BAMbill

HOW TO LIVE (after you die)


December 7—9, 2023
BAM Fisher (Fishman Space)

Written, directed, and performed by Lynette Wallworth

RUN TIME:
1hr, 30min, no intermission

Season Sponsor:

Leadership support for BAM Access Programs provided by the Jerome L. Greene Foundation

Leadership support for Next Wave 2023 provided by:

Leadership support for theater at BAM provided by:
The Fan Fox & Leslie R. Samuels Foundation, Inc.
The SHS Foundation
The Shubert Foundation, Inc.

Leadership support for BAM Film provided by:
The Thompson Family Foundation

BAM would like to acknowledge that the land we are on today and on which all of our physical buildings are located is the stolen land of the Lenape people. We acknowledge the Indigenous stewardship of this land and honor the Lenape elders past and present, as well as future generations.

Title

Writer, Director and Performer: Lynette Wallworth 

Producer: THE OFFICE Performing Arts and Film 

Executive Producers: Lynette Wallworth and Rachel Chanoff 

Dramaturgy: Louise Gough 

Graphic Design: More Studio 

VFX Animations: Sohan Ariel Hayes and Radheya Jegatheva 

Video Colour Fields: Alexander Hoetzer 

Lighting Design: Neil Simpson 

Qlab build: Mic Gruchy 

Production Manager: Carly Levin

Stage Manager: Meghan Williams

Company Manager: Carol Blanco

Project Manager: Kyla-Rose Smith


‘Dust and Water' 

Written by Antony and the Johnsons 

Published by Rebis Music LLC (ASCAP/ KOBALT) 

Performed by Antony and the Johnsons 

Courtesy of Rebis Music LLC (ASCAP/ KOBALT) 


‘Imagine' 

Written by John Lennon and Yoko Ono 

Published by Lenono Music / Ono Music c/o Downtown Music Services Performed by Antony and the Johnsons 

Courtesy of Rebis Music LLC (ASCAP/ KOBALT) 

With thanks to the Lennon Estate 


Additional Image credits 

Colin Davison 

Pete Brundle 

Piers Mussared 

Greg Downing 

Tashka Yawanawa 

Lance Troxel 

World Economic Forum 

Getty Images 

Shutterstock 


Additional Footage credits

Pete Brundle 

Bentley Dean


With thanks to Australian Human Rights Institute, UNSW and UCLA Center for the Art of Performance. 


HOW TO LIVE (after you die) is co-commissioned by RISING, THE OFFICE performing arts + film, and Sydney Opera House and was made with the support of a residency with the Australian Film Television and Radio School. 




—------------------------ 

Production Image Credits: 

Lynette Wallworth 

Lauren Orrell 


About the Show

Emmy award-winning filmmaker and artist Lynette Wallworth brings her renowned storytelling skills to the stage in a surprising new work that sheds light on the seduction of cultish extremism. It’s a story she had never planned to tell, mainly because in it she plays the central character. As implausible conspiracies like QAnon gripped millions around the world, and a team of charismatic self-styled prophets, the Evangelical Advisory Board, advised Donald Trump throughout his presidency, Wallworth saw a chapter from her past come rushing into the present. Using her artworks as touchstones, Wallworth navigates a young woman's slippage into a shared belief system that divides and polarizes. HOW TO LIVE (after you die) upholds the voice of an artist in her prime, while pointing to the plethora of extremist influences that can manipulate and mold us, unless we find our way back to the creation of our own story.

Director's Note

It’s never been my wish to tell my own story but, as sometimes happens, the times we are living through began to remind me of a life I had long left behind. Increasingly, I found myself hearing stories of loved ones being lost to extremist groups and the severing of ties that at one time seemed unbreakable. I have watched reports of growing groups of ‘believers’ of one extreme mindset or another who feel they alone must act to save the world from conspiracy theories that seem, to most of us, completely implausible. I hear polarizing political leaders using language designed to register with the ‘devoted’ who believe they have inside knowledge on the very specific plans of God. In every one of these stories, I recognized myself, the young, aspiring and fragile self who wanted to belong. When we are young, poised on the edge of adulthood and full of hope we can be lassoed into belief systems that steal our promise and take years to escape. The purpose of art is to take the singular and find the universal. So I dragged my memories out from where they had long been stored, because, for better or worse, I am uniquely positioned to know the way down this particular rabbit hole and, thankfully, to shine a light on the path out of it. So let me tell you a story…


—Lynette Wallworth

About the Artist

Lynette Wallworth

Lynette Wallworth has worked for over 20 years in immersive technologies and has won two Emmy awards for her innovative VR and XR works. Wallworth’s works include the interactive video installation Evolution of Fearlessness; the DOMIE Award-winning full-dome feature Coral, the AACTA Award-winning documentary Tender, the Emmy® Award-winning virtual reality narrative Collisions and Awavena which garnered Lynette her 2nd –(International) Emmy® Award for Outstanding New Approaches in Documentary. Wallworth has been awarded a UNESCO City of Film Award, the Byron Kennedy Award for Innovation and Excellence, an Australian Directors Guild Award and in 2016 was named by Foreign Policy magazine as one of the year’s 100 Leading Global Thinkers.


THE OFFICE performing arts & film

THE OFFICE performing arts + film  is an independent curator and production company based in New York and London. Founded by Rachel Chanoff in 1999, THE OFFICE is Consultant to the Sundance Institute’s Feature Film Program, Curator of The New York Jewish Film Festival and the Margaret Mead Film Festival, and Curator of Performing Arts and Film for MASS MoCA. Production credits include William Kentridge’s staged works, The Head & the Load (premiered Tate Modern, 2018), Triumphs & Laments (2016), and Refuse the Hour (premiered BAM, 2015); Carrie Mae Weems’ Grace Notes (premiered Spoleto Festival USA, 2016); and Rithy Panh’s Bangsokol (premiered Melbourne Festival, 2017).