A. R. Penk

An autodidact, he created in his paintings "worlds" and "experience spaces", filled with symbolic abbreviations. He used stick figures and graphic icons that seem reminiscent of cave paintings, Asian calligraphy and graffiti art. In the 1960s and 1970s, he created a series of paintings and sculptures that he called Standarts, a conflation of "standard" and "art", with an echo of the German word for banner or flag, Standarte.^[4] By this term, Penck understood an art form that used simple and archaic pictorial symbols, such as traffic signs or trademarks. In the 1980s he became known worldwide for his paintings with pictographic, neo-primitivist imagery of human figures and other totemic forms. He was included in many important shows both in London and New York City.

Penck's sculptures, although less known, evoke the same primitive themes as his paintings and drawings and use common materials, such as wood, bottles, cardboard boxes, cans, packing tape, tin and aluminum foil, wire and paste, all done with simplicity and spontaneity.^[9]

A keen drummer, he was a member and co-founder, with Frank Wollny, of the free jazz group Triple Trip Touch (aka T.T.T. or TTT) and had the opportunity to play with some of the best Jazz musicians of the late 1980s, including Butch Morris, Frank Wright, Billy Bang, Louis Moholo and Frank Lowe. He organized events at his country mansion in Heimbach involving installations by Lennie Lee, performances by Anna Homler and paintings by Christine Kuhn, in 1990.

Die himmlischen Stürzer in Wuppertal

He also wrote poems, essays and theoretical texts.