Jim Dine
American Artist - b. 1935
American Artist - b. 1935
c. 1988
Signed by artist
Lithograph
Framed: 35 x 43 inches
Inside Frame: 26 x 33 3/4 inches
Edition: 212/300
In this colorful work, Jim Dine’s representation of an Olympic athlete’s robe appears lifelike regardless of the absence of a model in the piece of clothing.
Framed" 16 x 13 3/4 inches
Inside Frame: 7 3/4 x 5 3/4 inches
Jim Dine painted hearts because he was a self-described romantic artist. He embraced the heart because he believed it was a shape with boundless possibilities and a complex meaning. He explored relationships of color, texture and composition through the heart.
Born in Cincinnati, Ohio, U.S. - American Artist
A contemporary artist whose œuvre extends over sixty years. Dine’s exceptionally diverse practice includes painting, drawing, printmaking (in many forms including lithographs, etchings, gravure, intaglio, woodcuts, letterpress and linocuts),[1] sculpture and photography; his early works encompassed assemblage and happenings, while in recent years his poetry output, both in publications and readings, has increased.[2]
Dine has been associated with numerous art movements throughout his career including Neo-Dada (use of collage and found objects), Abstract Expressionism (the gestural nature of his painting), and Pop Art (affixing everyday objects including tools, rope, articles of clothing and even a bathroom sink) to his canvases,[3] yet he has actively avoided such classifications. At the core of his art, regardless of the medium of the specific work, lies an intense process of autobiographical reflection, a relentless exploration and criticism of the self through a number of highly personal motifs which include: the heart, the bathrobe, tools, antique sculpture, and the character of Pinocchio (among flora, skulls, birds and figurative self-portraits). Dine’s approach is all-encompassing, incorporating his entire lived experience: “Dine’s art has a stream of consciousness quality to its evolution, and is based on all aspects of his life—what he is reading, objects he comes upon in souvenir shops around the world, a serious study of art from every time and place that he understands as being useful to his own practice.”[4]
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