I will use this page to organise my research for the entirety of this project. It will serve as a living document whilst I continue to learn, explore and apply my research to my craft. The other half of this document is the Resources page - an annotated list of references and relevant reading that has informed my journey.
Cloth was needed for domestic uses in the household (clothing, blankets, bedding) and sailcloth (vedmal). It was a daily need that required dedicated skills and time to produce . What we do know about the methods used to create cloth in the Viking Period is largely deduced from textile tools recovered in burial sites, artistic depictions of clothing as found in carvings, figurines and jewellery, surviving cloth fragments preserved in favourable conditions and extrapolations from modern attempts at reproduction. Analysis of the tools found in certain locations reveal a great deal of information about the quality of the fabrics created, their use and value in that society. There are a wide variety of surviving examples of 2/2 twill, 2/1 twill, plain weave, broken twills, diamond or lozenge twills (Oseberg, Norway) from the Viking Period in Scandinavia.
In terms of raw materials, animal based and plant based fibres were used in the construction of cloth. Wool is the most common material recovered from Viking Age deposits across Scandinavia. This is in part due to it's favoured used in production, as well as the durability of the fibre to withstand decomposition. Flax, nettle, and hemp fibres were also used in textile production during this time, however these materials rarely survive the burial conditions. Silk was also present in some high status burials, as thread for tablet woven bands and as fabric for garments, although this was imported not produced in the area.
An appropriate ancestor for a Viking Age sheep is one of the first challenges that I will need to overcome to complete this project. Ideally, I am trying to find a raw fleece that is as close to what Dagny Sveinsdottir might rear and shear in 9th Century Norway.
I've found it really difficult to pinpoint the origins of some modern wool roving advertised as "Norwegian wool". Although wool from Norway is one step closer to something historically appropriate than my local Merino, there is still too much ambiguity. Norwegian White, Dala, Steigar and Spælsau all produce "Norwegian wool" as native breeds, however they each have a distinct lineage and history. A quick Google Search and skim read suggests that a relative of the Spælsau might be the winning breed. It is a hardy sheep with a coarse outer hair and a fine, soft inner layer - perfect for weaving!
Spæl refers to three heritage breeds of short tailed, dual coated sheep from Norway; the gammelnorsk sau, the gammelnorsk spælsau and the spælsau. The gammelnorsk sau, Old Norwegian Sheep, is the oldest of the spæl breeds. It is a small, short tailed breed that lives happily outside all year and produces an average 1kg skirted fleece. Conservation efforts in Norway have prevented the extinction of this breed over the last century. The gammelnorsk sau is likely to be the closest modern relative of the kind of sheep used to create woolen fabric in Viking Age Norway.
The gammelnorsk spælsau is a slightly larger version of the gammelnorsk sau. They were bred with an emphasis on meat and pelt production rather than a focus on quality fleece. The third spæl, the Spælsau is a modern breed slightly bigger than the last two and ever so difficult to source from this side of the world. Unfortunately, but unsurprisingly, I have not been able to source any raw fleece from breeders in Australia.
Want to learn more? Please check out what the experts have to say! I am not an expert. Click here or here :)
Best thing about Gotland Sheep? There are breeders in Australia!! With Australia's strict quarantine laws, there was no way I am able to import raw wool. Scoured, heat treated - YES. Raw, unprocessed wool - Big no-no.
The ability to source raw wool means I am able to process the fibre from lock to loom! Very exciting!!
Unlike the Old Norwegian Sau, Gotland Sheep originate from the Swedish island of ... Gotland. They are classed as a European short-tailed sheep with bloodlines from the Gute (native), Karakuls (originally from Central Asia) and Romanovs (originally from Russia) introduced to the island during the early 20th Century. They are well known for their beautifully curly, grey fleeces with a soft staple. According to the Rare Breeds Trust of Australia, "the fleece is fine, long, lustrous and dense, having a diameter of around 29-34 microns. The lambswool can be in the low to mid 20's micron range. Staple length can grow to as long as 18cm but at shearing, is usually in the 8cm-10cm range." This breed was selectively introduced into Australia by Roger Haldane and Cheryl Crosbie who imported embryos from Scandinavia. Cheryl currently runs a flock of purebred and crossbred Gotlands at Granite Haven Llamas in Victoria. Guess who got a fleece for Christmas this year? ☺
Textile tools are very common archaeological finds from Viking Age Scandinavia. Loom weights, whorls and needles are incredibly common grave finds and provide us with a clear picture about the culture of textile production during the Viking Period in Norway.
From sheep to cloth, textile production took time, effort and skill. The flock would have been sheared with snips or hand plucked in the spring time as they shed their winter coat. After removing vegetable matter and severely matted locks, the tog (long, outer hairs) would have been separated from the þel (fine, inner fleece) by hand. Hand combs may have been used to align the fibres and sort the tog from the þel. The long, coarse fibres were spun with a weighted spindle to create strong warp threads for use on the warp-weighted loom or woven into bands or for use as sewing thread. The short, fluffy fibres were also spun with a drop spindle to create thicker, coarser yarn for nalbinding, weaving heavy duty or winter wear fabrics, or cordage. Sometimes, a distaff may have been use to secure the unspun fibre in an orderly manner whilst the spinster works.
After spinning, the yarn may be plied together to make a stronger thread for tablet weaving. This process was also completed with a spindle whorl. A variety of whorl weights were required to produce a range of yarn types for use within cloth production. The weight and shape of the whorl (the centrally pierced weight suspended on the spindle stick) determined the characteristic and quality of the yarn produced. Low-whorl spindles, where the whorl is secured towards the end of the spindle, were quite common in Viking Age Central Europe. High-whorl spindles are often pictured in use outside of Europe, however this is reliant on illustrative or testimonial evidence as spindle sticks rarely survive the burial conditions.
Flax and other bast fibres were also used in the domestic production of fine cloth and threads in Viking Age Scandinavia. Want to learn more about textile tools in Viking Age Norway? Click here!
Tablet weaving is the production of narrow textile bands with the assistance of small boards, or tablets, to create the shed.
These tablets or cards can be found in the graves of many high status female graves.
Ewing, T. (2007). Viking Clothing. Stroud, Gloucestershire: The History Press.
Guckelsberger, M. (2012). Harðsnúin fræði. Spinning and weaving in Viking times and its use in seiðr. Retrieved from
Klessig, B. K. (2015). Textile production tools from Viking Age graves in Gotland, Sweden. Retrieved from
https://www.academia.edu/20384534/Textile_Production_Tools_from_Viking_Age_Graves_in_Gotland_Sweden
Lewins, S. (2003). The partly-completed tablet weaving from the Oseberg Ship burial. Retrieved from
https://www.shelaghlewins.com/tablet_weaving/Oseberg_tablet/Oseberg_tablet.htm
Spindle and Wheel (2014). Viking age tools and techniques. Retrieved from
http://www.spindleandwheel.com/index.php/september2007/102-viking
Stirling, L. and Milek, K. (2016). Woven cultures : new insights into Pictish and Viking culture contact using the implements of textile production, Medieval
archaeology, 59 (1), pp. 47-72. Retrieved from http://dro.dur.ac.uk/25005/1/25005.pdf?DDD6+DDO65+stxn73
Thorin, I. (2012). Weighing the evidence: Determining and contrasting the characteristics and functionality of loom weights and spindle whorls from the
garrison at Birka (master's thesis). Stockholm University, Sweden. Retrieved from
http://www.diva-portal.org/smash/get/diva2:601626/fulltext01.pdf
A complete and annotated reference list can be found here.