The Marcynéma association runs viewing sessions reserved for members and has organized for over 53 years an annual film event, the "Rencontre Cinéma de Marcigny" (Marcigny Film Meeting).
Since the foundation in 1971 of the “Rencontre” , we have successfully brought together enthusiasts and moviegoers, high school students and students, the general public and professionals of the 7th art, with the opportunity of discovering excellent world classic films and rare films from a large library of restored Heritage film copies.
Marcigny Heritage films Meeting is the oldest of its type situated in a rural setting; it was directed by Paul Jeunet until 2018. Paul was an initiator and artistic director in audiovisual art for our annual meetings, he was also the cousin of Jean-Pierre Jeunet who was one of the directors of the association from the outset.
Since the beginning of the Heritage films Meetings in Marcigny journalists, critics, film distributors, directors, film heritage curators... have each year contributed to the success of the event.
The films are presented in the Vox Cinema in Marcigny, which was originally an Ursuline convent Chapel of the Charolais-Brionnais region. In parallel to the film meeting the Marcynéma exhibits bills/posters in various historic monuments around the town, in shops, restaurants and museums. An exhibition of contemporary photographs, film archives, a theatrical show, a concert or a cinema concert, debates... often accompanies the event.
We can dream about the future of Heritage, because it’s already our Present (1).
Marcynéma invites you to experience this our Present during the “Rencontre”. A journey across French and foreign filmographies: Belgium, United Kingdom, Iran, Mexico, United States...
A foray into different genres: drama, comedy, thriller, detective, romance, fantasy, western...
A journey through four decades: the 50s, 60s, 70s and 80s. Revisit films that have left their mark on the history of cinema, in original versions and restored prints.
Rediscover our favorite Heritage 35mm trailers and advertisements. All this while enjoying large screen projection conditions.
For us, it's always a pleasure to enhance experience or/and relive some great cinema moments.
(1) Alexis Hyaumet, founder of the quarterly heritage film news magazine.
“You don’t come to Marcigny like you would to a festival — you come here to meet people”
wrote film critic Gilles Colpart in Cinéma 78 magazine.
1978… Forty-seven years later, that quote still rings true. Marcigny draws a diverse audience. From casual movie lovers to die-hard cinephiles, all come to discover rare or forgotten films, little-known cinemas, or to revisit classics — some of which have become cult favorites. Spectators mingle with filmmakers and other cinema professionals who, in a relaxed atmosphere, present screenings, lead discussions, or simply chat in front of the Vox or over a meal. And that’s when the magic happens: the joy of coming together around a shared love of cinema remains as strong as ever.
LUC MOULLET
A “Courteline reimagined by Brecht” — that’s how Godard tried to define the indefinable Moullet. The phrase highlights the paradoxical blend, in this poet, of a singular, sometimes elusive humor, and a sharply analytical eye on the social world — always a step ahead. A critic at Cahiers du Cinéma starting in 1956, Luc Moullet began his career as a filmmaker in 1960 with Overdone Steak. Over 54 years, he directed 33 short films and 10 features. He was also a producer (Nathalie Granger by Marguerite Duras), an actor in numerous films, and the author of seven books, including Memoirs of a Rebellious Bar of Soap, published in 2021.
ANTONIETTA PIZZORNO
Born in Genoa in 1947, Antonietta Pizzorno is an actress, director, screenwriter, and storyteller. After completing a thesis entitled Cinema and the Nouveau Roman, she co-directed several short films: Che? Corne? (1969), Présence (1974), Syncopie (1975). She co-wrote and co-directed Anatomy of a Relationship (1976) with Luc Moullet, and later appeared in two of his films: The Comedy of Work (1987) and The Prestige of Death (2005).
THIERRY BERTHOU
Originally from Arras, Thierry Berthou has been practicing photography for fifty years. He specializes in "situational" portraiture. He also enjoys lingering on landscapes and exploring street photography and reportage. A 1995 commission from the Maison de l’Art et de la Communication in Sallaumines — Ciné-Portraits on Cinema — led him to the world of the seventh art. He returns to it regularly, attending various festivals. He has completed numerous commissions, exhibitions, photo books, and workshops. He is also the initiator of events such as 30 Days for Photography in Arras, as well as exhibitions of emerging and established photographers.
ALINE ISSERMANN
Aline Issermann has written and directed numerous films. As one of the first major women in French cinema, she has devoted her work to promoting feminism and protecting children. Her films have been selected by major international festivals (Berlin, Cannes, Venice…). “Of course, I care deeply about women’s rights, but the cause of children is even closer to my heart.”
She began her career as a comic book writer. She also wrote an autobiographical book The Defiant Freedom of the Buttercups, which will be available for purchase during the event.
MIREILLE PERRIER
Mireille Perrier is a muse of arthouse cinema. At sixteen, she knew she wanted to be an actress. It was Leos Carax who gave her a role in his first film, Boy Meets Girl. She has acted in over fifty films, each time bringing her sensitivity and subtle charm to the screen. She has also appeared on stage, both as an actress and a director. Today, she continues to act. She has retained her distinctive voice and singular gaze. A committed actress! “If time offers a gift to the actress, it is the ability to become an ever more balanced, precise, and joyful tightrope walker on her wire.” (Libération)
JEAN RADVANYI
Jean Radvanyi is Professor Emeritus of Russian Geography at Inalco and a specialist in the Caucasus, Russia, and the post-Soviet space. Cinema is also one of his research areas: he has published Georgian Cinema (Coll. Cinéma/Pluriel, Paris, Centre Georges-Pompidou, 1988), Soviet Central Asian Cinema (Centre Georges-Pompidou, 1991), and Armenian Cinema (Centre Georges-Pompidou, 1993). In 2015, he co-founded the Paris/Île-de-France Russian Film Festival with Macha Méril and Marc Ruscart. His latest book is Russia, a Vertigo of Power: 1986–2023. A Critical and Cartographic Analysis (La Découverte, 2023).
The films are projected in DCP or 35mm original version with French subtitles.
We suggest you take your time. Five days and five film themes that you can choose from, according to your inclinations and curiosity. A quiet stay in Marcigny during which you can suspend the mad rush of everyday work and town life to devote yourself fully to the cinema. At a time when films have become a consumer product so easily and quickly forgotten, we believe it is essential to preserve the memory of the 7th art, in one way by questioning what makes certain works beautiful and rare. This year, we have gone beyond the mere screening of films by accompanying each film and it’s specificity by a specialist and by providing time for discussion and debate, which makes our event so convivial.
This program was selected by the public following the “Spotlight Day” in 2024. It offers an opportunity to discover some masterpieces of late Soviet cinema. Introduction by Jean Radvanyi.
2:00 PM – The Ascent (Восхождение, Voskhozhdeniye)
Larisa Shepitko – USSR – 1977 – 1h50 – OV with French subtitles
With Boris Plotnikov, Anatoli Solonitsyn, Vladimir Gostyukhin…
During World War II in Belarus, two Soviet soldiers, Rybak and Sotnikov, are captured by the Germans during a mission in the snow-covered eastern forests. Faced with torture and humiliation, they are left with two choices: submission or resistance.
This fourth film by Ukrainian filmmaker Larisa Shepitko was also her last: the wife of Elem Klimov died in a car accident at the age of 41. With stark snowy landscapes as a backdrop, her inventive direction serves a powerful reflection on sacrifice, war, and human nature.
Golden Bear, Berlin 1978.
4:30 PM – Nostalghia (Ностальгия)
Andrei Tarkovsky – Italy, USSR – 1983 – 2h06 – OV with French subtitles
With Oleg Yankovsky, Domiziana Giordano, Erland Josephson…
Andrei Gorchakov, a Russian poet in exile in Italy, struggles with his memories and lost identity. Accompanied by Eugenia, a beautiful young interpreter, he is researching a fellow Russian composer, Sosnovsky, who stayed in Tuscany in the 18th century and committed suicide upon returning to Russia.
Tarkovsky’s penultimate film, shot in Italy due to Soviet censorship, continues to explore his favorite themes: existential solitude, spirituality, and a deep sense of loss.
Multiple awards at the 1983 Cannes Film Festival: Grand Prize for Creative Cinema, FIPRESCI Prize, Ecumenical Jury Prize.
8:45 PM – Gypsies Are Found Near Heaven (Tabor ukhodit v nebo)
Emil Loteanu – USSR – 1976 – 1h55 – OV with French subtitles
With Maria Kapnist, Grigore Grigoriu, Svetlana Toma…
In the 19th century, the Subcarpathian Ruthenia region (the mountainous area of today’s Ukraine, Poland, and Slovakia) was under Austro-Hungarian rule. There, in a Gypsy community, Zobar, a charismatic horse thief, falls in love with Rada, a mysterious enchantress. But above all, they both cherish their freedom and independence.
Adapted from stories by Maxim Gorky, the film is a tribute to Roma culture and a melancholic ode to freedom. A huge box-office success, it was seen by 64.9 million viewers in 1976 and won awards at the San Sebastián and Belgrade film festivals.
After more than 50 years of rural cinema gatherings, it seemed fitting to revisit the way filmmakers from various European countries portray the farming world and its transformations.
9:30 AM – The Holy Innocents (Los santos inocentes)
Mario Camus – Spain – 1984 – 1h45 – original version with French subtitles
Starring Francisco Rabal, Alfredo Landa, Terele Pávez...
In the 1960s, during Franco’s regime, a Spanish peasant family lives under the control of a powerful landowner. They endure their harsh existence with calm and resignation—until a seemingly trivial event disrupts their lives. A naturalistic portrayal of a rural world still stuck in feudalism during Francoist Spain, based on the novel Los santos inocentes by Miguel Delibes.
Joint Best Actor Award at the 1984 Cannes Film Festival for Alfredo Landa and Francisco Rabal. Special Mention from the Ecumenical Jury.
2:00 PM – The Great Landscape of Alexis Droeven (Le Grand Paysage d'Alexis Droeven)
Jean-Jacques Andrien – Belgium – 1981 – 1h28
Starring Jerzy Radziwilowicz, Nicole Garcia, Maurice Garrel
In a Belgian village in the 1950s, Alexis Droeven faces a double crisis: personal—his father has just died and he must decide whether to take over the family farm—and historical—at the dawn of the European Common Agricultural Policy, he must choose between adapting to new norms or being left behind.
This intimate and realistic work, written by Belgian poet Franck Venaille, explores the tensions between personal desires and social constraints, focusing on a pivotal moment in rural history. Special Mention at the 1981 Berlin Film Festival.
4:30 PM – Farmer Woman in Montfaucon (Fermière à Montfaucon)
Éric Rohmer – France – 1967 – 13 min
Followed by: Thick Skinned (Peaux de vaches)
Patricia Mazuy – France – 1989 – 1h27
Starring Sandrine Bonnaire, Jean-François Stévenin, Jacques Spiesser...
After two brothers set fire to the family farm, one of them serves a long prison sentence. Upon his release, he returns home. Their reunion sparks a wave of emotional upheaval and brings long-buried secrets to light.
In her debut feature—unseen for thirty-two years—Patricia Mazuy roots her story in the Picardy countryside, using the setting to frame this intense family psychodrama, driven by powerful performances. Georges Sadoul Prize, 1988.
8:45 PM – Rams (Hrútar)
Grímur Hákonarson – Iceland – 2015 – 1h32 – original version with French subtitles
Starring Sigurður Sigurjónsson, Theodór Júlíusson, Charlotte Bøving...
Two elderly brothers, sheep farmers in a remote Icelandic valley, haven’t spoken to each other in forty years. When their flock is threatened by disease, they are forced to work together to save what they hold most dear—their rams.
This stunning mix of black comedy and drama is set against the breathtaking landscapes of Iceland, where silence often speaks louder than words.
Winner of the Un Certain Regard Prize, Cannes 2015. European Film Awards nominee, 2015.
A day in the company of director Aline Issermann and actress Mireille Perrier, offering a discussion on life’s matters and social issues.
9:30 AM – The Rendezvous (Le Rendez-vous)
by Salomé du Chatenet – 2025 – 14 min
Followed by: The Valley of Angels (La Vallée des anges)
Aline Issermann – France – 1989 – 1h20
with Mireille Perrier, Michel Dufresne, Jessica Forde…
A group of young actors arrives at an abandoned factory in Lorraine to shoot a film. They use the ghostly atmosphere of the site as the setting for their fiction. Between takes, they wander through the hangars. Reality and fiction begin to blur...
“Aline Issermann brings back to life a rich past whose planned destruction becomes a symbol in itself. The setting – enormous idle machines, broken windows letting in a pale sun, grass growing between the rails, etc. – carries a certain poetry and gives rise to beautiful shots.” (Fiches cinéma, 1989)
2:00 PM – Juliette's Fate (Le Destin de Juliette)
Aline Issermann – France – 1983 – 1h49
with Laure Duthilleul, Richard Bohringer, Hippolyte Girardot
Twenty years in the life of a woman, a devoted mother. Juliette loves a farm laborer, Pierre, but is forced to marry Marcel, a railway worker she does not love. Marcel is incapable of building an emotional relationship with her. Their life soon turns into a nightmare...
Aline Issermann balances the emotional weight of Juliette and Marcel’s daily tragedy within their cramped domestic world, with the poetic beauty of the natural setting, which becomes a character in its own right.
4:30 PM – Different (Différente)
Lola Doillon – France – 2025 – 1h40
with Jehnny Beth, Thibaut Evrard, Mireille Perrier…
Katia, 35, has a job, an apartment, a boyfriend. But she’s cautious—aware her fragile balance could collapse at any moment. Taking part in a documentary finally leads her to name what sets her apart. This revelation will upend her already complicated life. Now she and her loved ones must find a way to go on, together.
A gentle, empathetic perspective on uniqueness. For the lead role, Lola Doillon chose Jehnny Beth for her “sensitivity and singularity,” and together they shaped the heroine’s identity. The singer delivers a remarkably nuanced performance, as does Mireille Perrier, perfect as the mother.
8:45 PM – Blessed Be the Woman Who Brings Scandal (Bénie soit celle par qui le scandale arrive)
by Aline Issermann – 1988 – 4 min
Followed by: The Shadow of Doubt (L’Ombre du doute)
Aline Issermann – France – 1993 – 1h45
with Mireille Perrier, Alain Bashung, Sandrine Blancke…
Twelve-year-old Alexandrine is the only witness to a crime she struggles to name. A few words, however, are enough to spread panic around her. Why does she accuse her father of something unspeakable—only to later retract it? Should we believe the child or the father who claims he’s protecting his family?
A subtle and precise film—rare and little-known—that offers a cold, clear-eyed, and moving look at a subject long taboo yet still relevant.
Best Actress Award for Sandrine Blancke, Venice 1994.
A day in the company of one of French cinema’s most unconventional figures, Luc Moullet, who has been creating inventive and offbeat films for over half a century. He will be joined by Antonietta Pizzorno.
9:30 AM – The Comedy of Work (La Comédie du travail)
Luc Moullet – France – 1988 – 1h30
With Micha Bayard, Roland Blanche, Sabine Haudepin
Sylvain wants only one thing: to remain unemployed. Benoît has the exact opposite ambition. But Françoise, an all-too-efficient employment agency worker, is secretly in love with Sylvain. She uses all her skills to land him a job he doesn’t want—at the expense of Benoît, who actually does.
This satirical film absurdly explores the harsh inequalities and supposed “values” of the modern work world.
Jean Vigo Prize, 1988.
2:00 PM – Opening test (Essai d’ouverture)
by Luc Moullet – 1988 – 14 min
Followed by: The Land of Madness (La Terre de la folie)
Luc Moullet – France – 2009 – 1h30
With Luc Moullet
“The great-grandnephew of my great-great-great-grandmother’s great-uncle once killed the village mayor, his wife, and the local constable with a pickaxe—because they moved his goat ten meters. That gave me a good starting point...”
From this autobiographical premise, Luc Moullet embarks on a dead-serious investigation into the “Pentagon of Madness,” a region in the Southern Alps where reason seems to lose all footing.
Blending documentary, essay, poetry, and satire, this hybrid film—selected for Cannes’ Directors’ Fortnight in 2009—is the director’s final feature.
4:30 PM – The Genesis of a Meal (Genèse d’un repas)
Luc Moullet – France – 1978 – 1h55
With Luc Moullet, Antonietta Pizzorno
Eleven years before Jorge Furtado’s Isle of Flowers (L’île aux fleurs), Luc Moullet examines the connection between what we eat and how the world works. Where do a meal’s simple ingredients—eggs, canned tuna, bananas—come from? Or more broadly: how does the global economy operate?
A documentary and political diary in one, this film uses burlesque humor to help digest its tragic implications.
Special Mention from the Catholic Office at the 1981 Berlin Film Festival.
Official Selections: International Film Festival Rotterdam 1979, Cinéma du Réel (Paris) 2023.
8:45 PM – Overcooked steak (Un steak trop cuit)
by Luc Moullet – 1960 – 19 min
Followed by: The Castaways of Route D17 (Les Naufragés de la D17)
Luc Moullet – France – 2002 – 1h25
With Patrick Bouchitey, Iliana Lolic, Mathieu Amalric, Sabine Haudepin
During the Gulf War, Paul, a rally car driver, and Anne, his co-driver, get stuck on a remote path in the Alpes-de-Haute-Provence while training for their next race. Anne goes to find help. Naturally, nothing unfolds as expected.
A quirky and absurd comedy, the film also doubles as a semi-documentary portrait of a depopulated region, especially around the village of Majastres.
Louis Delluc Prize, 2002.
A day dedicated to discovering—or rediscovering—unique films from a wide variety of backgrounds. Surprises, innovations, and emotions that may be continued in future editions, depending on your feedback.
9:30 AM – Red Rose
Sepideh Farsi – Iran – 2014 – 1h27 – OV with French subtitles
With Mina Kavani, Vassilis Koukalani, Shabnam Tolouei...
Amid the "Green Movement" following the fraudulent re-election of politician Mahmoud Ahmadinejad in June 2009, a man and a woman—of different generations and opposing political views—discuss their country's future while hiding from the police. The director, who has lived in France since 1984, breaks Iranian cinema taboos by creating a dialogue between the young protest generation and those who helped bring down the Shah. The film’s sex scenes led to threats against lead actress Mina Kavani from both the regime and the Iranian press. She has lived in France since 2014 and was granted political refugee status.
2:00 PM – Farewell, Philippine (Adieu Philippine)
Jacques Rozier – France – 1962 – 1h50
With Jean-Claude Aimini, Yveline Cery, Stefania Sabatini...
In 1960, Michel, a modest television technician, charms Liliane and Juliette—inseparable like "Philippine almonds"—as they leave the studio. Haunted by his upcoming military draft to Algeria, Michel heads to Corsica, where the two girls join him... During the vacation, he flirts with both until he is forced to board a ship to Marseille, promising to return to the one who waits. This gem of the French New Wave radiates freshness and a sense of freedom stolen from reality, carried by musical rhythms and spontaneous direction.
4:30 PM – Dust in the Wind (Liàn liàn fēngchén)
Hou Hsiao-hsien – Taiwan – 1986 – 1h49 – OV with French subtitles
With Shufang Chen, Hsin Shu-Fen, Li Tien-lu...
A-yuan and A-yun, childhood friends from the same mining town, decide to leave their village for Taipei to study and work. Their budding love becomes entangled in the flow of time and fate. A coming-of-age chronicle, this landmark film of the “Taiwanese New Wave” marks the beginning of Hou Hsiao-hsien’s essential body of work. Exploring internal migration from countryside to city through the lens of family, love, and friendship, the film weaves together generations and blends personal stories with Taiwan’s political history—"between the sweet joy and bitterness of passing time" (David Vasse).
8:45 PM – The Night of the Living Dead
George A. Romero – USA – 1968 – 1h36 – OV with French subtitles
With Duane Jones, Judith O’Dea, Karl Hardman...
As they do every year, Barbara and Johnny visit their father’s grave. But when Johnny is attacked by a strange man, Barbara flees and seeks shelter with other survivors in a countryside house. The first entry in George Romero’s zombie saga, The Night of the Living Dead is an independent film that, despite its small budget, became a model of horror cinema. It echoes the sociopolitical tensions of 1960s America and reflects the director’s political convictions.
On the “shot” side, some portraits of actors, directors, musicians, and other artists, both known and unknown in cinema — like the casting of a film yet to be made, representing the intimate and friendly cinematic events that build the culture and richness of this art, far from major media spectacles.
On the “reverse shot” side, because a portrait is never neutral, it is also the photographer’s portrait — his gaze in black and white on cinema, on the men and women who agreed to pose for a few moments under his subjective lens. It is also a meeting, shared moments filled with memories, anecdotes, and emotions.
Photographs taken at the Arras International Film Festival, the Marcigny Encounters, the Groland Film Festival, the Cinémondes Festival in Berck/Mer, and others...
Exhibition October-November 2024, Marcigny Tourist Office, Place des Halles.
Opening reception during the Encounter event.
very year, the Marcynémathèque has about a dozen endangered vintage posters from the 1950s to 1970s canvas-mounted. Why? Back then, lithographic printing used indelible inks, true, but the quality of the paper, glue, and textile fibers was poor. After a few years, the paper yellows, develops mold causing stiffening that eventually cracks along the folds. This requires careful canvas-mounting by a specialized company, giving new life and freshness to the poster for decades. This original exhibition is to be admired without restraint.
Exhibition throughout the entire Encounter. Vox Cinema, rue des écoles.
After more than 50 years of rural cinema Encounters, Marcynéma offers a look at the farming world and rural life in general. Film posters support this approach just as much as the films shown on Saturday, October 25.
Exhibition from early September to the end of December. Marcigny Town Hall, 11 rue du Général de Gaulle.
Marcigny (71110) is located on the D482 north of Roanne (Loire) 30 km, and south of Paray-le-Monial (Saône-et-Loire) 25 km.
Location of the Vox cinema Hall
12 rue des écoles, 71110 Marcigny
Burgundy, Saône-et-Loire, France
Access by train :
SNCF, Roanne station or Paray-le-Monial station, then connection by TER bus (journey time 40 min).
TGV, Le Creusot TGV station then connection by coach in front of the station (duration 1h15).
By road : N482 at 30km north of Roanne and D982 at 25km south of Paray-le-Monial.
By the Green Way : cycling between Roanne and Paray-le-Monial.
Disabled access or people with reduced mobility
Parking spaces for Reduced Mobility situated in front of the Vox cinema Hall.
The projection room is accessible by means of an access ramp at the front of the Hall. An elevator is situated in the lobby of the cinema.
Available restaurants:
Two restaurants, on the Place du Cours, offer a "Special Meeting Formula" :
Restaurant crêperie pizzeria Côté Cours : 18 place du cours, +33 3 85 25 46 56
Restaurant Béatrice Héritier : 29 place du cours , +33 3 85 25 23 65.
Restaurant le Vieux Puits: 11 place du cours, +33 3 85 25 11 05
Weekly menu. Closed all day Sunday, Monday evening and Tuesday evening.
Kebab Bar Pizza: 5 place des Halles, +33 3 85 25 20 68
Sandwiches and menus. Meals on the premises. Takeaway sales.
Le Pénalty : 27 rue Chevalière, +33 3 85 25 03 85
Bar - Restaurant - Pizzas
Reserved specially for the Meeting : Room N°5 behind the Town Hall. 11 rue du Général de Gaulle, please ask directions.
In room N° 5 it’s possible to picnic for lunch and/or dinner.
Maison familiale rurale du Charolais-Brionnais (6 km) Les Haires 71110 Anzy-le-Duc
8 rooms with 2 to 4 beds, including 1 PMR room. Small kitchen available. 16.50€ / night / person.
Bookings: +33 6 88 22 15 27 or franhugon@orange.fr
Baugy’te Le Bourg 71110 Baugy (4 km). For bookings: +33 3 45 53 20 32
Specify name, surname, number of people, nights desired with a telephone number or email address to confirm your reservation. Indicate whether or not you agree to share a room with other people. Payment for the nights will be made directly to the accommodation.
La Musardière 50 rue de la Tour du Moulin 71110 Marcigny +33 3 85 25 38 54
La nuit Thé 7 rue des Ursulines 71110 Marcigny +33 6 23 62 20 84
Les Pergolas 18 rue des Récollets 71110 Marcigny +33 3 45 53 33 74
Chambres d’hôtes du Lac - Le Lac 71110 Anzy-le-Duc (6 km) +33 3 85 25 39 93
Le Charbonnet - Charbonnet 71110 Anzy-le-Duc (9,4 km) +33 6 11 60 68 00
J-J Charliot La Brosse du milieu 71110 Sainte-Foy (10 km) +33 6 32 23 66 84
La Vie en Roses Le Perret 71340 Iguerande (11 km) +33 6 23 83 38 60
Le Champ de l’Etre - Les Montées 71340 Iguerande (13 km) +33 3 85 84 09 69
La Bergerie du Bois Joannin Les Fleuriats 71340 Iguerande (13 km) +33 6 46 80 30 22
Mme Cariot 2 bis rue du four +33 6 36 65 65 25
Gîtes du Boulanger 3 rue des Récollets 71110 Marcigny +33 7 71 28 59 50
Maison brionnaise 63 rue de La Chenale 71110 Marcigny +33 6 62 35 14 37
Ô sans souci 71110 Semur-en-Brionnais (2 km) +33 6 12 43 97 58
Belle vue La Cray 71110 Semur (4 km) +33 6 42 70 03 89
La Petite maison 251 Chemin de la Fay 71110 Semur-en-Brionnais (5 km) +33 6 84 45 50 92
Au coq à l’âne Route de Marcigny 71110 St-Julien-de-Jonzy (8 km) +33 6 87 43 12 81
Moulin Bailly Le Moulin, 71340 Chenay-le-Châtel (12 km) +33 6 46 48 54 11
L' auberge de Saint Julien 150 Grande Rue 71110 Saint-Julien-de-Jonzy (10 km) +33 3 85 84 01 95
See also Marcigny Tourist Office:
+33 3 85 25 39 06 , ot.marcigny-semur@wanadoo.fr
3 sessions €15
4 sessions €18
8 sessions €35 or €30 for members and students
12 sessions €45 or €40 for members and students
19 sessions €70 or €60 for members and students
Half price for children under 12.
Single session entry possible: €6
Membership card (€10) entitling holders to reduced rates.
Passes on sale at reception,
Payment at reception by cash or cheque.
Support the Marcynéma association by becoming a Benefactor Member (donation from €40 with tax deduction receipt).
Association Marcynéma
Office de Tourisme Marcigny Semur
Place des Halles
71110 Marcigny
FRANCE
+33 (0)7 67 48 37 60
+33 (0)6 72 64 08 07
contact@marcynema.org
Association of the Marcigny Film Meetings and the Safeguarding of the Cinematographic Heritage
(Association law 1901 approved of popular education founded in 1976)
The Tourist Office, located in an old hairdresser's salon dating back to the beginning of the 20th century. They can inform you about sites to discover : events, accommodation and restaurants, located in the area but also within a radius of 30 -50 kms. You can also purchase in the Tourist information office local products, handicrafts, books, hiking, cycling and mountain biking guides, postcards,... In addition, the Tourist Office provides tickets for certain concerts, the sale of fishing permits and free access to wifi.