SCENIC

I have greatly enjoyed various works in the scenic realm, including design, construction, painting, dressing, and prop management. Anything hands-on brings me great joy, especially after my background in competitive robotics, and I love engineering challenges that need to be solved in a short period of time.

HAPPIEST PLACE

Co-Scenic Designer with Alice Nikolaeva

Musical Theatre Club, San Diego State University, 2026

Full-stage choreography and a show only able to utilize a singular backdrop sounded like the perfect challenge. This was the most paint-dependent set I'd ever worked on, and I'm thrilled with how it turned out!

Directors: Justin Magallanes and Ella Taylor

Costume Designer: Kirin Sato

Lighting Designer: Taylor Holmes

Sound Designer: Ryder Rocha

Props Designer: Lauren Campbell

Production photos pending.

THE DEATH OF ZUKASKY

Scenic Designer

Skull & Dagger Dramatic Society, San Diego State University, 2025
Nominated for a McKenzie Award in Scenic Design

The biggest challenge going into this show was figuring out how to safely suspend someone from the ceiling in a small black box theatre space, and then how to tear down a wall mid-show safely. It was difficult, but also incredibly rewarding to see everything come together.

Director: Carter Tompkins-Bischel

Costume Designer: Emerson Clarke

Lighting Designer: Emely Rodriguez

Sound Designer: Andi Hunt

Props Designer: Lucien Escarguel

SCHOOL OF ROCK

Construction Team

Super Summer Theatre, 2024

I worked on this show in a limited capacity, and primarily assisted in the build of the metal framing of the backdrop flats, as well as the staircases. However, I was able to work with a phenomenal crew, from performers in the Las Vegas Strip's Tournament of Kings to pyrotechnic designers at Battlebots.

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