Each class gathering brings new opportunities to dive further into Shakespeare's shortest play. With discussion posts, speaking Shakespeare as a group, and lots of questions, each day and activity allows for reflection on the play and what we've learned.
Luciana to Antipholus (3.2.1-30)
Reading Shakespeare as a group can have it's challenges, but the breaking down of a speech can help with the flow. In the picture, the rhyme scheme, quatrain, is highlighted with the showing of ABAB, CDCD, and so on and the underlining and bracketing of the rhymes ("forgot" and "rot," "Antipholus" and "ruinous").
Also noted in my annotations are some of Luciana's more important lines, such as "If you did wed my sister for her wealth," (3.2.5) where she calls out the Antipholus she believes to be married to her sister about the intentions she feels he had towards her sister. Although it is in this speech where Luciana stands up for her sister through her reprimanding of Antipholus, it is this speech that causes Antipholus of Syracuse to fall in love with Luciana for her smarts and loyalty, not just her beauty.
When performing some scenes from Shakespeare’s The Comedy of Errors in a group setting there is a “trance-like” sound and feel that takes over and makes one feel like they are among the witches in Macbeth. With group recitation, you must match the reading speed, volume level, and tone with your groupmates (which is hard on a first read-through), or you otherwise risk butchering a classic Shakespeare play. It is an interesting experience reading a Shakespearean speech with others because you have to find a balance on-the-fly as you’re reading, and in my experience, this usually results in lots of giggles and confused expressions at a word no one knows how to pronounce.
Performing a Shakespearean speech as an individual as many of the same reactions as performing with a group, like having to find the right speed, tone, and having a confused expression at words like “o’erraught.” But, unlike with a group, you are able to find these factors of performing a speech in your own head and tongue without having to worry about messing up any of your groupmates. Performing alone allows for one to experiment and turn that “trance-like” rhythm and sound into a “real” speech, meaning it doesn’t sound like a recitation, but an actual speech that might be found in a performance. In short, performing Shakespeare by yourself allows for one to explore and turn lines on a page into an emotional experience that brings the stage to the classroom or your bedroom.
Eleanor Handley as Adriana and Lauren Orkus as Luciana in the Pennsylvania Shakespeare Festival's 2011 production of The Comedy of Errors
After finishing The Comedy of Errors, each student in the class had a whiteboard in which they could write down any questions or wonderings they had after finishing the play. For instance, many students in class were wondering about various adaptions of the play, what happened after the curtain call, and so on.
Personally, I was more curious about what happened to the characters after the play: did the twins choose new names? was the Abbess forced to resign? Although my questions may never be answered, it was a fun activity to see where everyone was after the play and what questions people were more curious about.
Picture of my Whiteboard of Questions
Released in December of 1983 as part of the BBC Shakespeare Collection, a star-studded cast took on the classic Shakespeare comedy, Comedy of Errors. The cast included big names like Roger Daltrey (Dromio of Ephesus/Dromio of Syracuse), of The Who fame, Suzanne Bertish (Adriana), Joanne Pearce (Luciana), Cyril Cusack (Egeon), Charles Gray (Duke of Ephesus), and Wendy Hiller (Emilia).
Michael Kitchen as Antipholus of Syracuse and Antipholus of Ephesus in 1983 BBC Production of Comedy of Errors
Movie poster of Big Business (1988)
Bette Midler (middle) as Sadie Ratliff and Sadie Shelton and Lily Tomlin (outside) as Rose Shelton and Rose Ratliff in Big Business (1988)
I decided to look into the modern adaptions, and consequently the more popular adaptions, of Shakespeare's The Comedy of Errors, and I must say that I found some interesting results.
First, perhaps one of the more popular adaptions of The Comedy of Errors is the 1988 film Big Business which stars Bette Midler and Lily Tomlin as the gender-swapped sets of twins. This discovery has actually slightly upset me as the movie has been popping up a lot on streaming services and I was debating watching it, but never did. And now it comes back to haunt me! However this version is different in plot than the source material. In Big Business, the sets of twins are mismatched at birth with one set growing up in a wealthy urban setting and the other in a poor rural environment. And instead of looking for their family, partly because there are two present sets of parents, the poor set of twins come to New York to stop the rich twins from selling a factory in their hometown, and chaos ensues.
Another interesting thing I found with Shakespeare's The Comedy of Errors adaptions is that there are eight (8!) film adaptions that have been made in the Indian film industry. Shakespeare truly is international!
Sources
“Big Business (1988 Film).” Wikipedia, Wikimedia Foundation, 8 Sept. 2021, en.wikipedia.org/wiki/Big_Business_(1988_film).
“The Comedy of Errors.” Wikipedia, Wikimedia Foundation, 29 Sept. 2021, en.wikipedia.org/wiki/The_Comedy_of_Errors#:~:text=the%20Bengal%20Renaissance.-,Film,the%20characters%20in%20Shakespeare's%20play.