這是一首獻給人類慾望與孤獨的數位輓歌，作品以一鏡到底的超現實旅程展開。

在第一幕中，金色花園、雕塑與泉水構成繁華的伊甸幻象。這份寧靜的華麗只是幻象的幕布，為後續的崩解與沉淪鋪陳序曲。

緊接著，第二幕的畫面急轉為數位噪音的錯亂與閃爍的紅光，電子樂構築出後人類時代的欲望遺跡。這場盛宴無關真實，而是資訊洪流中人性被吞噬的幻象。

隨後，第三幕的場景化為白雪覆蓋的廢墟：被掏空的雕像、倒塌的拱門、凝固的獸與天使並置於霧中。音樂降至極簡低頻，象徵慾望燃盡後的麻木與清冷。這是文明的中場休止，也是情感的臨界點——萬物歸於寂靜，只餘下呼吸的蒸氣與孤獨的形體。

最後的第四幕，畫面轉為藍灰色的霧與靜水，僅餘一座覆雪的雕塑凝望水中倒影，紅蘋果漂浮其間——象徵對這場盛宴的反思與回聲。提琴獨奏在畫面中迴盪，仿若靈魂的自白：外在世界的崩解，只為使人回到那最終的孤獨，面對自身未竟的救贖。

作品以四重場景構築由華麗至淒涼的精神軌跡，揭示人類在慾望與幻象的循環中不斷追尋意義的渴望。它既是對現代社會的冷靜凝視，也是一場靈魂的反省——當「綺麗」終將崩塌，我們又將以何種「淒涼」為代價，在孤獨的靜默裡傾聽自身殘響的回音。

This work is a digital elegy dedicated to human desire and solitude, unfolding as a surreal one-take journey.

In the first act, a golden garden, sculptures, and fountains form a splendid vision of Eden. Yet this serene magnificence is but a veil of illusion—a prelude to the collapse and descent that follows.

The second act abruptly shifts into digital noise and flickering red light, where electronic music constructs the ruins of posthuman desire. This grand feast is detached from reality; it is an illusion of humanity devoured by the torrent of information.

The third act transforms into a snow-covered ruin: hollow statues, fallen arches, and frozen beasts and angels coexisting in mist. The sound descends into minimalist low frequencies, symbolizing the numbness and chill that remain after desire has burned away. It is an intermission of civilization, a threshold of emotion—where all things fall silent, leaving only the vapor of breath and the shape of solitude.

In the final act, the scene turns to bluish-gray mist and still water. A single snow-clad sculpture gazes into its reflection, while a red apple drifts on the surface—symbolizing reflection and echo after the feast. A solo violin resonates through the image like the confession of a soul: the collapse of the outer world only leads one back to the ultimate solitude, to confront the unfinished redemption within.

Through four layered scenes tracing a spiritual trajectory from splendor to desolation, the work reveals humanity’s relentless yearning for meaning amid cycles of desire and illusion. It is both a cold contemplation of modern civilization and a meditation of the soul—when splendor finally collapses, what desolation must we endure to hear the faint echo of ourselves in the silence of solitude?