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MUSICAL HARMONY
HOME PAGE
COVER PAGE
IMPRESSUM
ABOUT THIS BOOK
SYMBOLS THAT ARE USED
SCORES AND LINKS TO YOUTUBE
PART I GENERAL MUSIC THEORY
PHYSICAL CHARACTERISTICS OF MUSIC
WAVES AND SOUNDS
TONES
FREQUENCY RELATED RELATIONSHIPS BETWEEN TONES
READING SCORES
PITCHES
NAMES AND OCTAVES OF NOTES
RHYTHMIC VALUES OF NOTES
RHYTHMIC VALUES OF RESTS
RHYTHM
TIME AND MUSIC
REPETITIONS
ARTICULATION
DYNAMICS
PARTS
INTERVALS
NAMING INTERVALS
ANNOTATING INTERVALS
CONSONANT AND DISSONANT INTERVALS
EXAMPLES OF INTERVALS
SIMPLE AND COMPOUND INTERVALS
INVERSION OF INTERVALS
MULTIPLY DIMINISHED AND AUGMENTED INTERVALS
SCALES
SCALE DEGREES
NAMING SCALES
MAJOR SCALES
NATURAL MINOR SCALES
SCALES AND KEY SIGNATURES
HARMONIC AND MELODIC MINOR SCALES
KEYS
DIATONIC AND ALTERED TONES
KEY OF PASSAGE
KEY OF COMPOSITION
KEYS AND KEY SIGNATURES
RELATIVE AND PARALLEL KEYS
CIRCLE OF FIFTHS
DIFFICULTIES WHILE FINDING KEYS
CHOPIN'S PRELUDE NO. 3 IN G MAJOR
CHORDS
CHORD POSITIONS
NAMING CHORDS
TRIAD, SEVENTH, NINTH, ELEVENTH AND THIRTEENTH CHORDS
OFTEN USED CHORDS
HOW MAJOR, MINOR AND DOMINANT CHORDS GET THEIR NAMES
LESS OFTEN USED SEVENTH CHORDS
ALTERED, ADDED AND OMITTED TONES
CHORDS OFTEN USED IN JAZZ MUSIC
BASS TONE OF CHORDS
CHORD INVERSIONS
RECOGNIZING CHORDS IN ANY POSITION
BROKEN CHORDS
IMPLIED CHORDS, CHORD TONES AND NONCHORD TONES
CHORD ANALYSIS
VISUALIZATION OF CHORDS
CLASSIFICATION OF NONCHORD TONES
PART II HARMONY THEORY AND ANALYSIS
MELODY
HARMONY
KEY AS COORDINATE SYSTEM
ANNOTATING HARMONY
ANNOTATING HARMONY FOR TRIAD CHORDS IN ROOT POSITION
ANNOTATING HARMONY FOR SEVENTH CHORDS IN ROOT POSITION
ANNOTATING HARMONY FOR NINTH CHORDS IN ROOT POSITION
ANOMALY IN HARMONY ANNOTATION
FIGURED BASS
ANNOTATING HARMONY FOR CHORDS IN INVERSIONS
HARMONY ANALYSIS
DIFFICULTIES WHILE FINDING CHORD INVERSIONS
DIATONIC CHORDS
DIATONIC CHORDS IN MAJOR KEYS
DIATONIC CHORDS IN MINOR KEYS
DIATONIC CHORDS USAGE
ALTERED CHORDS
BORROWED CHORDS
SECONDARY CHORDS
NEAPOLITAN CHORD
AUGMENTED SIXTH CHORDS
FRENCH SIXTH CHORD
GERMAN SIXTH CHORD
ITALIAN SIXTH CHORD
COMMON TONE DIMINISHED SEVENTH CHORDS
COMMON TONE AUGMENTED SIXTH CHORDS
COMMON TONE CHROMATIC MEDIANT CHORDS
CADENCES
AUTHENTIC CADENCES
PLAGAL CADENCES
HALF CADENCES
DECEPTIVE CADENCES
CADENCE STRENGTH
FORMS
STRUCTURE OF COMPOSITION
PHRASES
PERIODS
COMMON FORMS
FORM AND PHRASE ANALYSIS
CHORD PROGRESSIONS
CLASSIFICATION OF CHORD PROGRESSIONS
PROLONGATIONS OF HARMONIES
SEQUENCES
DESCENDING FIFTH PROGRESSIONS
TYPICAL CHORD PROGRESSIONS
HARMONIC RHYTHM
FUNCTIONAL HARMONY
MODULATIONS
TONICIZATIONS
LOCATING AND ANNOTATING MODULATION
MODULATION TYPES
COMMON CHORD MODULATIONS
DIATONIC COMMON CHORD MODULATIONS
ALTERED COMMON CHORD MODULATIONS
DIRECT MODULATIONS
ENHARMONIC COMMON CHORD MODULATIONS
TESTING CHORD ANALYSIS RESULTS
COMPLETE HARMONY ANALYSES
Bach’s Two-part Invention No. 8 in F major
Bach’s Two-Part Invention No. 13 in A minor
Bach’s Two-Part Invention No. 14 in Bb major
Bach's Prelude No. 2 in C minor from Well-Tempered Clavier, book I
Bach's Prelude No. 8 in Eb minor from Well-Tempered Clavier, book I
Bach's Prelude No. 9 in E major from Well-Tempered Clavier, book I
Bach's Prelude No. 15 in G major from Well-Tempered Clavier, book I
Bach's Prelude No. 20 in A minor from Well-Tempered Clavier, book I
Bach's Prelude No. 21 in Bb major from Well-Tempered Clavier, book I
Mozart's Piano Sonata in C major K. 545
Chopin’s Mazurka Op. 7 No. 2 in A minor
Chopin's Prelude No. 3 in G major
Chopin’s Prelude No. 7 in A major
Chopin’s Prelude No. 9 in E major
Chopin's Prelude No. 11 in B major
Chopin's Prelude No. 17 in Ab major
Chopin's Prelude No. 20 in C minor
Chopin's Three New Etudes No. 1
Schumann’s Norse Song from Album for the Young Op. 68 No. 41
HARMONY ANALYSIS ONLINE TOOL
MUSICAL HARMONY
Chopin’s Prelude No. 7 in A major
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