Nicholas Krushenick
American Painter 1929-1999
American Painter 1929-1999
Signed by artist
c. 1971
Unframed
Dimensions: 23 3/4 x 32 inches
The hard-edged paintings of American artist Nicholas Krushenick earned him the nickname, the “father of Pop abstraction.” His works fused non-representational geometric forms with the graphic lines and high-keyed color palettes of Pop art and comic books. Krushenick’s moniker was also a workaround for his hard to classify style, which shares aesthetic attributes with color field painting, Minimalism, Op art, and Abstract Expressionism. He studied painting at the Art Students League of New York and the Hans Hofmann School of Fine Arts, and in the late 1950s set up a framing shop in the East Village with his brother; it later became Brata Gallery, exhibiting artists including Yayoi Kusama and Ronald Bladen. Krushenick developed his signature style in the early 1960s, exemplified by works such as Son of King Kong (1966), which is composed of alternating bands of opaque contrasting colors. He had his first major solo exhibition at Graham Gallery in 1962, soon followed by participation in the “Post Painterly Abstraction” (1964) group show organized by the influential art critic Clement Greenberg at the Los Angeles County Museum of Art. He has since been widely exhibited and his works are held in the permanent collections of the Smithsonian American Art Museum, the Whitney Museum of American Art, and the Metropolitan Museum of Art, among many others.
Nicholas Krushenick was an American abstract painter, collagist and printmaker whose mature artistic style straddled Pop Art, Op Art, Minimalism and Color Field. He was active in the New York art scene from the mid-1950s to the mid-1970s, before he began focusing his time as a professor at the University of Maryland.
Born: May 31, 1929, New York, NY
Died: February 5, 1999, Manhattan, New York, NY
Periods: Pop art, Color field, Modern art, Op art, Minimalism, Abstract expressionism
Education: The Art Students League of New York (1948–1950)
American abstract painter, collagist and printmaker whose mature artistic style straddled Pop Art, Op Art, Minimalism and Color Field. He was active in the New York art scene from the mid-1950s to the mid-1970s, before he began focusing his time as a professor at the University of Maryland. Initially experimenting with a more derivative Abstract Expressionist style, by the mid-1960s he had developed his own unique approach, painting increasingly decisive compositions marked by bold, colorful, geometric fields and forms simultaneously flattened and amplified by strong black outlines, in a style that eventually became known as Pop abstraction. In 1984, the biographical dictionary World Artists, 1950-1980 observed that Krushenick "has been called the only truly abstract Pop painter."[1] Today, as other artists have been carefully folded into the same paradoxical genre, Krushenick is not only considered a singular figure within that style but also its pioneer, earning him the title "the father of Pop abstraction."[2][3][4]
AT AUCTION
Estimate
900 - 1,200 USD
Realized Price
450 USD*
Exclusive of Buyer's Premium
Auction Venue/Sale
Ro Gallery — Day 2: September Prints Sale
Sale Date
2018