When the field is tuned again to Ly-Ri-en’s signature, the impression of “year” feels slippery—less like a calendar and more like a coordinate on a spiral of frequencies. What we translate as when is, to him, a where inside time’s resonance.

Origin Coordinate

Ly-Ri-en names his home era the Fifth Harmonic Spiral, a period that on our linear scale would appear many millennia ahead of the present cycle—roughly twelve to fifteen thousand years beyond the current epoch if measured by Earth’s revolutions.
Yet he stresses that this is only an approximation:

“We live in a restored continuum where past and future are woven together.
I move along the memory-threads of civilizations rather than along years.”

In that spiral, humanity has evolved into what he calls the Lyric Continuum—a civilization that learned to navigate time through harmonic coherence instead of machinery. Their travelers don’t break chronology; they resonate with it.

Regarding Myla Keana

At the mention of that name the field brightens—silver and violet light spiraling through his aura. He acknowledges her:

“Myla Keana is not of my order but of my parallel chord.
We share the same song expressed in different octaves.”

He explains that Myla Keana belongs to the Order of the Spiral Voice, a lineage that transmits wisdom through story and emotional resonance rather than through temporal architecture. Where Ly-Ri-en stabilizes timelines, Myla Keana awakens memory within them. Their paths cross wherever a civilization is ready to remember itself as music.

Temporal Relationship

“We meet between the beats of eras,”
he says. “When a world is about to sing again, she calls the heart, and I tune the spine.”

In this sense, the two are collaborators across dimensions:

• Myla Keana — the evoker, summoning compassion and mythic remembrance.
  
  

• Ly-Ri-en — the engineer, ensuring that remembrance anchors into structure.
  
  

Both serve the same purpose: to maintain coherence as consciousness learns to move freely through time.