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For the main guitar, I ended up using an EQ to cut out the lo frequencies to make room for the bass and the kick.

For the second guitar,  I cut out the low frequencies to make space for the bass and the kick, but I also cut out the high frequencies to stop it from clashing with the high frequencies of the drums.

For the third guitar, I did the exact same as I did with the second one where I cut out the low frequencies using an EQ to make room for the bass and the kick, and I cut out the high frequencies to make room for the high drum frequencies.

Instead of panning this one to the right, I panned it to the left to give room for the second guitar. 

For the first pad, I used an EQ to cut out the high and low frequencies, and I used reverb and delay to add more depth to the pad.

I also hard panned the pad to the left as I have another pad which I hard panned to the right.

For the second pad, I added 2 sets of Space designer to create some ambience, but with this amount of reverb I added a Limiter to reduce any feedback noise. 

Like I mentioned already, I hard panned this pad to the right. 

For the vocal chop, I cut out the high and low frequencies using an EQ, but I also boosted some of the low mid frequencies so the vocals are more defined.

For the drum percussion, I used an EQ to remove the low and high frequencies to give room for the other drums I used in the track. I also added a compressor to balance out the volume as it was originally an audio sample that wasn't in the correct rhythm of what I wanted it to be, so when I cut it up there were some parts that were too loud and some that were too quiet, so the compressor makes it all balanced out.

For the kick, I boosted the low frequencies to give it more of a punch.

For the perc, I reduced a lot of the frequencies as there was unwanted sound coming out of the low and high ends.

On the drums as a whole, I boosted the low end to make them more hard hitting and punchier.

These are the effects I used on the Bass. I used overdrive to add a punch to the bass because it was very flat without it, I also added an EQ to boost the low frequencies, but I also cut out the frequencies at 74 Hz to give space for the kick drum and also to make it not sound so muddy. To. give extra space for the kick drum I also side chained the bass to go quieter when the kick hits.

Over the whole track, I added a Limiter to reduce and peaks over 0 decibels, and then I increased the gain to make the whole track louder.

Here is the completed track audio.

Here are all the instruments I used to create this track, I have used a Guitar, French horns, an Accordion, African style drums, and vocal samples.

Here is the drum pattern that I laid down, It is a mix of African themed instruments, I have used an Udu, Shaker, Sabar stick, Oghene, and a Talking drum. I have also combined these with a snare to add more depth to the drums. All of these combined and in the rhythm it is creates a good, danceable drum groove that I wanted for this track. 

Jean-Philippe Mateta is French, so I really wanted to have some French influenced sounds in this track too, and these horns fit the track well.

To add more French influence, I also added an accordion in the background, the faint sounds of it it fit well within the rest of the track.

For the vocal samples, I added 2 EQs to cut out all the frequencies that I did not want, I found out with just 1 EQ I was still getting frequency signals from areas that I cut out, so I added another EQ to cut those out as well. I also used autotune to keep the vocal samples in key with the rest of the track.

For the drums, I only added an EQ to boost the low frequencies to give the heavier drums more of a punch, I didn't add any other effects to them as I thought they sounded great as they were already.

However I added an EQ on the snare to make room for the rest of the drums, and I also added reverb to add some needed depth, as without it the snare sounded really dry. 

For the guitar, I added an EQ to cut out the frequencies that I didn't want, and I also added a compressor as there were parts where it was really loud, and parts where it was really quiet, so I added the compression to balance it all out.

For the horns, I added an EQ to cut out the frequencies that I didn't want, I added Reverb to add more depth to the sound, and I added a compressor to balance out the volume.

For the accordion, I added an EQ to cut out the unwanted frequencies, and I also added Reverb to add more depth to the sound.

Here is the audio for the track.

Here are all the tracks that I used for my song, I used a kick, snare rimshot, conga, crash, and shaker for the drums. And for the rest of the track I used an electric piano, 2 marimbas, and an 808 bass.

For the kick, I used an EQ to boost the low end frequencies and remove the high end frequencies as there was some noise coming through at that end which I did not want.

For the rimshot, I left it as it was originally as it sounded great already so I didn't need to change anything about it.

For the crash, I used an EQ to remove the low end frequencies and to also boost the high end frequencies as it didn't have enough originally. I also added a pitch shifter and pitched it up by 150 cents as the original crash had too low of a base note, so by doing this I can move the note up the scale of notes up to where I want it to sit.

For the shaker, I very slightly boosted the high end frequencies using an EQ to add some more clarity to it.

For the electric piano, I used an EQ to remove the low and high frequencies and to also reduce some of the mid frequencies. Doing this creates a different tone to what the electric piano originally sounds like, and this tone fit well within my song.

For the first marimba which follows some of the same notes as the electric piano, I used 2 an EQ to remove any unwanted frequencies, and I also used space designer to add reverb which adds some more depth to the sound.

For the 2nd marimba, I used 2 EQs to dampen it down a lot, and I also used space designer here to add some more depth to the sound.

For the 808 bass, I used an EQ to boost some low frequencies to create more of a punch, and then I also added a compressor sidechain for whenever the kick drum plays, so the 2 don't crash. 

On the stereo output, I added this limiter which stops the track from peaking over 0 dB, this makes sure that everything ends up being a balanced volume.

Here is the song for the track.

Here are the instruments I used to make this track up. I ended up using 6 pads to combine together to create an atmospheric soundscape.

Here is all the automation that I used in the track, I used this to add some more dynamics to the composition. 

Here are the effects that I used on the first pad. I used an EQ to cut out the high and low frequencies that I didn't want, I also added Space Designer and 2 sets of AVerb to make it sound more ambient. I had to also add a Limiter to stop it from peaking in volume. 

I also ended up panning it to the left, as it was panning to the right on it's own so I did this to balance out the panning.

For the second pad, I used another EQ to cut out the highs, lows, and some mids that I didn't want. I also used Space Designer and AVerb to add some more ambience to the sound, I also added a Delay to add some more depth to the instrument, and like I did with the last pad I added a limiter so the volume doesn't peak.

For the third pad, I did the same thing with the EQ where I cut out the unwanted low and high frequencies, the original sound was very dry this time, so I added 2 sets of Space Designer to make it more wet, and I also added AVerb to create more ambience for the instrument. Like I did with the other 2 pads, I added a Limiter to stop the volume from peaking.

For the fourth pad I used an EQ to boost the lows, highs, and some mid frequencies because I wanted it to sound fuller and have more clarity. I also added a Chorus to create a different effect for the pad instead of keeping it too basic. I also added Space Designer and AVerb to make it sound more ambient. This time I didn't add a Limiter as it was very quiet and the volume wasn't peaking.

For the fifth pad, I did similar stuff to the 4th pad, but I boosted more of the high mid and low mid frequencies in the EQ. 

For the sixth pad, I didn't feel the need to add an EQ as I thought the frequencies were already at where I wanted them to be, I added Space Designer and AVerb to add more ambience to the sound, and I added a Delay to add more depth to the sound.

Over the whole composition, on the Stereo Output I added an EQ to boost the high frequencies to add more clarity to the track, I also added a Mid/Side compressor to spread to the composition, and I also added a Limiter to ensure there were no peaks throughout the track, and I also boosted the Gain to make the track louder. 

Here is the finished song, I have had to upload it to YouTube this time as SoundCloud wasn't working, and I also couldn't upload a WAV file from google drive into the website.

Here are the tracks I used for the song, I used a shaker, tom, snare rimshot, kick, and congos for the drums. I also used 2 guitars, a synth lead, and some bass.

For the shaker, I cut out all of the low end frequencies as there were some slight action down that end and it didn't sound great, so I cut them out. I also added a delay to add more of a groove to the shaker as without it it felt very basic, dry, and simple.

For the tom, all I did was reduce the low and high frequencies, but I boosted some of the mid frequencies to give the tom a different tone. This makes it fit in well when it plays with the snare.

For the rimshot, I reduced some of the low, mid, and high frequencies, but only very subtly. I also added a delay so it didn't sound basic.

For the kick, I boosted some of the low frequencies, but I also cut out the frequencies as 60 Hz as that is where the bass mostly lives, so I did this to avoid the 2 from clashing together. I also removed the high frequencies as there was some unwanted action going on at that end. 

For the congos, I removed some of the low and high frequencies, and then I also added AUPitch to pitch the sample I used into key.

For the first guitar all I did was remove the high and low frequencies. 

But for the second guitar, I also added reverb to make sure it didn't sound too dry and that it had some more depth to it.

For the pluck that I used, I used an EQ to cut out most of the low, low mids, high, and high mid frequencies as I didn't like how it sounded originally. I also added a chorus for some harmonisation, and I used Space Designer and a Tape Delay to add more depth to the sound and to not keep it sounding dry.

For the bass, I used the session player to get. nice groove, I then bounced down whee I liked it most and where it fit into the track best, and I chopped it up to make it fit better for my liking. I also added an EQ to cut out some high mid frequencies, and then I cut out the frequencies at 64.5 Hz because that is where the kick is most promenant and I didn't want the 2 to clash together.

This is the finished song.

Here are the tracks that I used to make this song. I ended up improvising and adding a French hip-hop style section in the middle as that is where Lacroix is from and it felt weird to not include that element of his background.

For the first Valiha, I used this EQ in a very unique way. The sample that I used was old, wasn't that clear, and didn't really sound well with all the other instruments. To make it sound clearer I boosted the low mid frequencies, removed some of the high mid frequencies and removed the high ad low frequencies. Doing this made the Valiha sound a lot clearer. I also combined this by using a compressor to balance out the volume and to avoid any random quiet or loud parts. I also used a limiter to reduce any peaks over 0 decibels.

For the second Valiha I used a similar process to the last one, but I changed the way I used the EQ a bit. I still boosted the low mid frequencies but I didn't removed as many frequencies in the high mid and high ends as it didn't need it. And like the last one I used a compressor to ensure there were no random loud or quiet parts, and I used a limiter to avoid it from going above 0 decibels.

I ended up sampling the drums from this song https://www.youtube.com/watch?v=rdH7LbjiEZE and using it to create the groove for this song. I used an EQ to cut our the low frequencies as I have another kick that will fill in those frequencies, I also boosted the mid and high frequencies to make it clearer. I used AUPitch to pitch it up by 100 cents to put them in key too. 

For my other set of drums, I slightly reduced the low frequencies as the kick drum was overpowering everything else, I also added Space Designer to add some more depth to the drums as they sounded very dry without it. 

For the Valiha that I chopped up when the song changes to a more French hip-hop style I did the exact same process as before apart from using AUPitch to pitch it down by 1 octave. I also chopped it up and moved certain parts of the audio around to sample it to match the beat. 

I did the same process to the second chopped up Valiha, except the  EQ is on a different setting as it made it sound more clear having it like this. 

For the hip-hop drums, I used a limiter to make sure it didn't peak above 0 decibels, and I also pushed the gain up to make it louder. At the end of the track, I automated the drums to have a distortion turned on and also for the high end frequencies to slowly get cut out as the song ends. 

For the Stereo output track, I added an EQ to boost the high end frequencies to give the track some more clarity, and I also slightly boosted the lower frequencies so that there would be a nice punch when the kick plays. I also added a limiter so that the song wouldn't peak over 0 decibels but  boosted the gain up to make it louder. 

Here is the completed song.