Artists hone their foundation by employing the technical skills of a particular art or field of endeavor. These courses are Prime specific, unless otherwise designated as open to students from all primes. Students should focus their Applied Arts choices in their prime arts area, but may explore outside of their prime in some cases. Commitment to Applied Arts courses includes process journaling and/or portfolio building.
Artists engage in projects that emphasize the creative process through opportunities designed to expand their creative lens through collaboration, community engagement, and multiple performance and presentation avenues. These courses are open to students from all primes. Enrollment and eligibility requirements vary among project offerings. Projects are designed to encourage students from all prime arts areas to collaborate. Project enrollment requires participation in the Fall Festival.
Vocal music experience required.
Bring your songs to life!
Have you ever performed a song onstage or played a role in a musical and felt like something was missing? Maybe you were focused on getting the notes right, but not fully connecting to the words or telling the story behind them. Or maybe you’ve sung in a recital and found yourself just standing there, concentrating on the lyrics ahead instead of living in the moment.
Sometimes, we need to take a step back and go deep into one piece to unlock the full storytelling potential. Whether your goal is Broadway, Regional Theater, or just feeling more confident in a local production or recital, this class will help you break down a song, find its beats from an actor’s perspective, and build a believable, honest character.
We’ll work with a memorized piece from your current voice lessons or repertoire. Through character and lyric analysis and by exploring playable actions, we’ll help you tell a clear, compelling story; one that feels truthful every time you perform it.
This is a great companion to your vocal technique study.
Please bring a song in English or Italian from a musical or opera.
All primes welcome, Visual Art experience recommended.
Sharpen your eye and bring the world around you to paper! In this course, you’ll develop your observational drawing skills using charcoal and graphite as you learn how to see — and draw — like an artist.
You’ll explore the core principles of drawing, including light and shadow, shading, rendering 3D forms, value, and composition. Through guided lessons and hands-on practice, you’ll create a series of fully developed still-life drawings that show your growth and mastery.
Your teacher will provide personalized feedback to help you strengthen your technique and style. You’ll draw from both instructor-created still-life setups and your own chosen subjects, giving you the chance to express your creativity while building technical skill.
By the end of the course, you’ll have a stronger command of how to depict depth, light, and texture — and a collection of polished drawings that showcase your artistic progress.
All primes welcome.
This course is an in-depth exploration of the psychology of color and its practical application in design. Students will analyze the meanings and subconscious messages of various shades and tones of colors and how they are used to communicate emotions and ideas.
The core of the class involves creating a Color Journal, a personal archive that documents the psychological impact of different shades and tones. This knowledge will then be applied to the creation of mood boards, where students will experiment with color combinations to achieve specific visual and emotional effects.
The course culminates in a project focused on branding and advertising. Students will choose from popular products and undertake a rebranding project, using a new color scheme to alter the product's perceived mood and messaging, demonstrating a sophisticated understanding of color theory and its use in commercial design.
All primes welcome.
slap·stick
/ˈslapˌstik/
1: A device made of two flat pieces of wood fastened at one end so as to make a loud noise when used by an actor to strike a person
2: A type of acting intended to be amusing because of the timing of fast physical actions, typically of someone falling or being hit by something or someone.
Slapstick Comedy is an ancient, highly physical popular theatrical tradition. With the advent of silent film, this style of comedy exploded. It was perfect: all action, not dialogue required. Performers from the vaudeville stage, such as Buster Keaton, Laurel and Hardy, Charlie Chaplin, Lucille Ball, and the Marx Brothers, all became famous writing, producing, directing, and acting in their own movies. When sound was developed, stories became more intricate, and as the art form became more “sophisticated,” slapstick became an important tool for comic filmmakers, especially those creating for young audiences.
Over the course of this class, students will watch slapstick films, or examples of slapstick in scenes, starting from the first films ever made, to modern times.
Visual Art experience recommended.
In this course, you’ll explore how to tell stories through paint. You’ll learn how artists use composition, color, symbolism, and imagery to communicate emotion and meaning in their work. From brainstorming ideas and sketching thumbnails to refining your final painting, you’ll build a piece that shares a narrative that matters to you. Along the way, you’ll develop an artist statement that explains your story and the choices you made to express it.
Your teacher will guide you through each step of the creative process—asking questions, offering feedback, and demonstrating techniques like color mixing and using references. You’ll also learn how to use design principles and the unique qualities of paint to strengthen your concept. By the end of the course, you’ll have a completed painting and artist statement that showcase your storytelling through art.
All primes welcome. Recommended for musicians and creative writers.
Class has reached capacity and is utilizing a waitlist.
This class approaches songwriting whether you want to focus on the music, lyrics, or both. Each week, we will focus on sharpening our lyric writing skills for ourselves and also for others. Writing for ourselves allows us to write in our style to our preferred genre. You will be given music in the style you like, and we will have opportunities to do some light arrangement and recording as well. Writing for others challenges us to step outside of ourselves and write in other genres as other artists. In these exercises, you will learn how professional songwriters in major studios write for big name artists.
Whether you are a creative writer looking to transform your writing into song or you are a musician looking to dedicate time to writing or you're just curious, this class will give you a space to explore your creative capacity through song.
All primes welcome.
The Craft Classic Workshops are divided into three units. Students are expected to remain enrolled for the full collection. At the conclusion of each unit, final work is turned in and presented. In order to earn credit for each unit, that work must be handed in and presented.
Units of study:
Creating Characters
The Art of the First and Last Page
Story Structure
Click the button below for more information about the units of study.
Enrollment in a Project requires participation in the WINTER WORKS, an evening presentation of works from the Winter Trimester. Dates can be found on the Presentations page.
If students cannot commit to the Winter Works, they should not opt in to a Project at this time (including Directed Ensemble: Instrumental Chamber Music).
This is part two of a two-trimester course. Students in Part I will automatically be enrolled in Part II.
If you wish to engage in this project after having completed it last year, you can submit an email request.
For the Winter Trimester, students will decide on a theme for the final presentation as a group and designs will be created in relation to that theme. Students will have the option to replicate an existing character or person OR create their own character!
This trimester of the project will include more advanced sfx techniques as they pertain to the students’ designs. Students are expected to create designs, supply checklists, test examples and be able to present this work in a final presentation for an audience.
This project will present at the WINTER WORKS scheduled for February 25.
Performing experience required. You will have to act/sing/move in class and as part of a presentation.
If you’re interested in pursuing a college or professional career in acting, musical theater, opera, commercial music, or dance, this course is your backstage pass to getting audition-ready. You’ll learn how to find, prepare, and perform strong audition material—whether that’s a song, monologue, dance combo, or callback scene. Along the way, you’ll explore your “type,” build your audition portfolio with resumes and headshots, and practice professional skills like self-taping and interview etiquette.
This course also gives you insight into the performing arts industry and what it takes to stand out in competitive auditions. Through rehearsal, character work, and feedback, you’ll gain confidence and polish your presentation for real-world opportunities. The experience culminates in a public mock audition—your chance to showcase everything you’ve learned and step into the spotlight with confidence.
This project will present at the WINTER WORKS scheduled for February 25.
All primes welcome.
From the poetry of T.S. Eliot and John Berryman, to the performance art of Joseph Beuys and Marina Ambramovic, some artists have pushed the literary device of “voice” to the extreme, creating fictional “speakers” or “personae” to channel themes, ideas, feelings, actions, or confessions they would not be able to otherwise.
This course on persona poetry and performance welcomes new and experienced writers, artists, and designers from other mediums including visual art, drama, dance, costuming, and more, as well as those interested in art history.
Explore and develop your own “poetic persona” with daily free-writes, writing prompts, and workshops, which will be the voice at the heart of your writing project. Then, create a physical mask and assemble a larger costume which will visually represent your persona. If students are interested in taking more visual and design liberties with their portfolio, a class on visual poetry may also be scheduled.
To read a more in-depth description, click here.
This project will present at the WINTER WORKS scheduled for February 25.
All primes welcome.
This hands-on course introduces students to the fascinating world of alternative photographic processes—techniques that existed before digital cameras and still inspire contemporary artists today. Students will explore experimental methods of making images without a traditional camera, learning how light, chemistry, and materials interact to create unique visual effects.
Through projects in cyanotype on paper and fabric, image transfers, photograms, and experimental processes like wet cyanotypes, toning, and anthotype printing (yes, it is possible to print photographs using nothing but juice extracted from the petals of flowers, the peel from fruits and pigments from plants), students will gain a deeper understanding of photography as both a scientific and artistic practice. Emphasis will be placed on creativity, experimentation, and discovering the unexpected results that make alternative processes so exciting.
By the end of the course, students will have a collection of prints on diverse surfaces—paper and fabric— that showcase their curiosity and imagination. The class culminates in a final project where students combine one or more processes into a personal artistic statement.
No prior photography experience is required—just curiosity and a willingness to experiment!
This project will present at the WINTER WORKS scheduled for February 26.
All primes welcome.
Step behind the lens and help capture the story of Apex Arts!
In this course, students will work alongside their teacher to document performances, showcases, and events through photography and videography.
You’ll attend select Apex Arts events (some outside regular school hours) to photograph or film, then refine your work through editing, captioning, and curating your best shots. Your work may be featured on Apex Arts socials, publications, website, and schools.
By the end of the course, you’ll also build a polished portfolio and gain real-world experience that prepares you for the freelance creative world.
Students interested in attending Apex Arts events to capture the excitement and artistry should sign up. This ongoing project will continue into the spring trimester and beyond (but you do not have to commit further than this trimester).
All primes welcome.
What is Transforming a Classic?
This multi-trimester Apex+ project brings together students from various Primes to collaboratively adapt a public domain (royalty-free) work of literature.
Through a dynamic process of devising, world-building, and scriptwriting, the adaptation takes shape over the Winter and Spring trimesters- culminating in a full production as the Fall Mainstage in the following school year.
This project will take place twice a week for the Winter and Spring trimesters. Students are not required to participate in both trimesters to be involved.
Timeline of adaptation:
Winter-- Read and review source material, create new adaptation vision (including but not limited to characters, world-building, setting, and storyboarding.) Trimester ends in presentation of adaptation ideas, and reading of select scenes for an audience. This project will present at the WINTER WORKS scheduled for February 26.
Spring-- Continue writing, fine-tuning and complete a final production script. There will be a staged reading of completed script in May.
For more info, check out their website (Frankenstein is on the UP NEXT tab).
Electro Rock Orchestra (two trimester project)
Instrumental Chamber Music