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MUSICAL HARMONY
  • HOME PAGE
  • COVER PAGE
  • IMPRESSUM
  • ABOUT THIS BOOK
  • SYMBOLS THAT ARE USED
  • SCORES AND LINKS TO YOUTUBE
  • PART I GENERAL MUSIC THEORY
    • PHYSICAL CHARACTERISTICS OF MUSIC
      • WAVES AND SOUNDS
      • TONES
      • FREQUENCY RELATED RELATIONSHIPS BETWEEN TONES
    • READING SCORES
      • PITCHES
      • NAMES AND OCTAVES OF NOTES
      • RHYTHMIC VALUES OF NOTES
      • RHYTHMIC VALUES OF RESTS
      • RHYTHM
      • TIME AND MUSIC
      • REPETITIONS
      • ARTICULATION
      • DYNAMICS
      • PARTS
    • INTERVALS
      • NAMING INTERVALS
      • ANNOTATING INTERVALS
      • CONSONANT AND DISSONANT INTERVALS
      • EXAMPLES OF INTERVALS
      • SIMPLE AND COMPOUND INTERVALS
      • INVERSION OF INTERVALS
      • MULTIPLY DIMINISHED AND AUGMENTED INTERVALS
    • SCALES
      • SCALE DEGREES
      • NAMING SCALES
      • MAJOR SCALES
      • NATURAL MINOR SCALES
      • SCALES AND KEY SIGNATURES
      • HARMONIC AND MELODIC MINOR SCALES
    • KEYS
      • DIATONIC AND ALTERED TONES
      • KEY OF PASSAGE
      • KEY OF COMPOSITION
      • KEYS AND KEY SIGNATURES
      • RELATIVE AND PARALLEL KEYS
      • CIRCLE OF FIFTHS
      • DIFFICULTIES WHILE FINDING KEYS
      • CHOPIN'S PRELUDE NO. 3 IN G MAJOR
    • CHORDS
      • CHORD POSITIONS
      • NAMING CHORDS
      • TRIAD, SEVENTH, NINTH, ELEVENTH AND THIRTEENTH CHORDS
      • OFTEN USED CHORDS
      • HOW MAJOR, MINOR AND DOMINANT CHORDS GET THEIR NAMES
      • LESS OFTEN USED SEVENTH CHORDS
      • ALTERED, ADDED AND OMITTED TONES
      • CHORDS OFTEN USED IN JAZZ MUSIC
      • BASS TONE OF CHORDS
      • CHORD INVERSIONS
      • RECOGNIZING CHORDS IN ANY POSITION
      • BROKEN CHORDS
      • IMPLIED CHORDS, CHORD TONES AND NONCHORD TONES
      • CHORD ANALYSIS
      • VISUALIZATION OF CHORDS
      • CLASSIFICATION OF NONCHORD TONES
  • PART II HARMONY THEORY AND ANALYSIS
    • MELODY
    • HARMONY
    • KEY AS COORDINATE SYSTEM
    • ANNOTATING HARMONY
      • ANNOTATING HARMONY FOR TRIAD CHORDS IN ROOT POSITION
      • ANNOTATING HARMONY FOR SEVENTH CHORDS IN ROOT POSITION
      • ANNOTATING HARMONY FOR NINTH CHORDS IN ROOT POSITION
      • ANOMALY IN HARMONY ANNOTATION
      • FIGURED BASS
      • ANNOTATING HARMONY FOR CHORDS IN INVERSIONS
    • HARMONY ANALYSIS
    • DIFFICULTIES WHILE FINDING CHORD INVERSIONS
    • DIATONIC CHORDS
      • DIATONIC CHORDS IN MAJOR KEYS
      • DIATONIC CHORDS IN MINOR KEYS
      • DIATONIC CHORDS USAGE
    • ALTERED CHORDS
      • BORROWED CHORDS
      • SECONDARY CHORDS
      • NEAPOLITAN CHORD
      • AUGMENTED SIXTH CHORDS
        • FRENCH SIXTH CHORD
        • GERMAN SIXTH CHORD
        • ITALIAN SIXTH CHORD
      • COMMON TONE DIMINISHED SEVENTH CHORDS
      • COMMON TONE AUGMENTED SIXTH CHORDS
      • COMMON TONE CHROMATIC MEDIANT CHORDS
    • CADENCES
      • AUTHENTIC CADENCES
      • PLAGAL CADENCES
      • HALF CADENCES
      • DECEPTIVE CADENCES
      • CADENCE STRENGTH
    • FORMS
      • STRUCTURE OF COMPOSITION
      • PHRASES
      • PERIODS
      • COMMON FORMS
      • FORM AND PHRASE ANALYSIS
    • CHORD PROGRESSIONS
      • CLASSIFICATION OF CHORD PROGRESSIONS
      • PROLONGATIONS OF HARMONIES
      • SEQUENCES
      • DESCENDING FIFTH PROGRESSIONS
      • TYPICAL CHORD PROGRESSIONS
      • HARMONIC RHYTHM
      • FUNCTIONAL HARMONY
    • MODULATIONS
      • TONICIZATIONS
      • LOCATING AND ANNOTATING MODULATION
      • MODULATION TYPES
      • COMMON CHORD MODULATIONS
        • DIATONIC COMMON CHORD MODULATIONS
        • ALTERED COMMON CHORD MODULATIONS
      • DIRECT MODULATIONS
      • ENHARMONIC COMMON CHORD MODULATIONS
    • TESTING CHORD ANALYSIS RESULTS
    • COMPLETE HARMONY ANALYSES
      • Bach’s Two-part Invention No. 8 in F major
      • Bach’s Two-Part Invention No. 13 in A minor
      • Bach’s Two-Part Invention No. 14 in Bb major
      • Bach's Prelude No. 2 in C minor from Well-Tempered Clavier, book I
      • Bach's Prelude No. 8 in Eb minor from Well-Tempered Clavier, book I
      • Bach's Prelude No. 9 in E major from Well-Tempered Clavier, book I
      • Bach's Prelude No. 15 in G major from Well-Tempered Clavier, book I
      • Bach's Prelude No. 20 in A minor from Well-Tempered Clavier, book I
      • Bach's Prelude No. 21 in Bb major from Well-Tempered Clavier, book I
      • Mozart's Piano Sonata in C major K. 545
      • Chopin’s Mazurka Op. 7 No. 2 in A minor
      • Chopin's Prelude No. 3 in G major
      • Chopin’s Prelude No. 7 in A major
      • Chopin’s Prelude No. 9 in E major
      • Chopin's Prelude No. 11 in B major
      • Chopin's Prelude No. 17 in Ab major
      • Chopin's Prelude No. 20 in C minor
      • Chopin's Three New Etudes No. 1
      • Schumann’s Norse Song from Album for the Young Op. 68 No. 41
  • HARMONY ANALYSIS ONLINE TOOL
MUSICAL HARMONY

Schumann’s Norse Song from Album for the Young Op. 68 No. 41 

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