Starting with the Albers Erasure with Line exercise, I covered the board with shapes that roughly fit the shapes I had drawn in red-coloured pencil. After the first few papers, I couldn't really see much of the lines I had drawn so I kept layering irregular shapes of coloured-paper until I wanted to use other mediums like paint and markers. This was the main inspiration for my final work for my 2D Part A, especially with the use of multiple mediums and the chaotic, organic nature of the mark making. I would definitely like to do more collaging later on, but with more planning and inspiration.
Mono-printing was one of my most favourite activities in class since drawing on paper is very natural to me. I would like to take this further, but it is a very linear way of working, which is something I should avoid(?). Mono-printing on its own is something I wouldn't consider, but maybe combining it with another medium in an artwork would be an interesting result.
I carved this piece while listening to a 24 second audio clip of birds chirping in the morning that I recorded. I wanted to have organic shapes and lines and I really like how it turned out. Taking the medium of print further, I'd like to try a "cleaner" artwork, that deals with being very precise and getting very neat images at the end.
I usually don't do self-portraits because of the daunting fact that the final work is supposed to be Me. So since this would most likely be the only time in a while that I would do a self-portrait, I went all out. I wanted the vibe to be gory and unnerving. I like the idea of conjoined twins and gore is something I've always been interested in - experimenting with different anatomies and organs is something that I want to look into.
Digitalising works is very familiar to me - I love tampering with images and video to transform them into something that is very clearly only able to be replicated digitally. Though I wanted to retain some of the original painting, especially in the transparency in the intestines coming out of the arm at the bottom; Photoshopping the image allowed me to change the saturation and contrast of the work.
Being able to make multiple iterations of the same work is something I'll always <3 about digital art.
Creating a monotone painting of a sculpture with no sketch. Referencing an object like this was something I'd never even thought of doing before, it was a straightforward activity with a complicated subject matter. Painting the creases of the cardboard got me out of my comfort zone and only using one colour was hard but fun!