James Haidak Talks About Moog’s New Pint-Sized Machine

James Haidak believes that Moog is one of the best synthesizer brands, and he has always loved their products. Their equipment always sounds terrific, and music producers can always rely on them to achieve depth and richness in their music. Moog synthesizers also have impressive presets and beautiful build reminiscent of the most delicate musical instruments. As a DJ, James Haidak feels thrilled whenever manufacturers release new pieces of equipment. Since Haidak loves producing synth-based music, he is especially interested in new and one-of-a-kind synthesizers. He was also excited when Moog announced its new synth, the Subsequent 25, last year at the NAMM in Anaheim, California.

Moog Music Inc. is a famous American company based in Asheville, North Carolina that manufactures high-quality electronic musical instruments. They also manage Moogfest, a pioneering electronic music and music technology festival in Durham, North Carolina. James Haidak believes that Moog is one of the best synthesizer manufacturers in the United States.

Last year, Moog released their Subsequent 25, a 2-note paraphonic analog synthesizer that melds the soul of classic hands-on analog instruments. James Haidak finds this synthesizer fascinating, mainly because of its size, which is just over twenty inches long. Although Subsequent 25 is Moog’s most compact keyboard synthesizer to date, it still delivers all the rich sonic density that Haidak loves about every Moog instrument. Moving forward, Moog also announced last year that the company would set the Subsequent 25 as its new standard production model. It is fantastic news for James Haidak, mainly because he loves Subsequent 25’s promising features.

James Haidak is impressed with how the Subsequent 25 builds on its predecessors’ success, the Subsequent 37 and Sub Phatty. It upgraded to wooden side pieces, implementing the famous paraphonic functionality of Duo Mode. The Subsequent 25 also features twice the headroom for access to a new range of classic clean tones in mono and duo modes. It also features an upgraded keybed for improved playability, a high-powered headphone amplifier, and a re-tuned multidrive circuit that can extend beyond the Sub Phatty’s original grit and growl.