Sense of place:

Photography

A - B - C - D

Task:

Explore how photography can be used to capture "a sense of place." Look at artists for technical, conceptual or compositional connections and see how you can use them to develop your subject matter, style, compositions, concepts.....

Try to use cameras wherever possible and explore a range of ways of using your phone cameras.

SUBMISSION: January 8th

Studio Submission:

  • 2 series of 5 images that connect.

  • Printed statement for each series to show how the series represents "A sense of place" (No more than 500 words)

Process Submission (SUGGESTED MINIMUM):

  • Intro to unit- what is the task? what is the point? What does it mean to capture a sense of place? What does it mean to you? (A/E)

  • Analysis of artists (3-5) who help to inform you technically, conceptually or compositionally and the work that you did inspired by them. (B)

  • Your explorations with the photography techniques and compositions. (A)

    • Cyanotype

    • Digital camera

    • Phone

  • Contact sheet with annotations and selections to show your development, what did you review and refine. (D)

    • Studio exploration

    • Your own phone

    • Your own photos

Purpose:

This will be an opportunity for you to investigate your surroundings, culture, environment using several different visual approaches and explore a known in a new way. In this unit you can generate ideas for meaningful, personal work that is grounded in direct experience, observation and reflection. This assignment is intentionally open ended and encourages a range of individual responses from each of you.

Ask yourself: What is interesting? What is important? How can I capture that in a frame?

What do I need someone to understand when they see my image?

(thinking) At the end of this unit you will learn:

  • A range of photography techniques and their strengths and limitations in application and association.

  • How to work in series.

  • How to capture a narrative

  • Investigate photography as a media from multiple perspectives:

    • How can photography be utilised appropriately by an artist?

    • What is a photograph?

    • What is the value of a photograph/ photographer?

(doing) At the end of the unit you will have done:

  • Explored and played with photography using a variety of techniques.

  • Investigation into artist ideas and outcomes.

  • Contact sheets to show how you have selected your images.

  • Resolve an idea into piece of work.

vocabulary

Sense of Place:

  • Either the intrinsic character of a place, or the meaning people give to it, but, more often, a mixture of both.

Series:

  • a number of things, events, or people of a similar kind or related nature

Narrative:

  • "a spoken or written account of connected events; a story."

Linear:

  • progressing from one stage to another in a single series of steps; sequential

Non-Linear:

  • used to describe a process, series of events, etc. in which one thing does not clearly or directly follow from another: non- sequential

Aperture:

Aperture is the opening through which light passes through the lens to enter the camera. Its size can be modified to control how much light reaches the sensor or negative film. The diameter of the aperture, also known as the F-stop, affects the exposure and depth of field.

Aspect ratio

Aspect ratio defines the relationship between an image’s lengths, represented as width:height. It is predetermined by the dimensions of the camera’s sensor, but can be altered in post processing. The most common aspect ratios are 3:2 (full-frame, mirrorless, 35mm film) and 4:3 (most DSLRs). Recently, 4:5 has gained popularity due to Instagram’s vertical cropping.

Blue hour

Blue hour is the short period of time before sunrise or after sunset when the sun is just below the horizon. Indirect sunlight is evenly diffused and takes on a blue shade. The duration on the blue hour varies depending on the location, but generally lasts less than an hour.

Bokeh

Bokeh is an optical phenomenon that makes bright out-of-focus elements aesthetically pleasing. Using a fast lens at its wider aperture turns a busy background into a blurred, homogenic canvas where light appears as soft shapes. The form of these points of lights is determined by the number of blades in the diaphragm – the higher the number, the more circular these elements will appear.

Bracketing

Bracketing is the action of capturing the same shot using different exposure values to make sure the whole scene is exposed properly. Bracketing can be done manually or using the auto exposure bracketing (AEB) function. In most cameras, AEB allows photographers to select the exposure compensation for the additional shots, which are taken automatically as you press the shutter release. For most compositions, a 1/3 exposure compensation is the way to go.

Bulb

Bulb is a camera setting that holds the shutter open for as long as the shutter release button is pressed. In some cases, the shutter release needs to be pressed once to open the shutter and once to close it, rather than remaining pushed down. This mode allows photographers to capture longer exposures than the ones offered by the camera (usually up to 30”).

Burst rate

Burst rate is the number of consecutive shots a camera can take in continuous shooting mode. When using this mode, images are stored in a high-speed buffer memory before being transferred to the memory card. Once the buffer is full, the camera will reduce the FPS to give it enough time to free space. Burst rate can be affected by image formats, as it depends on the file size, as well as by the speed of the memory card used.

Candid

A candid is a portrait taken while the subject is not posing. This can be achieved either by capturing a subject unaware of the photographer’s presence or by introducing motion and surprising the model during a photoshoot. This kind of portrait photography is highly popular in street photography and is becoming more relevant in formal environments such as weddings.

Chromatic aberration

Chromatic aberration is a common optical problem in lenses where colors are not focused on the same convergence point in the focal plane. As a result, the image shows fringes of different wavelength colors around the edges where bright and dark sections meet. In black and white photography, chromatic aberration results in significant blur in the picture.

Composite

A composite is a picture created by combining multiple images into a single one. The most common uses of this practice include removing unwanted elements, creating surreal images, and generating time-lapse style compositions. To create a composite photo, photographers usually layer the images one on top of the another and mask out the undesirable parts.

Composition

Composition is the manner in which elements are positioned within a photo. It is considered one of the most important components of an image, as it allows the photographer to guide the viewer’s eye across the image towards the main subject. There are numerous photography composition rules that are proven to be successful.

Contrast

Contrast defines the range of tonal difference between the shadows and lights of an image. As the contrast becomes higher it emphasizes these variations, resulting in stronger textures and colors. Pictures with lower contrast may be perceived as dull, as a smaller difference between lights and shadows results in a muted appearance.

Crop factor

Crop factor is the proportion of a camera sensor size to a 35mm film frame or digital full-frame sensor. Different brands work with different crop factors. For example, Canon offers 1.3x (APS-H) and 1.6x (APS-C), while Nikon, Sony, Fuji, and Pentax use a 1.5x ratio (ASP-C). A camera’s crop factor determines a lens’ effective focal length, which allows photographers to easily understand the field of view they will get in comparison to other bodies.

DOF

DOF, which stands for Depth of Field, is the distance between the closest and farthest object within the focused zone of an image. It is determined by focal distance, aperture, and distance to the subject. The higher these numbers are, the more shallow the DOF will be.

Exposure

Exposure is the amount of light that reaches the camera sensor and it determines how light or dark an image is. The exposure of an image is determined by the aperture, shutter speed, and ISO.

EV compensation

EV compensation, or exposure value compensation, allows photographers to modify the exposure on automatic and semi-automatic modes. Generally, the values can be changed through 1/3, 1/3, or full stop increments

Focal length

Focal length is the distance in millimeters between the center of a lens and the camera sensor. It determines the angle of view as well as the magnification of the subject. Focal length is the measure used to categorize the different type of lenses: wide angle (<35mm), standard (35mm – 70mm), medium telephoto (70mm – 135mm) and telephoto (>135mm).

FPS

FPS stands for frames per second and determines the speed at which a camera can take photos. It is especially important for sport and wildlife photographers, who need to be able to shoot rapidly to make sure they capture perfectly-timed images.

Golden hour

Golden hour, also commonly referred to as ‘magic hour,’ is the period right before sunset and after sunrise. During this time, the sun is low on the horizon so light takes on a redder shade than when it’s higher up in the sky.

HDR

HDR, which stands for high dynamic range, is a technique that gives images a wider dynamic range than the one captured by the camera. The goal of this technique is representing a scene as close as possible to how it was seen by the human eye. HDR images are created by combining multiple photos with different exposure values.

Histogram

Histogram is the visual representation of the luminance of an image. The left side of the graph represent the shadows, while the right side belongs to the highlights. The height of the histogram shows how many pixels there are for each specific luminance level.

Hyperfocal

Hyperfocal is the distance at which the focus point provides a deeper depth of field. It is often used by landscape photographers to ensure their scenes are as sharp as possible.

IS

IS stands for image stabilization, a technology that reduces the effects of vibration on an image. IS can be integrated in the camera body or lens. This system is meant to be used when hand-holding the camera, as using it in combination with a tripod can send the wrong data do the system and incorrectly detect shakes.

ISO

ISO, International Organization for Standardization, represents the sensor’s sensitivity to the light. The higher the number, the most information will be captured. Higher ISO numbers are used in low-light situations such as astrophotography. Digital cameras allow photographers to easily change the ISO, while each film roll has a predefined number.

JPEG

JPEG is an acronym for Joint Photographic Experts Group and the standard format in which pictures are compressed. Due to this compression, JPEG files are smaller and carry less information.

Kelvin

Kelvin is the absolute thermodynamic unit used to measure temperature color. The scale goes from 1,000K (candlelight) to 10,000K (blue sky) and is tightly related to white balance. Underwater photography offers a great opportunity to experience how color temperature works, as lower temperatures disappear rapidly as the distance to the subject increases.

Light meter

Light meter is a device that measures the scene’s luminosity in order to determine the best exposure value. The vast majority of cameras have a built-in light meter that relies on reflective readings through the lens.

Macro

Macro is the name given to extreme close up photography, usually capturing really small organisms or objects. In this kind of photos, the size at which the subject appears on the sensor is larger than it is in real life.

Manual

Manual is the camera mode in which the photographer controls all exposure settings. Shooting manual offers complete creative control over the shot, and is therefore considered a “must” for professional photographers.

Metadata

Metadata, also known as EXIF, is the essential information about the image. This includes dimensions, resolution, keywords, camera settings, focal length, copyright owner, etc. Most of this information is automatically added to the photos, but some fields can be added or modified in post-processing.

Noise

Noise is a visual distortion that looks like tiny colored specs on a photo. It is especially visible in images shot at high ISO or very slow shutter speeds. Noise is the digital photography version of film grain.

Overexposure

Overexposure occurs when the exposure value is higher than it should be, resulting in a loss of information over highlight areas.

P

P is a semi-automatic camera mode. Contrary to popular belief, it doesn’t stand for “professional,” but for “programmed automatic”. This mode allows photographers to control a few settings such as the use of flash, ISO, EV, and WB. The rest of the settings are automatically selected by the camera.

Pixel

Pixel is the smallest unit of programmable color represented on a digital display. Despite common photography myths, the number of pixels is not the determining factor on how good a camera is.

Portfolio

Portfolio is, basically, a collection of work. Over the last years, online portfolios have become an absolute must and have grown to become full professional photographer websites. In addition to showcasing their work, photographers can now communicate with clients, constantly update their projects, and even book their services, all from a single platform.

Prime

Prime lenses are those with a fixed focal length. These lenses are usually smaller and faster, as they have a smaller number of moving parts and a less complicated lens formula. Their maximum apertures are usually lower than f2.8.

Quality

Quality is one of the most widely used and yet more vague photography terms. One way to consider the quality of an image is looking for aberrations or information loss. Another, more subjective, one is to evaluate its composition, sharpness, exposure, etc.

RAW

RAW is a file format that saves the image as it was captured by the sensor, with minimal processing and no compression. This allows photographers to take complete control over the creative edition of the photo. On the downside, RAW files are much larger than JPEGs and other compression file formats.

Resolution

Resolution is the dimension in megapixels that a camera sensor is able to capture. For example, the Canon EOS 5D Mark IV maximum resolution is 6720 × 4480 pixels, which rounds out to 30.1 effective megapixels. Higher resolutions allow photographers to capture a larger amount of detail on their photos.

Saturation

Saturation refers to the color intensity of an image. As their saturation increases, colors appear more vivid and are considered more pure. Decreasing saturation results in muted colors, with full desaturation giving a monochromatic version of the image.

Scene modes

Scene modes are automatic camera modes with pre-set exposure values based on different types of situations and subjects. These modes are aimed to help amateur photographers achieve the optimum exposure and DOF without having to control any of the settings.

Shutter speed

Shutter speed is the length of time a camera sensor is exposed to light when taking a photo. Slow shutter speeds capture the blur of subjects in motion, making it highly valuable for night and landscape photographers. On the other hand high speeds allow photographers to freeze a single millisecond in time, which is usually an absolute must in fields such as sport and pet photography.

Tonal range

Tonal range is the total number of tones in an image, from its darkest to its brightest area. A wider tonal range allows for a higher variety of shades, which translates into more detail. In black and white photography, this translated into shades of gray. In digital photography, tonal range is directly affected by dynamic range.

Underexposure

Underexposure means that the exposure value was lower than necessary, resulting in a photo that is too dark to produce normal contrast

Vibrance

Vibrance is a post-processing photography term coined by Adobe used to describe a “smart” saturation setting. Unlike the saturation slider, which increases all colors’ pureness equally, vibrance only affects those colors that are less saturated than the rest.

Vignetting

Vignetting is a common occurrence in photography in which the edges of an image appear less bright and desaturated, specially on the corners. Nowadays, most post-processing programs can automatically detect a lens that is vignetting and correct it seamlessly.

Watermark

Watermark is a piece of text or image added to a photo in order to identify ownership of its copyright. The most common type of watermark is a somewhat transparent version of the owner’s photography logo. General opinion on the use of watermarks is strongly divided, with passionate advocates and fervent critics.

White balance

White balance is the adjustment done to an image in order to compensate for the temperature of the light illuminating the scene. Cameras offer a few pre-set values based on the most common types of illumination, but it can also be set manually during or after the shot.

Yellow filter

Yellow filter is one of the most popular types of color filters on black and white photography. When shooting monochromatic pictures, color filters are used to block a specific color from reaching the sensor in order to modify the image’s tonal qualities.

Zoom

Zoom lens are those whose focal length can be modified, allowing photographers to make the subject appear closer than it really is. This type of lenses is much more popular than prime lenses, as it offers more flexibility.

By Judit Ruiz Ricart


How do these photographers capture a sense of place?
or tell a story? Capture a narrative?

Martin Parr
Richard Billingham
Cornelia Parker

What if it is more than just photographs?

This may be a photography assignment but do not feel like that is all you need to limit yourself to. You know how much I love a sketch so feel free to draw, use maps, make your own, collect traces and objects, write, play, paint, push the boundaries. What does it mean to capture a sense of place? How can we show it?

Draw:

Take a walk with your sketchbook and a pencil looking at your environment with curiosity. Sit down and make a sketch of whatever takes your attention- trees, sea, water, people, buildings.. you can focus on a small detail or a sweeping view. Move around. What is more visually interesting?

Make a map:

Make a map of a journey through the space. This could be real or symbolic as you want. Use materials that you like. Collage over an actual map, use a napkin, a newspaper, a veil, a sandcastle.

Gather traces:

Collect objects, natural and handmade, scraps of paper, bus tickets, tickets, leaves, fabrics- what tells your story? How can you write about t? What language or line would you use? If the place is familiar the objects may be personal. How will the objects tell a story when they are together? What can you do with these objects? Stitch, draw them, draw on them, draw with them.

Write

Record how the place feels, smells, looks. What senses are evoked? What feeling do you get here? How can you get a feeling from these places? How can you capture that in your images? Write, rewrite, edit, highlight and consider what is important. Some journalling or freewriting could help you.

TASK 1:

How can you capture a sense of place in a picture?

Using the list generated by the class you will select things to photograph.

Take your camera and look for unusual or interesting viewpoints. It may be physical qualities or materials in your 'place'. The place can be literal or metaphorical, it can be imagined or real. Is it tangible? Explore close up, medium and long shots. Can you find an unusual way to frame your pictures? Lie on your back? Use a reflection? Use an opening? Through a keyhole? Under something? Over something? Blur the focal point? isolate the object?

If you experiment with the lighting and functions of your camera you may be able to find something new in a way to record it.

Take as many pictures as you can and then include the contact sheets in your journal. (SEE BELOW) you will be selecting 2 series from your images and it is important that you are able to edit, select and critique your work to select the best image.

The selected images should evocatively capture a sense of place.

WORKSHOP 1 - Studio photography and DSLR

WORKSHOP 2 - Contact sheets

This student was interested in buildings and architecture. When he walked around Berlin, he wanted the images that he took to show his relationship to the city- "The brutality of the city makes me feel submissive to something greater than myself."

Workshop 3- Camera less photography

CYANOTYPE is a great method to produce an image using light sensitive chemical. It is an alternative to a camera that can create an something that is authentic and original. It can use your drawings, objects or photo negatives. You can print onto paper and print onto objects as well as paper.

2020 Sense of Place _ Unit intro
ALEXIS SENSE OF PLACE.pdf
A Sense of Place - Prim.pdf
Hannah-SenseOfPlace-PP.pdf
UNIT 4: Final Pages
Unit 4: Sense of Place