anti-masterpieces and other real becomings made with unconscious pulses, sexually aroused concepts and real pixels

This is an ongoing lo-fi/low-budget post-art (or anti-art) series, launched in May 2024, featuring non-mainstream and non-human-centric havens—potentiating bodies of sensations, digital potentiating machines, or energy processes—that challenge today's commercially driven, anthropocentric mainstream arts and entertainment industry. This industry is heavily based on the logic of representation and upheld by self-appointed 'cultural elites' ('the deciders') and corporate giants producing mainstream trash content worth millions, offered not as 'trash' to the audiences but as 'art' and 'high-end entertainment.'  

The collection defies any attempt at what we could call 'the normalization of the senses' or the 'domestication of thought,' as well as pre-established definitions of 'art' (always linked to preconceived normalizing and regulatory notions of 'human') through digital algorithms, chance, flesh, blood, pain, joy, and desire. There is no 'Art' here according to a dominant narrative, only fleeting digital potentiating machines or ephemeral bodies of sensation coming directly from life. No fixed techniques or styles—only freedom and exploration of the new.

The works published here could be understood as 'mixed media post-art,' as they were created using AI generative art, Photoshop, and video editing tools, questioning any pre-established conception of 'Art'—always linked to a regulatory and preconceived notion of 'human,' which must always be questioned and rethought.