離開日復一日｜ Departing the Repetitive Day｜2024

Single-channel video | Dimensions variable according to the venue

單頻道錄像｜尺寸依場地而定

本作品透過日常物件與自然景觀的重構與錯置，建構出一個介於現實與超現實之間的詩意場域。在洞穴空間中散落的生活物件、漂浮於海中的傢俱殘骸、佇立如終點般的巨石等意象，共同編織出一幅解構日常邏輯的視覺敘事。這些物質性的轉譯源自對生活經驗的深層感知與重新詮釋，展現了物我之間微妙的辯證關係。

在看似重複的日常軌跡中，時間的流逝實則推進著主體向其嚮往的理想逐步靠近，透過時間的積累與沉澱，最終得以實現自我的本真性轉化。

藉由空間的重組與物件的重置，冀盼探討人與物、現實與想像、停滯與流動之間的辯證關係，展現出對當代生存經驗的深刻反思。

This work reconstructs and displaces everyday objects and natural landscapes to create a poetic realm that exists between reality and surrealism. The imagery of scattered everyday items in a cave-like space, fragments of furniture floating in the sea, and a monolithic stone standing as if marking an endpoint weaves a visual narrative that deconstructs the logic of daily life. These material translations stem from a deep perception and reinterpretation of lived experiences, revealing the subtle dialectical relationship between objects and the self.

Amid the seemingly repetitive routines of daily life, the passage of time quietly propels the subject closer to their aspired ideals. Through the accumulation and sedimentation of time, a transformation of authentic selfhood is ultimately realized.

By reorganizing space and repositioning objects, this work seeks to explore the dialectical relationships between humans and objects, reality and imagination, stasis and flow, offering a profound reflection on contemporary existential experiences.