by đSunsetPiano (David W. Coon)
âWondrous Worldâ is my personal continuation of What a Wonderful World. Itâs a reflection of someone who has lived through suffering, loss, and isolation â yet still feels the ache of wonder. I wrote it as both a confession and a renewal, trying to show that joy can exist right beside sorrow, that pain doesnât erase beauty â it deepens it.
When I began writing, I wanted to open with the familiar imagery â trees of green, skies of blue, roses in bloom â but from the eyes of someone whoâs no longer innocent. Those same sights that once symbolized simple joy now carry layers of memory, grief, and endurance.
By the third verse, pain enters quietly:
âThough my nights are long, and my heart feels sore,
The world whispers softly, âthereâs so much beauty and more.ââ
Thatâs when the song changes from imitation to revelation. The beauty of the world isnât loud or obvious anymore; itâs something I have to listen for â something whispered through the noise of my own sadness.
All throughout the song, I use light and shadow to mirror how life really feels: warm days and cold nights, laughter and silence, love and loneliness. Nature becomes my emotional landscape. Roses and skies represent hope; dark nights and empty rooms reveal the weight of being human.
The tension between pain and wonder is what drives the entire song. I never wanted to deny the hurt â Iâve carried too much of it â but I also canât deny that the world is still astonishing.
Lines like:
âThough silence surrounds me, dark shadows remain,
At least thereâs sorrow in music, and grace in pain.â
Thatâs one of the truest things Iâve ever written. Iâve learned that pain itself can be sacred â it reveals our capacity to feel deeply, to love, to keep reaching for meaning. The fact that sorrow can produce music, and that music can produce grace, is one of the miracles that keeps me alive.
The âbabies cryâ refrains anchor the song. Theyâre personal for me. Each time I repeat that image, it changes slightly â from observation, to reflection, to longing, to a kind of spiritual acceptance.
At first, Iâm simply watching life go on. Later, Iâm yearning to participate in it â to love, to father, to belong. Those cries become symbols of renewal and innocence, but also reminders of everything Iâve lost and still hope for.
Every babyâs cry is a sound of both pain and beginning â and that duality is what life feels like to me.
Even with twenty-nine verses, the song follows a clear emotional arc:
Verses 1â2: Begin with simple beauty â the echoes of Louis Armstrongâs original.
Verses 3â10: Introduce loneliness and the search for peace.
Verses 11â20: Reflect on humanity, connection, and the repeating âbabyâ motif.
Verses 21â28: Move toward acceptance, finding grace in the small acts of kindness and the cycle of life.
Verse 29 + Chorus: Conclude with awareness of mortality â âI see my life fleetingâŠâ â yet also gratitude, ending on âWhat a wonderful world.â
By the end, that phrase no longer feels borrowed. Iâve earned it through experience. I say it not as blind optimism but as quiet faith â the faith that life, though full of suffering, is still worth loving.
At its heart, Wondrous World is about holding on to wonder in the middle of pain. Itâs about surviving long enough to rediscover beauty, even if that beauty comes with tears.
I wanted to write something honest â something that admits loneliness, grief, and the ache for love â but still finds meaning in the smallest lights. Iâve come to believe that pain and beauty are not opposites; theyâre partners.
The repetition of âI hear babies cryâ reminds me that life goes on â that even when Iâm broken or uncertain, the world keeps creating. Itâs both humbling and comforting.
And when I sing that final line:
âAnd I sing to myself, âWhat a wonderful world,ââ
itâs not nostalgia â itâs resurrection.
Iâve seen darkness. Iâve lived through loss. Yet still, somehow, I believe in the wonder of being alive.