OVERVIEW
SAMPLE DELAY
Sample Delay is a precision utility plug-in that delays an audio signal by a specific number of samples or milliseconds rather than musical note values. While a standard echo might delay a sound by a 1/4 note, Sample Delay can delay a sound by a single sample (the smallest unit of digital audio). This is primarily used to align microphones that are at different distances from a source or to create the "Haas Effect" for stereo widening.
Independent L/R Delay: Allows you to delay the left and right channels by different amounts.
Sample/Millisecond Toggle: Switch between delaying by samples (for phase alignment) or milliseconds (for stereo effects).
Link Button: Links the left and right sliders so they move together.
Precision Control: Offers much finer timing control than any other delay plug-in in Logic Pro.
Phase Alignment: If you record a guitar with two microphones and one is further away, use Sample Delay on the "closer" mic to align them and prevent a thin, "hollow" sound.
Stereo Widening (Haas Effect): By delaying one side of a mono track by roughly 10–30ms, you can make the sound feel incredibly wide and "stereo" without changing its tone.
Fixing Latency: Manually nudging a track forward or backward in time to compensate for hardware or software lag.
The Beatles – "Yesterday"
AC/DC – "Back In Black"
Van Halen – "Runnin' with the Devil"
Daft Punk – "Get Lucky"
The "Hollow" Sound Test: When using Sample Delay to widen a sound, always check your mix in Mono. If the sound disappears or sounds "tinny," your left and right channels are fighting each other (Phase Cancellation).
Samples vs. Milliseconds: Use Samples for fixing microphone issues (like a drum kit). Use Milliseconds (ms) for creative widening effects.
Haas Effect Sweet Spot: For stereo widening, stay between 10ms and 30ms. Anything less than 10ms can cause phase issues; anything more than 35ms will start to sound like a distinct "echo" rather than a wider sound.
LISTEN to this POD about the SAMPLE DELAY Plugin
FAMOUS USES
(These songs didn’t use Logic’s Sample Delay specifically, but they are strong examples of different reverbs.)
The Beatles – "Yesterday"
Song Duration: 2:05
Timestamp: 0:00
Use: String Double-Tracking – While originally done with tape, the "wide" feeling of the string quartet is a classic example of how a slight time offset between left and right channels creates a massive sense of space.
AC/DC – "Back In Black"
Song Duration: 4:15
Timestamp: 0:00
Use: Multi-Mic Guitar Phase – This track is famous for its punchy guitar tone. Engineers use tools like Sample Delay to ensure multiple microphones on the guitar cabinets are perfectly "in phase," resulting in a thick, powerful sound.
Van Halen – "Runnin' with the Devil"
Song Duration: 3:36
Timestamp: 0:00
Use: The Haas Effect – The guitar is panned hard left with a short delay panned hard right. This creates a "pseudo-stereo" effect that makes a single guitar track sound like it’s filling the entire room.
Daft Punk – "Get Lucky"
Song Duration: 4:08
Timestamp: 0:00
Use: Tight Percussion Alignment – Electronic producers use sample-accurate delay to ensure that layered drum samples (like two different kick drums) hit at the exact same millisecond, preventing "smearing."
LOGIC VIDEO TUTORIALS
Woodyard Music's demonstrates how to use Logic Pro's Sample Delay plguin (6:55)
Joe's Logic shows how to thicken vocals with Logic Pro's Sample Delay. (1:00)
Joe Gautrey provides a tutorial on Logic Pro's Sample Delay. (5:05)
DELAY VIDEO TUTORIALS
AV Audio explains the basics of delay. (2:00)
Sage Audio's Delay Masterclass. (8:01)
Woochia explains the concepts of reverb. (18:11)
Third Fret discusses the three main delay types. (10:27)
Antoine Michaud describes which delays to use for different circumstances. (10:32)
Audio University delves into the history of delay in music production. (24:15)
George Couling uses Logic Pro's Stereo Delay plug-in to add depth to vocal tracks. (12:14)
Waves Audio discusses the difference between reverb and delay (6:29)
SENDS/BUSSING VIDEO TUTORIALS
MusicTechHelpGuy demonstrates how to bus time-based effects (reverb and delay). (25:44)
The Band Guide outlines important information for using bussing in Logic Pro. (7:39)
Jono explains signal chains in Logic (14:17)
Sam Loose provides an in-depth tutorial on bussing in Logic Pro. (16:26)
SOURCE ARTICLES
SOURCE ARTICLES YOU CAN READ:
Sample Delay Controls in Logic Pro: Official Apple technical guide for the Sample Delay interface.
The Haas Effect: How to Create Stereo Width: A deep dive into the psychoacoustic phenomenon behind the Sample Delay's most common use.
Understanding Phase in Audio: A crucial lesson for students on why aligning "samples" matters for a professional sound.
VOCABULARY
Sample: The smallest unit of digital audio. At a 44.1kHz sample rate, there are 44,100 samples in one second.
Phase Cancellation: When two identical waveforms are slightly out of sync, causing them to "cancel out" certain frequencies and sound thin.
Haas Effect (Precedence Effect): A psychoacoustic effect where a listener perceives a sound's spatial position based on the first sound that reaches the ear.
Pseudo-Stereo: Creating the illusion of a stereo image from a mono sound source.
Latency: The delay between an audio signal entering a system and emerging from it.
Millisecond (ms): One one-thousandth of a second.
In-Phase: When the "peaks" and "valleys" of two audio waves line up perfectly, resulting in a stronger, louder sound.
QUIZZES
MANUAL