Chris Vallance
Jason M. Allen won the "emerging digital artists" category at the Colorado art fair with his work "Space Opera Theater," created using the artificial intelligence system Midjourney. His victory sparked controversy, with many artists furious and worried about AI replacing human work. RJ Palmer criticized AI for imitating artistic styles, claiming that it steals the essence of artists.
Fabio Gagliardi Cozman
The search for artificial intelligence seems to have reached a tipping point where various long-promised technologies have become a reality. In particular, the intensive use of large databases has led to the development of systems for image recognition, natural language understanding, and decision-making, whose performance matches or even surpasses human performance in some cases. These technological advances have generated both optimistic and pessimistic reactions. Some opinions are enthusiastically positive, believing that the future will bring immense wealth to all; others foresee the end of the human species. Between these extremes, a nuanced range of positions can be found. This article aims to capture these positions through a set of "dystopias" and "utopias." In the end, it arrives at a "realistic utopia," which presents a plausible goal for contemporary society, contrasted with a "realistic dystopia," which represents a believable model that should be avoided.
Lucia Santaella, Dora Kaufman
Abstract: The advancement of artificial intelligence, particularly with generative AI models, has provoked intense reactions whether or not they are based on the logic and functioning of the technology. Unlike predictive AI, generative AI produces original content by synthesizing texts, images, voices, videos, and code from large databases and may significantly impact the creative economy. This study introduces the basic concepts of AI and generative AI (including a taxonomy of generative models) and outlines the distinction between image or video and text production techniques. The central argument of this study claims that the cultural fuss is not accidental, defending the hypothesis that the advent of generative AI places humanity amidst the crossing of its fourth narcissistic wound.