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I have a large range of experience in various roles, including stage managing, house managing, working run crew, ushering, and dressing. I have been adaptable, filling in for other roles at the last minute. I have especially loved the organization required to remain on top of stage management for an entire academic year on top of coursework for Raise the Vibration: Through the Cracks with V-Day. I am excited to be the incoming Director for V-Day's next show, Raise the Vibration: Stitches and Scars, as well as Musical Theatre Club's incoming Technical Director for their 2026-2027 season.
RAISE THE VIBRATION:
THROUGH THE CRACKS
RAISE THE VIBRATION:
THROUGH THE CRACKS
Writer and Stage Manager
V-Day, San Diego State University, 2026
As soon as RTV: Rage and Rebellion closed, I knew I had to continue working with V-Day. Protecting and uplifting marginalized voices is incredibly important to me, especially as a neurodivergent queer individual. I was so grateful to be chosen as the stage manager for the next year's production, and found myself completely in tears when I found out my writing works, a monologue and a scene, had been accepted.
Directors: Milo Jared and Olivia Newell
Scenic Designers: Andi Hunt and Jaylyn Lopez
Costume Designer: Bailey Coffee
Lighting Designers: Vanessa Jimenez and Malia Pape
Projections Designer: Jaylyn Lopez
Sound Designer: Andi Hunt
Props Designer: Brooke Dalton
Photography by Gianni Ly.
STRADDLE
STRADDLE
Production Assistant Intern
Diversionary, 2025-2026
Immediately after seeing a show at Diversionary, I knew that I wanted to work for them. Every single aspect of being able to work on this production was incredible, from the phenomenal designs to the highly talented actors to the hard-working team keeping everything running.
Director: Sherri Eden Barber
Scenic Designer: McKenna Perry
Costume Designer: Hunter Kaczorowski
Lighting Designer: Annelise Salazar
Sound Designer: various artists
Photography by Xingyu She.
TWELFTH NIGHT
TWELFTH NIGHT
Assistant Stage Manager
San Diego State University, 2025
Twelfth Night is my favorite work by Shakespeare. All adaptations of this play, from Disney's film She's the Man to Follmuth's book Twelfth Knight, have held a special place in my heart, and I am overjoyed I was able to work on this show.
Director: Dani Bedau
Scenic Designer: Ligia Batschke
Costume Designer: Asher Feinstein
Lighting Designer: Oleander Zeissig
Sound Designer: Paul Peterson
Technical Director: Hannah Vela
Photography by Ben Avery-Wipf.
ORPHEUS IN THE UNDERWORLD
ORPHEUS IN THE UNDERWORLD
Assistant Stage Manager
Opera รก la Carte, 2025
This show was my first dive into the professional world of stage management, and also my first opera. I was the Assistant Stage Manager, but I was able to branch out into costumes and wardrobe and do some makeup designs. I had the pleasure of working with a talented crew to bring this show to life.
Director: Zane Alcorn
Conductor: Bruce Stasyna
Choreographer: Cassidy Crolley
Lighting Designer: Stephanie Ma'alona
Costumes/Scenic: Various Artists
More information about the show can be found here.
Behind the scenes interviews and footage can be found here, and a review by Ron Bierman of Broadway World here.
Photography by Esteban Marin.
DISNEY'S DESCENDANTS
DISNEY'S DESCENDANTS
Stage Manager and Publicity Artist
Center for the Arts, The Meadows School, 2024
As this show began, I was an assistant, but became the stage manager in someone's absense, which was an incredible learning opportunity. I also assisted in the show's lighting design, selecting color palettes and programming the lights, set design, painting the graffiti, and marketing team, designing the poster.
Director: Alexis Dagenais
Final poster by Patricia Diugu.
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