TYPES OF SYNTHESIZERS
Analog synths generate sound using electrical circuits and components like voltage-controlled oscillators (VCOs) and filters.
How it works: Electrical signals are shaped by analog components (no computers involved).
Sound: Warm, rounded, sometimes unpredictable—great for vintage tones.
Examples: Minimoog, Roland Juno-106, Korg MS-20
Logic Pro Plugins:
ES M – Bass-focused analog-style synth
ES P – Polyphonic analog-style synth
ES E – Ensemble-style analog synth
Retro Synth (Analog Mode) – Classic analog emulation
Digital synths use algorithms and computer-based methods to create sound.
How it works: Uses digital signal processing (DSP) to simulate or generate waveforms. More complex and versatile than analog, but sometimes considered less “organic.”
Sound: Precise, clean, complex—ideal for modern production and extreme control.
Examples: Yamaha DX7, Korg OASYS, Access Virus
Logic Pro Plugins:
Alchemy – Multiple digital engines (granular, additive, spectral)
Sculpture – Physical modeling synth
Retro Synth (Digital Mode) – Simple digital timbres
Hybrids combine analog-style oscillators with digital control or effects.
How it works: Mix of analog-style signal paths with digital modulation, routing, or effects. for example, digital oscillators with analog filters.
Sound: The warmth of analog with the precision of digital.
Examples: Dave Smith Prophet 12, Nord Lead, Arturia MicroFreak
Logic Pro Plugins:
ES1 – Analog-style subtractive with digital modulation
ES2 – Versatile 3-oscillator hybrid with extensive routing
Retro Synth – Switchable modes: analog, FM, wavetable, digital
Modular synths are built from individual components connected by patch cables.
How it works: Made of separate modules (oscillators, filters, envelopes, etc.) that can be patched together with cables. Modular synthesizers are extremely flexible and customizable and can be analog, digital, or hybrid. In a modular synthesizer, you manually route signals between modules (VCOs, LFOs, filters).
Sound: Completely customizable, experimental, and often unique.
Examples: Eurorack systems, Moog Modular, Make Noise Shared System
Logic Pro Plugins:
These live inside your computer or DAW and replicate or extend hardware synths.
How it works: Entirely software-based—no physical components.
Sound: Varies—some emulate analog warmth, others offer unique digital engines.
Examples: Xfer Serum, Native Instruments Massive, Arturia Pigments
Logic Pro Plugins:
All of them! Logic’s built-in synths are soft synths: ES1, ES2, Alchemy, Retro Synth, EFM1, etc.
FM synths use one waveform to modulate the frequency of another.
How it works: Modulating oscillator (modulator) alters the pitch of the carrier oscillator, producing harmonically rich tones. The user creates complex waveforms by modulating the frequency of one oscillator with another.
Sound: Glassy, metallic, complex—great for bells, electric pianos, and sharp textures.
Examples: Yamaha DX7, Elektron Digitone, Native Instruments FM8
Logic Pro Plugins:
EFM1 – Simple FM synth
Retro Synth (FM Mode) – More visual and intuitive interface
These build complex waveforms by layering many simple ones (usually sine waves).
How it works: Adds together partials (harmonics) to build complex timbres. The user builds sound by combining multiple sine waves (the simplest waveform) at different frequencies and amplitudes. Additive synthesizers are good for creating rich, harmonic tones.
Sound: Clean, organ-like, or harmonically rich—great for evolving pads and ambient tones.
Examples: Kawai K5000, VirSyn Cube, Camel Audio Cameleon 5000
Logic Pro Plugins:
Alchemy – Additive engine with full control over harmonic spectra
Start with harmonically rich waveforms and subtract frequencies using filters.
How it works: Oscillators create full-spectrum sounds; filters remove certain frequencies to shape the tone.
Sound: Classic synth tones—brassy leads, warm basses, lush pads.
Examples: Roland SH-101, Moog Sub 37, Sequential Prophet-5
Logic Pro Plugins:
Wavetable synths scan through tables of waveforms over time, allowing complex and evolving timbres.
How it works: Cycles between different waveforms for dynamic tones. Wavetable synthesizers use a table of waveforms that can be scanned through dynamically.
Sound: Rich, morphing textures—great for modern EDM and cinematic sound design.
Examples: Serum, PPG Wave, Waldorf Blofeld
Logic Pro Plugins:
Alchemy (Wavetable Mode) – Load or browse wavetable sounds and morph them
Retro Synth (Wavetable Mode) – Simple wavetable synthesis with visual display
Granular synths split a sample into tiny grains and reassemble them in creative ways.
How it works: Breaks a sound into small segments, or grains, then rearranges or modulates them.
Sound: Evolving, atmospheric, often glitchy or textural.
Examples: Granulator II, Tasty Chips GR-1, Native Instruments Form
Logic Pro Plugins:
Alchemy (Granular Mode) – Great for ambient, cinematic, and experimental textures