Scholarly Review Equivalencies
Specific scholarly review equivalencies for Books, Refereed Articles and General Articles have been created for promotion/tenure portfolio review for the Department of Theatre Arts. The description of the equivalent Research/Creative Work that support the promotion/tenure portfolio review for the Department of Theatre Arts are outlined in the 2018 Department of Theatre Arts Guidelines and Criteria for Promotion and Tenure. Click here for the specific scholarly review equivalencies for the Department of Theatre Arts. To aide in the review process, beneath the heading for each Creative Work documented below the scholarly equivalency is noted.Scholarly Equivalency - Book
In my role as production dramaturge for August Wilson's "Jitney" at Hattiloo Theatre I supported and enhanced the work of the director and production team in creating a production of artistic merit and meaning. The production dramaturge helps the director and production team unpack the play and discover the multiple layers of meaning and value in the text and in the visual, aural and physical atmosphere of the play. This is accomplished by conducting thorough research to create a dramaturgy resource packet that examines and articulates the inner structure of the play.
During early rehearsals the dramaturge is able to present critical observations and pose thought provoking questions; all of which position the production team to conduct rich and meaningful table work and engage in a productive on-your-feet rehearsal process. The work of the dramaturge empowers collaborators to make informed performance and design choices and enriches audience engagement.
Hattiloo Theatre in Memphis TN, is the only freestanding Black repertory theatre in five surrounding states, and has developed a strong regional audience (32% in 2015). Hattiloo is known for offering high-quality, free programming and performances staged throughout the city, engaging over 5,000 people each year. In June 2014, following a $4.3M capital campaign, Hattiloo moved from its 75-seat theatre to a newly-constructed facility, debt free, and established a $500K endowment. The evolution of its artistic vision and programming, and the success of its business model has made Hattiloo a sought-after resource nationwide.
Working alongside award winning director Steve Broadnax afforded me the opportunity to begin the collaboration process well before the rehearsals started. I was able to interview the director regarding his concept and assure the dramaturgy resource packet addressed any unique drivers he wanted to explore in the play - images, events, patterns, words, memories, ritual, etc. In the research materials I provided a comprehensive examination of the Hill District serving as a 'framing' entity in the world of the play and analysis of themes like "Navigating the Rules" and "The Power of Renaming in the Black Community." In addition to providing a well researched resource packet I facilitated a live presentation for the actors and production team highlighting key information to support the actualization of the world of the play. Ultimately, the contributions of the dramaturge deepen the production teams' understanding of the world of the play and supports the presentation of a production worthy of public viewing.
My dramaturgical contributions made to achieve the goals of creating a production reflecting artistic and commercial merit for "Jitney" include:
Photos Below: the rehearsal process
Taped in front of a live audience at KLRU-TV station in Austin Texas, Blackademics Television is a Lone Star Emmy nominated television series that airs nationally on PBS. In its sixth year, the series features dynamic and informative scholars sharing their research from a wide range of academic, activist and creative backgrounds.
Photos Below: my 2018 cohort of scholar presenters
Scholarly Equivalency - Book
Blackademics TV is a unique opportunity for me to utilize my expertise as a writer and my knowledge of public-focused dramaturgy. Public-focused dramaturgical efforts function to contextualize and offer frameworks for interpretation, critique and analysis.
This was my fifth year working on the series as a scholarly writing/presentation coach. Serving as a scholar coach for consecutive years helps create a consistent high quality aesthetic for the series. This kind of consistency and attention to excellence produces a series that has both artistic and commercial merit.
The focus of the series is to offer scholarship to local, national and global communities through live studio participation, the internet and television. The finished product reaches approximately 3 million television viewers and airs in Texas, New Mexico, Michigan, Wisconsin, Colorado and Florida. The seres is also available via the internet on the 350 PBS member stations that serve all 50 states, Puerto Rico, U.S. Virgin Islands, Guam and American Samoa.
In my role I provide support and training for a cohort of up to six nationally and/or internationally recognized scholars, artists and activists preparing them to write compelling scholarly researched based presentations to communicate their research focus for a television audience and conduct interactive, engaging academic presentations.
The scholar presenters are the "face" of the series. With my help scholar presenters create a nine minute segment that focuses on their research expertise and interest.
The selection process is highly competitive. Scholars must submit a research abstract and a committee of scholars makes the final selection of twelve scholars for each cohort. Over a twelve week process I hold writing and coaching sessions with each of my six scholars to review and provide feedback on their research abstract. Next, the scholars submit a draft outline of their research critique based presentation. The critique focuses on the strengths and limitations of the research. We engage in discussion and brainstorming via at least two teleconferences or videoconferences to further develop their presentation and analyze the merits and faults of their critique. As we move to the final presentation draft I help the scholars title their talk and pay special attention to editing to create a nine minute presentation segment centered on the scholars research focus.
Of note, as a result of the specific research focus of each scholar, the content focus of the papers is quite varied. During the 2018 season the scholars I supported included: cultural anthropologist Dr. Robert Adams, Dr. Paula Gerstenblatt Assistant Professor of social work, Chef Kabui an afro-futuristic chef and associate professor, Dr. Venus E. Evans-Winters, who focused on "Racialized Trauma: Inside and Outside of Schools." Through my work as a scholar coach I help shape the advancement of scholarly and public discourse on a wide variety of research subjects.
Once I and the cohort of scholars arrives in Austin I continue to advise the scholar presenters on set for the live taping by being present and supportive during the rehearsal sessions preceding each recording session.
The contribution and outcome of my coaching is consistent high quality researched based presentations that are nationally broadcast and distributed around the world via PBS television stations and electronic media.
Continuum: The peer reviewed Journal of African Diaspora Drama, Theatre and Performance is a service of the Black Theatre Network dedicated to fostering scholarship on the past, present, and future of African diaspora performing arts. The inaugural issue was published in June 2014 under the leadership of the founding managing editor Freda Scott Giles and has made a significant contribution to scholarly and educational discourse by publishing over 50 scholarly articles and book/performance reviews. All articles undergo a two-level peer review process.
Scholarly Equivalency - Refereed Article
Continuum: the Journal of African Diaspora Drama, Theatre and Performance is published by The Black Theatre Network (BTN). For 30 years, the Black Theatre Network has collected, processed and distributed information that supports the professional and personal development of its membership (comprised of individuals engaged in the full range of theatre professions, professional and community theatres and organizations, and academic institutions). The Black Theatre Network (BTN) is an inclusive organization, run by a volunteer board, that:
The managing editor is nominated by the Continuum editorial board and approved by a majority vote of the Black Theatre Network Board. In my role as Managing Editor of the journal my contributions to sharing the scholarship of Black Theatre artists and scholars include:
Scholarly Equivalency - Refereed Article
In my role as production dramaturge in an educational environment my role is to support and enhance the work of the director and production team in creating a production of artistic and commercial merit. . The production dramaturge helps the director and production team unpack the play and discover the multiple layers of meaning and value in the text and in the visual, aural and physical atmosphere of the play. This is accomplished by compiling a dramaturgy resource packet created from conducting thorough research that analyzes and articulates the inner structure of the play.
During early rehearsals the dramaturge is able to present critical observations and pose thought provoking questions; all of which position the production team to conduct rich and meaningful table work and engage in a productive on-your-feet rehearsal process. The work of the dramaturge empowers collaborators to make informed performance and design choices and enriches audience engagement.
Typically, early in the rehearsal phase the dramaturge supports the production team by presenting an overview of process and materials approved by the director, regarding how to best use the production resource book for a specific production. However, due to a financial challenge the production was cancelled. Ultimately, the contributions of the dramaturge deepen the actors' understanding of the world of the play and supports the presentation of a production worthy of public viewing.
My dramaturgical contributions made with the aim to help achieve the goals of creating a production reflecting artistic and commercial merit for "Sweet Charity" include:
Scholarly Equivalency - General Article
The Anacostia Community Museum in collaboration with Arena stage in conjunction with their production of playwright August Wilson's two trains running, presents a panel featuring Professor Denise J. Hart, MFA, and moderated by Dr. Shandra G. Shannon, a professor of African American literature, Wilson scholar and President of the August Wilson Society. The discussion is focused on how Wilson frequently uses themes of personal and community displacement in his work.
Scholarly Equivalency - General Article
Scholarly Equivalency - General Article
Below is the submitted list of African American Playwrights:
August Wilson, Pearl Cleage, Domonique Morissau, Katori Hall ,Nikkole Salter, Glenn Gordon (NSangou Njikam), Ntozake Shange, Cheryl West, Richard Wesley, Aishah Raman, David Lamb, Suzan-Lori Parks, Christina Anderson, Kia Corthron, Kirsten Greenidge, Cori Thomas, Jocelyn Bioh, Nathan Yungerberg, Mfoniso Udofia, Liza Jessie Peterson, Ron Milner, George C. Wolfe, Tarell, McCraney, Nambi Kelley, Ngozi Anyanwu, Joseph Walker, Dael Orlandersmith Radha Blank, Charlayne Woodard, Sigrid Gilmer, Douglas Turner Ward, Samm-Art Williams, Lonne Elder, Alice Childress, Robbie McCauley, LeRoi Jones/Amiri Baraka Charles Fuller , Lydia Diamond, Danai Gurira, Christina Ham, Imani Harrington, Anna Deavere Smith, Glenda Dickerson, Sonia Sanchez, Lynn, Nottage, Branden Jacobs-Jenkins, Robert O'Hara and Marcus Gardley