music LTD (Performing Rights Society). All rights administered by WB Music Corp. “Flying Machine (The Chase)” © S. Allen, H. Brown, M. Dickerson, L. Jordan, C. Miller, L. Oskar and H. Scott, performed by same under name “War”, courtesy of Far Out Music, a division of Universal Polygram International.


– INTERMISSION –

June 6, 8

ROY’S JOYS

(1997, Ailey premiere 2022)

Choreography by Twyla Tharp 

Music by Roy Eldridge

Staged by Shelley Washington

Assistant to Ms. Washington – Roger Jeffrey

Original Costume Design by Santo Loquasto

Lighting originally by Jennifer Tipton

Lighting Recreated by Roya Abab

 

I. Just Fooling

II. Une Petite Laitue

III. I Remember Harlem

IV. Baby Don’t Be Like That

V. L’isle Adam

VI. Oh Shut Up!

VII. Hollywood Pastime

VIII. Sweet Lorraine

IX. Tu Disais Qu’tu M’aimais

 

Sarah Daley-Perdomo, Jacquelin Harris, Miranda Quinn, Deidre Rogan,

Patrick Coker, James Gilmer, Chalvar Monteiro, Christopher R. Wilson, Solomon Dumas

(June 6, 8)

 

Roy’s Joys

World Premiere on 9/30/1997, Premiered by Tharp! Choreography by Twyla Tharp © Twyla Tharp


Major support of the company premiere of Roy's Joys is made possible by Elaine & Larry Rothenberg.

 

In 1965 Twyla Tharp formed Twyla Tharp Dance and has created more than 125 works to date. More information about Twyla Tharp can be found at: www.twylatharp.org.


“Just Fooling” by Roy Eldridge. “Une Petite Laitue”, “I Remember Harlem”, “Baby Don’t Be Like That”, “L’isle Adam”, and “Tu Disais Qu’tu M’aimais” by Roy Eldridge with Benny Vasseur, Albert Ferreri, William Boucaya, Raymond Fol, Barney Spieler and Robert Barnet. “Oh Shut Up!” and “Hollywood Pastime” by Roy Eldridge with Don Byas, Claude Bolling, Guy de Fatto, and Armand Molinetti; all from Roy Eldrige Vol. II “French Cooking”



June 10 (evening)


FOR FOUR

(2021)

Choreography by Robert Battle

Staged by Elisa Clark

Music by Wynton Marsalis

Costumes by Corin Wright

Lighting by Al Crawford


Ashley Kaylynn Green, Xavier Mack, Hannah Alissa Richardson, Deidre Rogan

 

Leadership support for the world premiere of For Four was provided by Pamela D. Zilly & John H. Schaefer.


The world premiere of For Four was made possible with major support from Melinda & Paul Pressler, 

Jeanne Greenberg Rohatyn & Nicolas S. Rohatyn, The Ellen Jewett & Richard L. Kauffman New Works Endowment Fund, Elaine & Lawrence J. Rothenberg, Denise Littlefield Sobel, and the Red Moose Charitable Fund. 

 

For Four is supported, in part, by the National Endowment for the Arts. 

 

“Delfeayo’s Dilemma” composed and performed by Wynton Marsalis, from the album Black Codes (From the Underground). Used by permission with Wynton Marsalis Enterprises.


– PAUSE –


June 10 (evening)


DUET

(1964, Ailey premiere 2022)

Choreography by Paul Taylor

Music by Josef Haydn

Staged for this performance by Carolyn Adams

Assisted by Rei Akazawa-Smith & Irving Amigon

Costumes by George Tacet

Lighting by Jennifer Tipton

Lighting re-created by Roya Abab


Jacquelin Harris, Renaldo Maurice


First performed by Paul Taylor Dance Company in 1964


Dance maker Paul Taylor (1930—2018) was a member of the pantheon that created America’s indigenous art of modern dance. He won acclaim for the vibrancy, relevance and power of his works, while offering cogent observations on life’s complexities and society’s thorniest issues. During Mr. Taylor's 64-year career he choreographed 147 dances that are performed by the Paul Taylor Dance Company, Taylor 2, and dance companies throughout the world. The Paul Taylor Dance Company has performed continuously around the globe since Mr. Taylor established it in 1954.


Excerpt from “The Seven Last Words of Christ” Sonata VII in E-flat major – Largo.



– INTERMISSION –


June 6,8, 10 (evening)


ARE YOU IN YOUR FEELINGS?

(2022)

Choreography by Kyle Abraham

Music: Various Artists

Rehearsal Associate Stephanie Teraski
Costumes by Karen Young
Lighting by Dan Scully


Caroline T. Dartey, Ghrai DeVore-Stokes, Solomon Dumas, Samantha Figgins, 

James Gilmer, Ashley Kaylynn Green, Michael Jackson, Jr., Renaldo Maurice, 

Ashley Mayeux, Chalvar Monteiro, Miranda Quinn, Deidre Rogan 

(June 6)


Caroline T. Dartey, Solomon Dumas, James Gilmer, Ashley Kaylynn Green, 

Michael Jackson, Jr., Renaldo Maurice, Ashley Mayeux, Corrin Rachelle Mitchell, 

Chalvar Monteiro, Belén Indhira Pereyra, Hannah Alissa Richardson, Deidre Rogan 

(June 8)


Jeroboam Bozeman, Patrick Coker, Caroline T. Dartey, Jacquelin Harris,

Ashley Mayeux, Xavier Mack, Alisha Rena Peek. Belén Indhira Pereyra, 

Hannah Alissa Richardson, Courtney Celeste Spears, Christopher Taylor, Jermaine Terry

 (June 10 eve)


The creation of Are You in Your Feelings? is supported by commissioning funds from New York City Center.


The world premiere of Are You in Your Feelings? is made possible with major support from Michele & Timothy Barakett,
Melinda & Paul Pressler, Jeanne Greenberg Rohatyn & Nicolas S. Rohatyn New Works Endowment Fund,
and The Pamela D. Zilly & John H. Schaefer Endowment Fund.


Additional support was provided by an Anonymous supporter, The Fred Eychaner New Works Endowment Fund,
and The Kansas City Friends of Alvin Ailey—Sara and Bill Morgan New Works Endowment Fund.


Kyle Abraham and his choreography have been featured in Document Journal, Ebony, Kinfolk, O Magazine, Vogue, and Vogue UK, amongst other publications. Abraham is the proud recipient of a Princess Grace Statue Award (2018), Doris Duke Award (2016), and MacArthur Fellowship (2013). He currently serves as the Claude and Alfred Mann Endowed Professor in Dance at The University of Southern California Glorya Kaufman School of Dance. Abraham also sits on the advisory board for Dance Magazine and Hubbard Street Dance Chicago. He is a member of the American Academy of Arts and Sciences, the inaugural Black Genius Brain Trust, and the inaugural cohort of the Dorchester Industries Experimental Design Lab, a partnership between the Prada Group, Theaster Gates Studio, Dorchester Industries, and Rebuild Foundation. His company, A.I.M by Kyle Abraham, is widely considered “one of the most consistently excellent troupes working today” (The New York Times). Led by Abraham’s innovative vision, the work of A.I.M is galvanized by Black culture and history and grounded in a conglomeration of unique perspectives. Abraham has been commissioned by dance companies including Alvin Ailey American Dance Theater, Hubbard Street Dance Chicago, The National Ballet of Cuba, New York City Ballet, and The Royal Ballet. Abraham has also choreographed for many of the leading dancers of our time, including Misty Copeland, Calvin Royal III, and Wendy Whelan. For more information, visit aimbykyleabraham.org.


“I Love You” is licensed under CC BY-NC-SA 3.0. “I Only Have Eyes for You” performed by The Flamingos, courtesy of Warner Chappell. “A Breaux's Tale” and “Roster” performed by Jazmine Sullivan, courtesy of Warner Chappell and Kobalt Music Publishing. “Forgive Them Father” performed by Lauryn Hill, courtesy of Sony Music Publishing. “That’s How You Feel” performed by Drake, courtesy of Sony Music Publishing. “I’ll Call U Back” Performed by Erykah Badu, courtesy of Sony Music Publishing and Universal Music Publishing. “Woman to Woman” performed by Shirley Brown, courtesy of Universal Music Publishing. “Symptom Unknown” performed by Maxwell, courtesy of Sony Music Publishing. “Session 32” performed by Summer Walker, courtesy of Warner Chappell. “LOVE. ft. Zacari.” performed by Kendrick Lamar, courtesy of Sony Music Publishing, Warner Chappell, Kobalt Music Publishing, and Universal Music Publishing. “While We’re Young” performed by Jhené Aiko, courtesy of Universal Music Publishing. 



Program B: All Ailey 

NIGHT CREATURE  

(1974) 

Choreography by Alvin Ailey 

Restaged by Masazumi Chaya 

Music by Duke Ellington
Costumes by Jane Greenwood 

Costumes recreated by Barbara Forbes 

Lighting by Chenault Spence 

 

“Night creatures, unlike stars, do not come OUT at night—they come ON,  

each thinking that before the night is out he or she will be the star.”  

—Duke Ellington 

 

Movement I 

Sarah Daley-Perdomo, Jermaine Terry & The Company (June 7, 9)

Sarah Daley-Perdomo, Vernard J. Gilmore & The Company (June 10 mat)

Belén Indhira Pereyra, Michael Jackson, Jr. & The Company (June 11)


Movement II 

Sarah Daley-Perdomo, Jeroboam Bozeman,

Miranda Quinn, Christopher R. Wilson, Ashley Mayeux, James Gilmer,

Alisha Rena Peek, Patrick Coker, Caroline T. Dartey, Jau’mair Garland,

Deidre Rogan, Xavier Mack, Hannah Alissa Richardson, Christopher Taylor

(June 7)


Sarah Daley-Perdomo, Jeroboam Bozeman,

Ashley Kaylynn Green, Christopher R. Wilson, Ashley Mayeux, James Gilmer,

Alisha Rena Peek, Patrick Coker, Caroline T. Dartey, Jau’mair Garland,

Deidre Rogan, Xavier Mack, Hannah Alissa Richardson, Christopher Taylor

(June 9)


Sarah Daley-Perdomo, Michael Jackson, Jr.,

Ashley Kaylynn Green, Christopher R. Wilson, Ashley Mayeux, James Gilmer,

Alisha Rena Peek, Patrick Coker, Caroline T. Dartey, Jau’mair Garland,

Deidre Rogan, Xavier Mack, Hannah Alissa Richardson, Christopher Taylor

(June 10 mat)


Belén Indhira Pereyra, Jeroboam Bozeman,

Ashley Kaylynn Green, Christopher R. Wilson, Ashley Mayeux, James Gilmer,

Alisha Rena Peek, Patrick Coker, Caroline T. Dartey, Jau’mair Garland,

Deidre Rogan, Xavier Mack, Hannah Alissa Richardson, Christopher Taylor

(June 11)

 

Movement III 

Sarah Daley-Perdomo, Jermaine Terry & The Company (June 7, 9)

Sarah Daley-Perdomo, Vernard J. Gilmore & The Company (June 10 mat)

Belén Indhira Pereyra, Michael Jackson, Jr. & The Company (June 11)

 

This production was made possible, in part, by a grant from Ford Foundation
and with public funds from the National Endowment for the Arts. 

 

Fabric dyeing of costumes by Elissa Tatigikis Iberti.

 

Night Creature used by arrangement with G. Schirmer, Inc., publisher and copyright owner. 


– PAUSE –


CRY

(1971)

Choreography by Alvin Ailey

Restaged by Masazumi Chaya

Coaching by Donna Wood Sanders

Music by Alice Coltrane, Laura Nyro & Chuck Griffin

Costume by A. Christina Giannini

Lighting by Chenault Spence


For all Black women everywhere – especially our mothers.


Constance Stamatiou (June 7, 11)

Constance Stamatiou (June 9)

Jacquelin Harris (June 10 mat)


Cry was made possible with generous support from Judith McDonough Kaminski and Joseph Kaminski.


The original production of Cry was made possible, in part, by a grant from Ford Foundation.


“Something About John Coltrane” written by Alice Coltrane. Published by Jowcol Music. “Been on a Train” 100% Laura Nyro (BMI) – EMI Blackwood Music Inc. (BMI). © 1971 EMI Blackwood Music Inc. All rights administered by Sony/ATV Music Publishing LLC., 424 Church Street, Suite 1200, Nashville, TN 37219. All rights reserved. Used by permission. “Right On, Be Free” written by Chuck Griffin, performed by The Voices of East Harlem. Used with permission of the publisher, Really Together Music.


– INTERMISSION –

SURVIVORS 

(1986) 

Choreography by Alvin Ailey and Mary Barnett 

Restaged by Masazumi Chaya  

  Music by Max Roach & Peter Phillips 

Costumes by Toni-Leslie James 

Original Décor by Douglas Grekin 

Lighting Design by Tim Hunter 

 

Especially for Nelson and Winnie Mandela whose determination inspires the survivor in us all. 

 

Jacquelin Harris, Vernard J. Gilmore,

Michael Jackson, Jr., Solomon Dumas, Khalia Campbell, 

Caroline T. Dartey, Hannah Alissa Richardson

(June 7)


Jacquelin Harris, Yannick Lebrun,

Christopher R. Wilson, Christopher Taylor, Corrin Rachelle Mitchell, 

Caroline T. Dartey, Yazzmeen Laidler

 (June 9)


Belén Indhira Pereyra, Jeroboam Bozeman,

Christopher R. Wilson, Christopher Taylor, Corrin Rachelle Mitchell, 

Caroline T. Dartey, Yazzmeen Laidler

(June 10 mat)


Jacquelin Harris, Vernard J. Gilmore,

Michael Jackson, Jr., Solomon Dumas, Khalia Campbell, 

Courtney Celeste Spears, Hannah Alissa Richardson

(June 11)


Major support of this new production of Survivors is made possible by
Judith McDonough Kaminski & Joseph Kaminski, and Daria L. & Eric J. Wallach. 

 

Mr. Ailey expressed his gratitude to Ms. James, Mr. Grekin, and Mr. Hunter 
for the generous contributions of their talents and artistry to this work.  

  

“Triptych: Prayer/Protest/Peace” courtesy of Kobalt Music Publishing. “Survivors” used with permission from Peter Phillips. 


– INTERMISSION –

REVELATIONS
(1960)
Choreography by Alvin Ailey
Music: Traditional
Décor and Costumes by Ves Harper
Costume dresses for “Move, Members, Move” redesigned by Barbara Forbes
Lighting by Nicola Cernovitch


PILGRIM OF SORROW

I Been 'Buked
Music arranged by Hall Johnson*


The Company


Didn't My Lord Deliver Daniel

Music arranged by James Miller


Xavier Mack, Deidre Rogan, Caroline T. Dartey (June 7)

Xavier Mack, Ashley Kaylynn Green, Courtney Celeste Spears (June 9)

Xavier Mack, Deidre Rogan, Hannah Alissa Richardson (June 10 mat)

Solomon Dumas, Ashley Kaylynn Green, Khalia Campbell (June 11)


Fix Me, Jesus

Music arranged by Hall Johnson*


Khalia Campbell, James Gilmer (June 7)

Sarah Daley-Perdomo, Michael Jackson, Jr. (June 9)

Corrin Rachelle Mitchell, James Gilmer (June 10 mat)

Ghrai DeVore-Stokes, Michael Jackson, Jr. (June 11)


TAKE ME TO THE WATER

Processional/Honor, Honor

Music adapted and arranged by Howard A. Roberts


Patrick Coker, Alisha Rena Peek, Jau’mair Garland, Christopher Taylor (June 7)

Renaldo Maurice, Alisha Rena Peek, Jau’mair Garland, Christopher Taylor (June 9)

Patrick Coker, Alisha Rena Peek, Christopher Taylor, Jau’mair Garland (June 10 mat)

Renaldo Maurice, Yazzmeen Laidler, Christopher Taylor, Jau’mair Garland (June 11)


Wade in the Water

     Music adapted and arranged by Howard A. Roberts

“Wade in the Water” sequence by Ella Jenkins

“A Man Went Down to the River” is an original composition by Ella Jenkins


Belén Indhira Pereyra, Jeroboam Bozeman, Ashley Mayeux (June 7)

Belén Indhira Pereyra, Jeroboam Bozeman, Khalia Campbell (June 9)

Ashley Kaylynn Green, Renaldo Maurice, Ashley Mayeux (June 10 mat)    

Belén Indhira Pereyra, Jeroboam Bozeman, Courtney Celeste Spears (June 11)


I Wanna Be Ready

Music arranged by James Miller+


Yannick Lebrun (June 7, 11)

Vernard J. Gilmore (June 9)

Vernard J. Gilmore (June 10 mat)


MOVE, MEMBERS, MOVE

Sinner Man

Music adapted and arranged by Howard A. Roberts


Solomon Dumas, Jau’mair Garland, Kanji Segawa (June 7)

Jau’mair Garland, James Gilmer, Kanji Segawa (June 9)

Christopher Taylor, Jau’mair Garland, Kanji Segawa (June 10 mat)

Christopher R. Wilson, Jau’mair Garland, Kanji Segawa (June 11)

The Day is Past and Gone

Music arranged by Howard A. Roberts and Brother John Sellers


The Company


You May Run On

Music arranged by Howard A. Roberts and Brother John Sellers


The Company

 

Rocka My Soul in the Bosom of Abraham

     Music adapted and arranged by Howard A. Roberts


The Company

*Used by arrangement with G. Schirmer, Inc., publisher and copyright owner.
+Used by special arrangement with Galaxy Music Corporation, New York City.

All performances of Revelations are permanently endowed by a generous gift from Donald L. Jonas in celebration
of the birthday of his wife, Barbara, and her deep commitment to the Alvin Ailey American Dance Theater.



About the Company

When Alvin Ailey and a small group of African American dancers took the stage on March 30, 1958, at New York City’s 92nd Street Y, the engagement was for one night only, but it turned out to be the start of a new era in the arts. Mr. Ailey envisioned a company dedicated to enriching the American modern dance heritage and preserving the uniqueness of the African American cultural experience. He became one of the trailblazers of modern dance, and the work of his Company grew to encompass education, community outreach, and cultural diplomacy. To date, the Company has gone on to perform for an estimated 25 million people at theaters in 48 states and 71 countries on six continents—as well as millions more through television, film, and online. More than 270 works by over 100 choreographers have been part of the Ailey repertory. In 2008, a U.S. Congressional resolution designated the Company as “a vital American cultural ambassador to the world.” Before his untimely death in 1989, Mr. Ailey named Judith Jamison as his successor, and over the next 21 years, she brought the Company to unprecedented success. Ms. Jamison, in turn, personally selected Robert Battle to succeed her in 2011, and The New York Times declared he “has injected the company with new life.”


Alvin Ailey American Dance Theater gratefully acknowledges

The Joan & Sandy Weill Global Ambassador Fund,

which provides vital support for Ailey’s national and international tours.

Alvin Ailey

FOUNDER

Alvin Ailey was born on January 5, 1931, in Rogers, Texas. His experiences of life in the rural South would later inspire some of his most memorable works. He was introduced to dance in Los Angeles by performances of the Ballet Russe de Monte Carlo and the Katherine Dunham Dance Company, and his formal dance training began with an introduction to Lester Horton’s classes by his friend Carmen de Lavallade. Horton, the founder of one of the first racially integrated dance companies in the United States, became a mentor for Mr. Ailey as he embarked on his professional career. After Horton’s death in 1953, Mr. Ailey became director of the Lester Horton Dance Theater and began to choreograph his own works. In the 1950s and 60s Mr. Ailey performed in four Broadway shows, including House of Flowers and Jamaica. In 1958 he founded Alvin Ailey American Dance Theater. He established the Alvin Ailey American Dance Center (now The Ailey School) in 1969 and formed the Alvin Ailey Repertory Ensemble (now Ailey II) in 1974. Mr. Ailey was a pioneer of programs promoting arts in education, particularly those benefiting underserved communities. Throughout his lifetime he was awarded numerous distinctions, including the Kennedy Center Honor in 1988 in recognition of his extraordinary contribution to American culture. In 2014 he posthumously received the Presidential Medal of Freedom, the country’s highest civilian honor, in recognition of his contributions and commitment to civil rights and dance in America. When Mr. Ailey died on December 1, 1989, The New York Times said of him, “you didn’t need to have known [him] personally to have been touched by his humanity, enthusiasm, and exuberance and his courageous stand for multi-racial brotherhood.”

Robert Battle

ARTISTIC DIRECTOR

Robert Battle became Artistic Director of Alvin Ailey American Dance Theater in July 2011 after being personally selected by Judith Jamison, making him only the third person to head the Company since it was founded in 1958. Mr. Battle has a longstanding association with the Ailey organization. A frequent choreographer and artist-in-residence at Ailey since 1999, he has set many of his works on Alvin Ailey American Dance Theater and Ailey II, and at The Ailey School. In addition to expanding the Ailey repertory with works by artists as diverse as Ronald K. Brown, Rennie Harris, Jessica Lang, and Wayne McGregor, Mr. Battle has also instituted the New Directions Choreography Lab to help develop the next generation of choreographers. Mr. Battle’s journey to the top of the modern dance world began in the Liberty City neighborhood of Miami, Florida. He showed artistic talent early and studied dance at a high school arts magnet program before moving on to Miami’s New World School of the Arts, under the direction of Daniel Lewis and Gerri Houlihan, and finally to the dance program at The Juilliard School, under the direction of Benjamin Harkarvy, where he met his mentor, Carolyn Adams. He danced with Parsons Dance from 1994 to 2001, and also set his choreography on that company starting in 1998. Mr. Battle then founded his own Battleworks Dance Company, which made its debut in 2002 in Düsseldorf, Germany, as the U.S. representative to the World Dance Alliance’s Global Assembly. Battleworks subsequently performed extensively at venues including The Joyce Theater, Dance Theater Workshop, American Dance Festival, and Jacob’s Pillow Dance Festival. Mr. Battle was honored as one of the “Masters of African American Choreography” by the Kennedy Center for the Performing Arts in 2005, and he received the prestigious Statue Award from the Princess Grace Foundation-USA in 2007. He is a recipient of the 2021 Dance Magazine Award and has honorary doctorates from The University of the Arts, Marymount Manhattan College, and Fordham University. Mr. Battle was named a 2015 visiting fellow for The Art of Change, an initiative by the Ford Foundation. He is a sought-after keynote speaker and has addressed a number of high-profile organizations, including the United Nations Leaders Programme and the UNICEF Senior Leadership Development Programme.

Matthew Rushing

ASSOCIATE ARTISTIC DIRECTOR

Matthew Rushing was born in Los Angeles, California. He began his dance training with Kashmir Blake in Inglewood, California, and continued his training at the Los Angeles County High School for the Arts. He is the recipient of a Spotlight Award and a Dance Magazine Award and was named a Presidential Scholar in the Arts. He was a scholarship student at The Ailey School and later became a member of Ailey II. During his career Mr. Rushing has performed as a guest artist for galas in Vail, Colorado, as well as in Austria, Canada, France, Italy, and Russia. He has performed for Presidents George H. W. Bush, Bill Clinton, George W. Bush, and Barack Obama, as well as at the 2010 White House Dance Series. During his time with the Company, he has choreographed four ballets: Acceptance In Surrender (2005), a collaboration with Hope Boykin and Abdur-Rahim Jackson; Uptown (2009), a tribute to the Harlem Renaissance; ODETTA (2014), a celebration of “the queen of American folk music”; and Testament (2020), a tribute to Alvin Ailey’s Revelations created in collaboration with Clifton Brown and Yusha-Marie Sorzano. In 2012 he created Moan, which was set on PHILADANCO! and premiered at The Joyce Theater. Mr. Rushing joined the Company in 1992, became Rehearsal Director in 2010, and Associate Artistic Director in January 2020.

Judith Jamison

ARTISTIC DIRECTOR EMERITA

Judith Jamison joined Alvin Ailey American Dance Theater in 1965 and quickly became an international star. Over the following 15 years, Mr. Ailey created some of his most enduring roles for her, most notably the tour-de-force solo Cry. During the 1970s and 80s she appeared as a guest artist with ballet companies all over the world, starred in the hit Broadway musical Sophisticated Ladies, and formed her own company, The Jamison Project. She returned to Alvin Ailey American Dance Theater in 1989 when Mr. Ailey asked her to succeed him as Artistic Director. In the 21 years that followed, she brought the Company to unprecedented heights—including two historic engagements in South Africa and a 50-city global tour to celebrate the Company’s 50th anniversary. Ms. Jamison is the recipient of numerous awards and honors, among them a primetime Emmy Award, an American Choreography Award, a Kennedy Center Honor, a National Medal of Arts, a Bessie Award, the Phoenix Award, and the Handel Medallion. She was also listed in “The TIME 100: The World’s Most Influential People” and honored by First Lady Michelle Obama at the first White House Dance Series event. In 2015 she became the 50th inductee into the Hall of Fame at the National Museum of Dance. In 2016 she received the Douglas Watt Lifetime Achievement Award from the Fred and Adele Astaire Awards. As a highly regarded choreographer, Ms. Jamison has created many celebrated works, including Divining (1984), Forgotten Time (1989), Hymn (1993), HERE... NOW. (commissioned for the 2002 Cultural Olympiad), Love Stories (with additional choreography by Robert Battle and Rennie Harris, 2004), and Among Us (Private Spaces: Public Places) (2009). Ms. Jamison’s autobiography, Dancing Spirit, was edited by Jacqueline Kennedy Onassis and published in 1993. In 2004, under Ms. Jamison’s artistic directorship, her idea of a permanent home for the Ailey company was realized and named after beloved chairman emerita Joan Weill. Ms. Jamison continues to dedicate herself to asserting the prominence of the arts in our culture, and she remains committed to promoting the significance of the Ailey legacy—using dance as a medium for honoring the past, celebrating the present, and fearlessly reaching into the future.

Ronni Favors

REHEARSAL DIRECTOR

Ronni Favors is from Iowa City, Iowa. After studying at the National Music Camp in Interlochen, Michigan, with the Camp Scholarship, she continued her training at The Ailey School as a Fellowship student. Ms. Favors was a member of Ailey II, Alvin Ailey American Dance Theater, and the Lar Lubovitch Dance Company, and a recipient of the Min-On Art Award. Ms. Favors was the ballet instructor at the 1989 inaugural session of AileyCamp in Kansas City and served as Artistic Director of the Camp. She is the Founding Director of Children’s Aid AileyCamp New York and provided guidance in the national implementation of the AileyCamp program. In 1997, Ms. Favors was named Assistant Rehearsal Director of Alvin Ailey American Dance Theater and was its Rehearsal Director from 1999 to 2010. She worked with local dance students who performed in Alvin Ailey’s Memoria in Johannesburg, South Africa, as well as in Seattle, Copenhagen, Los Angeles, Chicago, Kansas City, and New York. Most recently, she set Alvin Ailey’s Night Creature on TU Dance and Oregon Ballet Theatre. Ms. Favors rejoined the Company as Rehearsal Director in 2019.

Clifton Brown

ASSISTANT REHEARSAL DIRECTOR

Clifton Brown, from Goodyear, Arizona, began his dance training at Take 5 Dance Academy and continued in the first class of the Ailey/Fordham BFA in Dance program. Mr. Brown began his professional career when he joined the Ailey company in 1999 and served as choreographic assistant to Judith Jamison. He has also danced with Earl Mosley's Diversity of Dance, Lar Lubovitch Dance Company, and was a founding member and rehearsal director for Jessica Lang Dance. He was nominated in the U.K. for a Critics Circle National Dance Award for Best Male Dancer and received a Black Theater Arts Award as well as a New York Dance and Performance (“Bessie”) Award. As a guest artist Mr. Brown has performed with Miami City Ballet, Rome Opera Ballet, Nevada Ballet, and Parsons Dance. He has set the work of Alvin Ailey, Earl Mosley, and Jessica Lang on various companies around the world. Television appearances as a guest artist include So You Think You Can Dance and Dancing With The Stars. He has had the privilege of performing at the White House for President Obama. Mr. Brown became Assistant Rehearsal Director in 2019.

Bennett Rink

EXECUTIVE DIRECTOR

Bennett Rink became Executive Director in 2013. Mr. Rink first joined Ailey as Manager of Special Events in 1994, became Development Director in 1998, and then worked as Senior Director of Development and External Affairs from 2007 to 2012. In his tenure overseeing Ailey’s development and fundraising efforts, Mr. Rink led a $75 million capital campaign supporting Ailey’s first permanent home, The Joan Weill Center for Dance, which opened in 2005, and established an endowment to support major program areas. When the Company celebrated its 50th anniversary in 2008, Mr. Rink supervised an 18-month celebration, including events, promotions, collaborations, and special performances, bringing public awareness of the Ailey organization to new heights. Mr. Rink also oversaw The Next Step Campaign, which grew the organization’s endowment to $50 million. As Executive Director, Mr. Rink launched a five-year strategic plan in 2014 to realize Robert Battle’s creative vision, expand Ailey’s educational offerings, and enhance technology to extend the reach of the organization. Central to the plan has been the expansion of The Joan Weill Center for Dance, which attracts more than 200,000 visitors each year. In the fall of 2017, Ailey unveiled the Center’s Elaine Wynn and Family Education Wing, providing much-needed additional studios and classroom space to meet the growing demand for Ailey’s programs. The building now comprises 87,000 square feet and is the largest destination for dance in New York City. Mr. Rink also conceived The Campaign for Ailey’s Future, a $50 million initiative to support the Center’s expansion and the ongoing implementation of other long-range strategic priorities. During his tenure, the Company deepened its presence in New York City by establishing a spring season at Lincoln Center to complement its New York City Center winter season, while also extending its role as America’s “Cultural Ambassador to the World” with tours to Africa, Europe, and South America. In order to reach audiences beyond live performances, the Company has broadened its commitment to creating film and digital content, including its first-ever theatrical movie release as part of Lincoln Center at the Movies: Great American Dance. Mr. Rink is a graduate of Syracuse University and holds a BFA in theater.

Who's Who in the Company

JEROBOAM BOZEMAN (Brooklyn, NY) began his training under Ruth Sistaire at the Ronald Edmonds Learning Center. He was granted full scholarships at the Joffrey Ballet School and Dance Theatre of Harlem. Mr. Bozeman is a gold-medalist of the NAACP ACT-SO Competition in Dance. He performed in the Broadway musical Aida (international tour in China), and with PHILADANCO!, Donald Byrd’s Spectrum Dance Theater, and Ailey II. Mr. Bozeman was a guest artist with The Royal Ballet and was nominated as one of “25 to Watch” by Dance Magazine in 2018. He was featured in Bud Light’s NFL 100th commercial and Pyer Moss’s 2021 “Wat U Iz,” fashion show. He has appeared in Vanity Fair, Neiman Marcus, Double Magazine, Seattle Met, and The New York Times. Mr. Bozeman joined the Company in 2013.

KHALIA CAMPBELL (Bronx, NY) is a graduate of Fiorello H. LaGuardia High School of Music & Art and Performing Arts. She began her formal dance training at Uptown Dance Academy. Ms. Campbell also studied at Dance Theatre of Harlem and as a scholarship student at The Ailey School. In 2012 she performed in Elton John and Tim Rice’s Broadway musical Aida (international tour in Taiwan). She has performed with Kymera Dance, Dance Iquail, and in the 40th anniversary of The Wiz at SummerStage. Ms. Campbell also danced as a guest artist with Richard Siegal’s Ballet of Difference in Munich, Germany. She was recognized in Dance Magazine’s “25 to Watch” in 2020 and is a 2021 dance fellowship recipient from the Princess Grace Foundation-USA. Ms. Campbell was also featured in Katie Couric’s segment of Thank You Notes alongside Judith Jamison. She was a member of Ailey II and joined the Company in 2018.

PATRICK COKER (Chester, VA) was awarded the American Ballet Theatre’s National Trainee Scholarship from 2008 to 2010. In May 2014, Coker graduated from the Ailey/Fordham BFA Program in Dance, where he apprenticed with Ailey II in his final year. After graduation, he spent a year dancing for Cedar Lake Contemporary Ballet, and then went on to join Jessica Lang Dance for three seasons. He has also performed with The Mark Morris Dance Group in The Hard Nut and L’Allegro, il Penseroso ed il Moderato, Earl Mosley’s Diversity of Dance, HopeBoykinDance and LA-based BODYTRAFFIC. Mr. Coker joined the Company in 2019. Find him on Instagram @pcoke

SARAH DALEY-PERDOMO (South Elgin, IL) began her training at the Faubourg School of Ballet in Illinois under the direction of Watmora Casey and Tatyana Mazur. She is a 2009 graduate of the Ailey/Fordham BFA Program in Dance and trained at institutions such as the Kirov Academy, National Ballet School of Canada, The San Francisco Conservatory of Dance, and intensives at Ballet Camp Illinois and Ballet Adriatico in Italy. Mrs. Daley-Perdomo was honored to be highlighted in Dance Magazine’s “On the Rise” feature in 2014, and to perform in Wayne McGregor’s Chroma for the filming of Lincoln Center at the Movies: Great American Dance. She is a recipient of a Youth America Grand Prix Award and an ARTS Foundation Award. She was a member of Ailey II and joined the Company in 2011.

CAROLINE T. DARTEY (Geneva, Switzerland) trained in rhythmic gymnastics in her hometown at the age of five, eventually rising to national and international levels and becoming the Swiss champion in her category from 2009 to 2011. She later began dancing at the Conservatoire Populaire de Musique, Danse et Théâtre of Geneva. Ms. Dartey also trained at The Ailey School as a scholarship student and performed in Alvin Ailey’s Memoria during Ailey’s 2017 New York City Center season. She was a member of Ailey II from 2018 to 2020 and has performed works choreographed by Darrell Grand Moultrie, Uri Sands, Bradley Shelver, Troy Powell, Robert Battle, Amy Hall Garner, Kirven Douthit-Boyd, Andrea Miller, Alia Kache, and Yannick Lebrun. Ms. Dartey joined the Company in 2021. Instagram: @caroline_dartey

GHRAI DEVORE-STOKES (Washington, D.C.) trained at the Kirov Academy, Ballet Chicago, Deeply Rooted Dance Theater, American Ballet Theatre, and Alonzo King LINES Ballet. She began her professional career with Chicago-based dance company Hubbard Street 2, and was a member of Deeply Rooted Dance Theater, Deeply Rooted Dance Theater 2, DanceWorks Chicago, and Ailey II. Ms. DeVore-Stokes was the 2011 recipient of the Danish Queen Ingrid Scholarship of Honor and a 2009 recipient of the Dizzy Feet Foundation Scholarship. She was also a 2010 nominee for the first annual Clive Barnes Award. Her film credits include Swamp Lake and Codeswitch. She has modeled for Lululemon and Vogue. Ms. DeVore-Stokes joined the Company in 2010. She would like to thank The Creator from whom all blessings flow. Instagram: @ghrai_

SOLOMON DUMAS (Chicago, IL) (he, him, his) was introduced to dance through AileyCamp. He later began his formal training at The Chicago Academy for the Arts and the Russell Talbert Dance Studio, where he received his most influential training. Mr. Dumas studied at New World School of the Arts and was a fellowship Level 1 student at The Ailey School. He has performed with companies including Garth Fagan Dance; Ronald K. Brown/Evidence, A Dance Company; and Labyrinth Dance Theater and was a member of Ailey II. Mr. Dumas joined the Company in 2016.

SAMANTHA FIGGINS (Washington, D.C.) began dancing at Duke Ellington School of the Arts under the tutelage of Charles Auggins and Sandra Fortune-Greene and attended summer intensives at Dance Theatre of Harlem under the direction of Arthur Mitchell. She continued her education at SUNY Purchase Conservatory of Dance. There, she performed works by George Balanchine, Bill T. Jones, Paul Taylor, and Twyla Tharp. Upon graduating cum laude, Ms. Figgins became a member of Complexions Contemporary Ballet, performing works by Dwight Rhoden, Jae Man Joo, and Camille A. Brown. She also performed at the 2014 DanceOpen Festival in St. Petersburg, Russia. Ms. Figgins was featured both on the cover of Dance Spirit magazine and in Pointe magazine’s “10 Careers to Watch” in 2013. She has worked with Beyoncé and can be seen in the film Enemy Within alongside Tiler Peck and Matthew Rushing. Ms. Figgins joined the Company in 2014.

JAU’MAIR GARLAND (Pittsburgh, PA) began his dance training at a small studio in Pittsburgh before attending his alma mater, Pittsburgh Creative and Performing Arts 6-12, in eighth grade. While attending CAPA, he joined Reed Dance II under the direction of Greer Reed, and simultaneously refined his technique at Ballet Academy of Pittsburgh under the direction of Steven and Lindsay Piper. In 2020, Mr. Garland was named a National YoungArts winner in Modern/Contemporary. He is a current student at the USC Glorya Kaufman School of Dance, where he will graduate in 2024. Mr. Garland wishes to thank all of his teachers and mentors who have aided in his artistic journey. This is his first season with the Company.

JAMES GILMER (Pittsburgh, PA) trained at Pittsburgh Ballet Theatre School and the Pittsburgh Creative and Performing Arts School. After graduating, he performed with Texture Contemporary Ballet and joined Cincinnati Ballet in 2011. While dancing with the Cincinnati Ballet for six seasons, Mr. Gilmer was promoted to Soloist in 2015 and performed works by Victoria Morgan, Amy Seiwert, Septime Webre, Ohad Naharin, Val Caniparoli, Annabelle Lopez Ochoa, Edwaard Liang, Jennifer Archibald, and George Balanchine, to name a few. Mr. Gilmer was also a member of Amy Seiwert’s Imagery, performing during the summer seasons since 2013, and ODC/dance, performing works by Brenda Way, KT Nelson, and Kate Weare. In November 2021 he performed in Twyla Now, New York City Center’s celebration of choreographer Twyla Tharp. Mr. Gilmer joined the Company in 2019. Instagram: @james.agilmer

VERNARD J. GILMORE (Chicago, IL) began his training at Curie Performing and Creative Arts High School in Chicago under Diane Holda. He later studied at the Joseph Holmes Chicago Dance Theater with Harriet Ross, Marquita Levy, and Emily Stein. He received first place in the all-city NAACP ACT-SO competition in 1993. He attended Barat College under scholarship and tutelage of Rory Foster and Eileen Cropley. He then studied as a scholarship student at The Ailey School and was a member of Ailey II. In 2010 he performed as part of the White House Dance Series. Mr. Gilmore is a choreographer whose work has been a part of the Ailey Dancers Resource Fund, Fire Island Dance Festival 2008, and Jazz Foundation of America Gala 2010, and he produced the Dance of Light project in 2010 and 2015. An excerpt of Mr. Gilmore’s work La Muette was performed in 2017 as part of the “Celebrating the Men of Ailey” program at New York City Center. Nimbus Dance Works performed a new work by Mr. Gilmore in 2018. Mr. Gilmore is a certified Zena Rommett Floor-Barre instructor. He teaches workshops and master classes around the world. Mr. Gilmore joined the Company in 1997.

ASHLEY KAYLYNN GREEN (Charleston, SC) began her training at Columbia City Jazz where she found her love for dance. She trained in a variety of styles including ballet, modern, jazz, tap, and hip-hop. In 2020, Ms. Green received her BFA in Dance from Point Park University in Pittsburgh, Pennsylvania, under the direction of Garfield Lemonius. There, she performed works by Peter Chu, Aszure Barton, Kyle Abraham, and Darrell Grand Moultrie. After graduation she joined Whim W’Him Seattle Contemporary Dance where she received a Princess Grace Award in Dance. Ms. Green joined the Company in 2021 and that year was named one of “25 to Watch” by Dance Magazine. 

JACQUELIN HARRIS (Charlotte, NC) began her dance training at Dance Productions Studios under the direction of Lori Long. Ms. Harris received a silver ARTS award from the National Foundation for the Advancement of the Arts and was a Presidential Scholar in the Arts semifinalist. She graduated with honors from the Ailey/Fordham BFA Program in Dance. In 2016 Ms. Harris was named one of “25 to Watch” by Dance Magazine. She received a 2017 dance fellowship from the Princess Grace Foundation-USA. In 2019 she was one of 75 dancers across the world to perform in Merce Cunningham’s Night of 100 Solos: A Centennial Event, which won a New York Dance and Performance (“Bessie”) Award. In 2021 Ms. Harris worked with Twyla Tharp in her production of Twyla Now alongside artists of New York City Ballet and American Ballet Theatre. She was a member of Ailey II and joined the Company in 2014.

MICHAEL JACKSON, JR. (New Orleans, LA) began his dance training at age 14 at the Duke Ellington School of the Arts in Washington, D.C., under the direction of Charles Augins. He became a member of Dance Theatre of Harlem Dancing through Barriers Ensemble in 2005. In 2006 he joined Dallas Black Dance Theatre, and in 2008 joined PHILADANCO!, where he also worked as artistic director of D3. Mr. Jackson joined the Company in 2011 and rejoined in 2015.

YAZZMEEN LAIDLER (Miami, FL) graduated from New World School of the Arts. She trained at Traci Young-Bryon’s Young Contemporary Dance Theatre and The Ailey School summer intensive. Ms. Laidler received her BFA from The University of the Arts and was a company member of Eleone Dance Theatre. Ms. Laidler is the 2016 award-winning Pennsylvania Choreographer, setting work for Pennsylvania Ballet II. She has performed works by Dwight Rhoden, Camille A. Brown, Rennie Harris, and Aszure Barton, among others. She has performed as a guest artist with Owen/Cox Dance and is a former member of Ailey II. She is the founder of Time Revealed Dance Intensive in Miami, FL, which brings highly acclaimed artists to aid in the cultivation of community for aspiring dancers. Ms. Laidler joined the Company in 2018. Instagram: @yazzmeen.laidlerin

YANNICK LEBRUN (Cayenne, French Guiana) began training in his native country at the Adaclam School under the guidance of Jeanine Verin. After graduating high school in 2004, he moved to New York City to study at The Ailey School as a scholarship student. Mr. Lebrun was named one of Dance Magazine’s “25 to Watch” in 2011, and in 2013 France-Amérique magazine highlighted him as one of the 50 most talented French people in the United States. In November 2016 Mr. Lebrun was a guest performer with The Royal Ballet in Wayne McGregor’s Chroma. In 2019 he choreographed Saa Magni, his first work for Ailey II, and in 2021 he created Lora for ABT Studio Company. Mr. Lebrun was a member of Ailey II and joined the Company in 2008. Instagram: @yannicklebrun

XAVIER MACK (Washington, D.C.) began his dance training at Divine Dance Institute in Capitol Heights, Maryland. He received his BA in Modern Language & Linguistics from the University of Maryland-Baltimore County (UMBC). In 2017, Mr. Mack joined Dallas Black Dance Theatre where he performed works by Hope Boykin, Norbert De La Cruz III, Dianne McIntyre, and Matthew Rushing. Mr. Mack joined the Company in 2022.

RENALDO MAURICE (Gary, IN) began his training with Tony Washington and graduated from Talent Unlimited High School. He attended Emerson School for Visual and Performing Arts, studying with Larry Brewer. Mr. Maurice was a scholarship student at The Ailey School, Ballet Chicago, Deeply Rooted Dance Theater, and Martha Graham School of Contemporary Dance. He received second place in modern dance from the National Foundation for Advancement in the Arts and received the Dizzy Feet Foundation Scholarship. In 2012 he was honored with the key to the city of his hometown. Mr. Maurice has choreographed and performed with Grammy nominated artist Jazzmeia Horn. He is the 2022 Willie Ninja Supreme Award recipient and star of HBO Max’s Legendary. He has also incorporated his passion for the arts with social responsibility as the co-artistic director of Indiana’s South Shore Dance Alliance. He was a member of Ailey II and joined the Company in 2011. Facebook: @Maurice Gardner. Instagram: @mauricerenaldo

ASHLEY MAYEUX (Houston, TX) began her dance training at the High School for Performing and Visual Arts and graduated cum laude with a BFA from SUNY Purchase. Ms. Mayeux continued her studies at the Dance Theatre of Harlem and went on to perform in the tour of the Broadway musical Aida. She has been featured in publications including The New York Times, The Los Angeles Times, Pointe, and Dance Magazine. Ms. Mayeux was a member of Complexions Contemporary Ballet from 2012 to 2016, Alvin Ailey American Dance Theater from 2016 to 2018, and Alonzo King LINES Ballet from 2018 to 2021. She rejoined the Ailey company in 2021. Instagram: @miss_ashleynicolemayeux

CORRIN RACHELLE MITCHELL (Baltimore, MD) began her dance training in her hometown at LeRe’s Performing Arts Center, owned by her mother and father. She attended Baltimore School for the Arts where she trained with Norma Pera and Linda-Denise Fisher-Harrell. Ms. Mitchell graduated in 2017 with a BFA in Dance from Point Park University where she worked with choreographers Troy Powell, Garfield Lemonius, and Debbie Allen. After completing one year of apprenticeship, Ms. Mitchell joined Ailey II in 2017 where she performed works choreographed by Uri Sands, Bradley Shelver, Troy Powell, Robert Battle, Darrell Grand Moultrie, and Amy Hall Garner. Ms. Mitchell joined the Company in 2019. Instagram: @_slimrin_

CHALVAR MONTEIRO (Montclair, NJ) began training at Sharron Miller’s Academy for the Performing Arts and went on to study at The Ailey School before receiving his BFA in Dance from SUNY Purchase. Mr. Monteiro has worked with Sidra Bell Dance New York, Elisa Monte Dance, Keigwin+Company, BODYTRAFFIC, and A.I.M by Kyle Abraham. He assisted Kyle Abraham in setting and creating work for Barnard College, Princeton University, Emory University, NYU Tisch School of the Arts, Alvin Ailey American Dance Theater, and Wendy Whelan’s Restless Creature. In 2019 Mr. Monteiro was selected to participate in Merce Cunningham Trust’s Night of 100 Solos: A Centennial Event. His choreography has been presented as part of Ailey’s 2021 Virtual Spirit Gala, as well as at other festivals and institutions across the U.S. Mr. Monteiro is currently on faculty at Tisch School of the Arts at NYU. He was a member of Ailey II and joined the Company in 2015. Instagram: @chlvrmntro

ALISHA RENA PEEK (Upper Marlboro, MD), a graduate of the Ailey/Fordham BFA Program in Dance and former member of Ailey II, began her formal dance training at the Washington School of Ballet. Ms. Peek attended Kirov Ballet Academy, participated in the Dance Theatre of Harlem Kennedy Center Residency, and studied at The Art of Technique. Professionally, Ms. Peek has had the opportunity to work with influential choreographers such as Robert Battle, Hope Boykin, Andrea Miller, Darrell Grand Moultrie, Kirven Douthit-Boyd, Juel D. Lane, and others. She has taught at The Ailey School and various studios in the Maryland/Virginia area. Recently, she served as an assistant to Milton Myers and personal assistant to Hope Boykin. She participated in the HopeBoykinDance Bubble Residency and performed in An Evening of Hope and Moments by Hope. Ms. Peek has appeared in the FX hit series POSE and choreographed a short film produced by Beats by Dre.

BELÉN INDHIRA PEREYRA (Lawrence, MA) began her formal training at Boston Arts Academy, where she graduated as valedictorian, and was a member of NIA Dance Troupe at Origination Cultural Arts Center. Upon moving to New York City, Ms. Pereyra was closely mentored by Earl Mosley and danced with Camille A. Brown & Dancers, during which time she performed at The Joyce Theater, Jacob’s Pillow Dance Festival, and Dancers Responding to AIDS’ annual events Dance from the Heart and The Fire Island Dance Festival. Ms. Pereyra was an apprentice for Ronald K. Brown/Evidence, A Dance Company, and has performed with Lula Washington Dance Theater, Nathan Trice, and Roger C. Jeffrey. She has been featured in Dance Magazine, Island Origins Magazine, Boston Magazine, and The Improper Bostonian. Ms. Pereyra is also certified in MUNZ® FLOOR, as well as the Zena Rommett Floor-Barre™ Technique. She assisted Matthew Rushing with Uptown for the Company in 2009 and joined in 2011.

MIRANDA QUINN (Baltimore, MD) trained in various genres of dance from the ages of 2 to 18 at Mid-Atlantic Center for the Performing Arts under the artistic direction of Shannon Torres. Ms. Quinn graduated from The Juilliard School in 2019 under the newly appointed direction of Alicia Graf Mack. Her attendance at the school was made possible by the Jerome L. Greene Fellowship. She is an alum of the Springboard Danse Montréal, Arts Umbrella, and Hubbard Street Dance Chicago summer intensives. She joined the Company in 2019. Ms. Quinn is beyond thrilled and honored to be a part of the Ailey family and legacy. Instagram: @mirandaming4

HANNAH ALISSA RICHARDSON (Toronto, Ontario Canada) graduated with honors from The Ailey School Certificate Program. Ms. Richardson has performed works by choreographers including Ray Mercer, Bradley Shelver, Kirven Douthit-Boyd, Earl Mosley, William Forsythe, and Robert Battle. She has been a featured dancer in festivals including Jacob’s Pillow and the Holland Dance Festival, and had the honor of performing the world premiere of Grace and Mercy choreographed by Ronald K. Brown at Bard’s SummerScape festival. Some of her film and television credits include Orion Pictures’ Every Day and Disney Channel’s Backstage. Ms. Richardson was a proud member of Ailey II for one season before joining the Company in 2022. She is also a guest artist with Ronald K. Brown/Evidence, A Dance Company. Ms. Richardson is thrilled to be part of Ailey and is grateful for all those who’ve continued to support her along her journey. Instagram: @hannahxrichardson

DEIDRE ROGAN (Fort Myers, FL) began her dance training in Fort Myers, Florida under Melinda Roy, Roberto Munoz, and Cheryl Copeland. Deidre graduated with honors from the Ailey/Fordham BFA Program in Dance in 2015. She is a YoungArts scholarship winner, performed as a United States Arts Ambassador for President Barack Obama during the Opening Ceremony of the Hannover Messe, and was the Associate Choreographer under Choreographer Hope Boykin for the City Center Encores Off-Center production of Promenade in 2019. Deidre danced with Ailey II from 2014 to 2016 and with Parsons Dance from 2016 to 2022. This is her first season with the Company.

KANJI SEGAWA (Kanagawa, Japan) began his dance training with his mother Erika Akoh, studying ballet with Kan Horiuchi and Ju Horiuchi in Tokyo. In 1997 Mr. Segawa came to the U.S. under the Japanese Government Artist Fellowship to train at The Ailey School. He was a member of Ailey II from 2000 to 2002 and Battleworks from 2002 to 2010. Mr. Segawa worked extensively with Mark Morris from 2004 to 2011, appearing with Mark Morris Dance Group and as a principal dancer in John Adams’ Nixon in China at The Metropolitan Opera. He is a master teacher and choreographs for companies and educational institutions. His work Future premiered during Ailey’s 2021 Virtual Spirit Gala. Since 1999 Mr. Segawa has been Creative Associate for Jessica Lang, assisting her creations for companies including American Ballet Theatre, Pacific Northwest Ballet, The Washington Ballet, and The National Ballet of Japan. Mr. Segawa joined the Company in 2011. kanjisegawa.com

COURTNEY CELESTE SPEARS (Baltimore, MD), of Bahamian descent, began formal training at the Baltimore School for the Arts under the direction of Norma Pera. She was the 2015 Denise Jefferson Memorial Scholar and graduated summa cum laude with honors from the Ailey/Fordham BFA Program in Dance with degrees in dance and communications. Ms. Spears attended summer intensives at The Juilliard School and American Ballet Theatre. She is a 2015 Princess Grace Award recipient, the 2020 Shirley Hall Bass Legacy Award recipient, and the Co-Founder & Director of ArtSea Dance, an outreach and dance management company based in the Bahamas. Ms. Spears is currently signed with Wilhelmina Models and graduated from Harvard Business School’s “Crossover Into Business” program. She continues to serve as a mentor by co-directing the Ailey Student Ailey Professional Mentor Program for The Ailey School. She was a member of Ailey II and joined the Company in 2018. Instagram: @bahamaballerina

CONSTANCE STAMATIOU (Charlotte, NC) began her dance training at Pat Hall’s Dance Unlimited and North Carolina Dance Theatre under the direction of Salvatore Aiello. She graduated from Northwest School of the Arts and studied at SUNY Purchase and as a Fellowship student at The Ailey School. In 2009 Ms. Stamatiou received the Leonore Annenberg Fellowship in the performing and visual arts. She has performed at the White House Dance Series, in a TED Talk with Judith Jamison, and as a guest performer on So You Think You Can Dance, Dancing with the Stars, Logo’s Trailblazer Honors, Good Morning America and The Today Show. Ms. Stamatiou has danced in the films Shake Rattle & Roll and Dan Pritzker’s Bolden and the commercial I Love NY. She is a mother of two. Ms. Stamatiou was a member of Ailey ll, joined the Company in 2007, and rejoined in 2016. Instagram: @constance.stamatiou

CHRISTOPHER TAYLOR (Newark, NJ) is a graduate of Arts High School. He began his dance training at age 11 in AileyCamp Newark’s summer program and The Ailey School Junior Division, and later studied as a scholarship student in The Ailey School Professional Division. Mr. Taylor was a member of Ailey II for two seasons and has performed at the Apollo Theater, Lincoln Center, and in Ailey’s New York City Center galas. He joined the Company in 2022.

JERMAINE TERRY (Washington, D.C.) began dancing at James Dance Center in Kissimmee, Florida. He graduated cum laude with a BFA from the University of South Florida, where he received scholarships for excellence in performance and choreography, and the Distinguished Alumnus Award for outstanding service to the arts. Mr. Terry has performed with Ailey II, Buglisi Dance Theatre, Arch Dance, Dance Iquail, PHILADANCO!, and as a guest artist on the TV show So You Think You Can Dance. He has designed costumes for New York City Ballet, San Francisco Ballet, Ailey II, and PHILADANCO! among others, and was nominated for a NY Emmy for his collaboration with The Black Iris Project, WILD: Bird of Paradise. His evening wear designs have appeared online in Vogue and Essence and have been photographed by the late Bill Cunningham for the style section of The New York Times. Mr. Terry joined the Company in 2010. Instagram: @jerms83

CHRISTOPHER R. WILSON (Augusta, GA) is a graduate of John S. Davidson Fine Arts Magnet School and graduated cum laude from the Ailey/Fordham BFA Program in Dance. He trained at Colton Ballet School, Alonzo King LINES Ballet, and The School at Jacob’s Pillow. He began his professional career with BHdos, the second company of Ballet Hispánico, and has performed for Queen Sofía of Spain and Princess Beatrix of the Netherlands. He has had the privilege of performing on the main stage of the 2017 Essence Festival in New Orleans. Mr. Wilson has performed works by choreographers Judith Jamison, Matthew Rushing, Wayne McGregor, Camille A. Brown, Kyle Abraham, and Emily Molnar, among others. He has been a guest artist with The Black Iris Project and for the Jacob’s Pillow Dance Festival. Mr. Wilson was a member of Ailey II and joined the Company in 2018. christopherrwilson.com. Instagram: @christopher.r.wilson

The Ailey dancers are supported, in part, by

The Judith McDonough Kaminski Dancer Endowment Fund.

Alvin Ailey photo by Jack Mitchell. Robert Battle, Ronni Favors, Jeroboam Bozeman, Sarah Daley-Perdomo, Caroline T. Dartey, Samantha Figgins, Ashley Kaylynn Green, Michael Jackson, Jr., Yannick Lebrun, Ashley Mayeux, Corrin Rachelle Mitchell, Chalvar Monteiro, and Christopher R. Wilson photos by Dario Calmese. Jau’mair Garland photo by Dymond Jewell. James Gilmer and Kanji Segawa photos by Michael Jackson, Jr. Xavier Mack, Alisha Rena Peek, Hannah Alissa Richardson, Deidre Rogan, and Christopher Taylor photos by Nir Arieli. Miranda Quinn photo by Gregory Constanzo. All other photos by Andrew Eccles.

ALVIN AILEY DANCE FOUNDATION BOARD OF TRUSTEES

Daria L. Wallach, Chairman
Anthony S. Kendall, President
Sela Thompson Collins, Jaishri Kapoor, Stephen J. Meringoff, Arthur J. Mirante II, Vice-Chairmen


Joy Allen-Altimare

Eleanor S. Applewhaite

Robert Battle 

Gunther T. Bright

Laura D. Corb

Suzan Kereere

Robert Kissane

Anthony A. Lewis

Leslie L. Maheras

Lucinda C. Martinez

Jack Pitts

Muhammad Qubbaj

Lata N. Reddy

Bennett Rink

Oti Roberts

Danielle M. Robinson, PhD

Cara Sabin

Joan H. Weill

Julia C. Wellborn

Edna Kane Williams

DeJuan V. Wilson

Gillian Wynn

Jean-Rene Zetrenne

Pamela D. Zilly


Philip Laskawy, Stanley Plesent, Esq.*, Joan H. Weill, Chairmen Emeriti

Debra L. Lee, Henry McGee, Presidents Emeriti

Gina F. Adams, Simin N. Allison, Anthony M. Carvette, Kathryn C. Chenault,
Guido Goldman*, Bruce S. Gordon, John H. Schaefer, Lemar Swinney, Honorary Trustees


*In Memoriam


ALVIN AILEY DANCE FOUNDATION

Recipient of the National Medal of Arts

Bennett Rink – Executive Director

Pamela Robinson – Chief Financial Officer

Ines Aslan – Chief External Affairs Officer


EXTERNAL AFFAIRS


Development

Justin Garlinghouse, Managing Director of Development

Josephine Ciallella, Director of Donor Events & Stewardship

Lauren Hallford, Director of Institutional Giving

Marceen Lovelace, Director of Development Operations

Rayna Bagchi, Interim Associate Director of Patron Engagement

Francis A. Lewis III, Associate Director of Donor Events & Stewardship

Ayanna Ingraham, Corporate and Foundation Relations Officer

James Cooper, Manager of Donor Events & Stewardship

Leora B. Graber, Manager, Institutional Giving and Government Affairs
Tegan Rich, Individual Giving Manager
Jackson Silverstein, Individual Giving Assistant

Rosa Schembari, Development Assistant


Marketing

Larae J. Ferry, Director of Marketing

Lynette P. Rizzo, Associate Director of Marketing

Jennifer Fyall, Associate Director of Marketing
Liad Baniel, Art Director

Maria Flotta, Associate Director of Sales and Ticketing

Erica Hochstedler, Editorial Content Manager

Delaina Dixon, Content Writer
Deanna Rule, Social Media Manager
Mikaela Tripp, Digital Marketing Manager

Selena M. Andino Lopez, Interim Ticket Manager

Naya Hutchinson, Social Media Coordinator
Stephanie Lacy, Social Media Content Creator

Julianna Mitchell, Digital Marketing Assistant

Judith Service Montier, Marketing Consultant


Capacity Interactive, Digital Marketing Consultants

Walker International Communications Group, Audience Development Consultants

Logical Chaos, Video Production Services


Public Relations
Christopher Zunner, Director of Public Relations

Tracy Severe, Associate Director of Public Relations

Nicole Tintle, Public Relations Manager

Esther Akutekha, Public Relations Associate

Chanelle Lester, Public Relations Assistant


Polskin Arts & Communications Counselors, PR Consultant

Judy Kinberg, Film Consultant


FINANCE & ADMINISTRATION


Prital Chohan, Director of Finance

Denise Fox, Controller

Linda Chen, Staff Accountant

Angella Davis, Accounting Specialist

Jennifer Bernal, Finance Associate

Alexis Han, Grant & Budget Analyst

Breana Moore, Finance Assistant
Elena M. Paul, Esq., General Counsel

Sathi Pillai-Colucci, Executive Liaison to the Artistic Director

Danielle Jackson, Executive Assistant to the Executive Director

Ashley Henry, Administrative Support Coordinator

Samuel Coleman, Office Manager

Adam Azani, Mail Clerk


HUMAN RESOURCES


Toronda Miller, Director of People and Culture


INFORMATION TECHNOLOGY


Chad J. Sutton, Director of Information Technology

Edward Park, IT Operations Manager

Edward Vulfson, Database Developer

Lloyd Alvarez, Network Administrator

Daniel Richardson, Application & Desktop Support Specialist


STUDIO & THEATER OPERATIONS


Alaric E. Hahn, Director of Studio & Theater Operations

Kris Carr, Associate Director of Studio Operations

Joel Wilhelmi, Technical Director

Jason Jude Hill, Studio Operations Manager

Britini Jackson, Studio Manager 

Will Westray, Studio Manager

Raymund Golamco, Financial Assistant

SPECIAL PROJECTS


Marion C. Koltun, Director of Special Projects


ALVIN AILEY AMERICAN DANCE THEATER


Robert Battle, Artistic Director

Judith Jamison, Artistic Director Emerita

Matthew Rushing, Associate Artistic Director

Ronni Favors, Rehearsal Director

Clifton Brown, Assistant Rehearsal Director

Eric D. Wright, General Manager

Isabelle Mezin, Director of Company Business Affairs

Gregory Stuart, Company Manager

Joseph Anthony Gaito, Technical Director

Kristin Colvin Young, Production Stage Manager

Jon Taylor, Wardrobe Supervisor

Jorge Lanuza, Master Carpenter

David Trudeau, Master Electrician

Rob Byerly, Sound Engineer

Jason Rosenberg, Property Master

Justin Coffman, Assistant Company Manager

Lexie Klasing, Assistant Stage Manager

Yi-Chung Chen, Associate Lighting Director

Danté Baylor, Wardrobe Assistant

Katie Chihaby, Wardrobe Assistant

Cody Richardson, Assistant Electrician

Amadea Edwards, Contracts and Licensing Manager

Chelsea Gillespie, Production and Licensing Coordinator

Michelle Grazio, Company Business Affairs Manager

Donald J. Rose, M.D., Director of the Harkness Center for Dance Injuries, NYU Langone Orthopedics

Sheyi Ojofeitimi, PT, DPT, OCS, CFMT, Director of Therapy Services / Health & Safety Advisor

Jessi Patz, PT, DPT, CKTP, Physical Therapist

Amy Zink, PT, DPT, CSCS, CPI, Physical Therapist

Ronnell Kitt, Physical Therapy Aide


AILEY II


Francesca Harper, Artistic Director

Sylvia Waters, Artistic Director Emerita

Eric D. Wright, General Manager

Isabelle Mezin, Director of Company Business Affairs

Sumaya Jackson, Company Manager

Joshua Gustafson, Production Stage Manager

Leah V. Pye, Assistant Stage Manager

Ethan Saiewitz, Lighting and Sound Supervisor

Emily Fargo White, Wardrobe Supervisor


THE AILEY SCHOOL


Tracy Inman, Co-Director of The Ailey School and Director of the Professional Division

Melanie Person, Co-Director of The Ailey School and
Director of the Ailey/Fordham BFA Program

James A. Paulson, Director of School Business Operations

JoAnne Ruggeri, Director of Admissions, Professional Division/International Student Advisor 

Tiffany Barnes, Director of Junior Division

Dawn-Marie Tricarico, Associate Director of Junior Division

Lakey Evans-Peña, Associate Director, The Ailey School Horton Pedagogy

Guillermo Asca, Professional Performing Arts School Program Coordinator

Cristina Sabater, Admissions Officer

Jennifer Y. Quinones, Bursar

Jennifer Rockwood, Registrar

Dena Hardee, School Operations Manager

Kaitlyn Miller, Production Administrator

Emily Riehle, BFA Program Manager / Assistant to Co-Director Melanie Person
Michela Boschetto, Professional Division Program Administrator / Assistant to Co-Director Tracy Inman

Merceditas Mañago-Alexander, Junior Division Program Coordinator

Blythe Koster, Junior Division Administrative Coordinator

Becky Brown, Junior Division Administrative Assistant

Freddie Moore, Ailey Student Performing Group (ASPG) Rehearsal Director

Moises Perez-Batista, Payroll / Student Account Assistant


The Ailey School Program Advisors

Melanie Person, BFA Freshmen

Adrienne Hurd, BFA Sophomores

Lakey Evans-Pena, BFA Juniors

Kimberly Bartosik, BFA Seniors

Tracy Inman, Scholarship Program Students

Freddie Moore, Certificate Program Students

Guillermo Asca, Independent Study Students

Kevin L. Predmore, International Independent Study Students


The Ailey School Department Chairpersons

Melanie Person, Ballet Chair

Lynn Glauber-Mandel, Ballet Co-Chair

Ana Marie Forsythe, Horton Chair

Jacqulyn Buglisi, Graham-based Modern Chair

Hollie Wright, Jazz Chair


ARTS IN EDUCATION & COMMUNITY PROGRAMS


Cathryn Williams, Director, Arts In Education & Community Programs

Nasha Thomas, Spokesperson & Master Teacher

Heidi Miller, Associate Director of Arts in Education
Sarah Feeley, AIE Business Manager

David Vargas, AIE Business Assistant

Cara Buchanan, Program Manager
Stacey Spencer-Willoughby, AIE Assistant


AILEYCAMP


Nasha Thomas, National Director, AileyCamp

Torens Johnson, National Deputy Director, AileyCamp

Darius Damazi Williams, Director of Children's Aid/AileyCamp New York

Ronnie D. Carney, Co-Director, AileyCamp Newark

Sherece Hill, Co-Director, AileyCamp Newark


AILEY EXTENSION


Lisa Johnson-Willingham, Director

Felipe Arellano, Budget Data Analyst

Grace Landefeld, Marketing Manager

Coal Rietenbach, Videographer

Ja'Michael Darnell, Schedule Administrator
Renee McGinnis, Front Desk Operations Manager

Jordan Llanes, Kids & Teens/Private Group Coordinator
Alexandra Strouse, Financial Assistant


FACILITIES


Michael Canarozzi, Facility Director

Reynold Manigault, Head of Security

Pam Wilkinson, Security Coordinator
Carlos Arenas, Maintenance Mechanic

Anthony Ragin, Maintenance Assistant

Brendan McCann, Maintenance Assistant


AILEY ARCHIVE


Dominique Singer, Archivist

Jasmyn R. Castro, Digital Asset Manager

Sylvia Waters, Consultant

Ellen Kamoe, Consultant

Norton Owen, Consultant

David Finkelstein, Video Editor


AILEY BOUTIQUE @ 405 West 55th Street


Colette Hawkins, Director of Product Development and Merchandising

Jeffrey Bynum, Boutique Manager


Items sold at the Ailey Boutique and AileyDancewear.com are managed by Fine Arts Merchandising Ensemble, Inc.

www.AileyDancewear.com


TOURING CONTACT


OPUS 3 ARTISTS

Tel: 212-584-7500 

opus3artists.com





PRODUCTION CREDITS


Lighting system provided by 4Wall Entertainment


Touring sound system provided by Gibson Entertainment Services


Domestic trucking services provided by Stage Call Corporation


Alvin Ailey American Dance Theater is a proud member of Dance/USA, the national service organization for professional dance.


Dancers appear courtesy of the American Guild of Musical Artists (AGMA). 


Alvin Ailey crew members belong to the International Alliance of Theatrical Stage Employees (IATSE).


Alvin Ailey American Dance Theater ● The Joan Weill Center for Dance

405 West 55th Street, NY, NY  10019-4402 ● Tel: 212-405-9000 ● AlvinAiley.org

Facebook: @AlvinAileyAmericanDanceTheaterInstagram: @alvinailey Tiktok: @AlvinAileyOfficial