Ah, wherefore with infection should he live,
And with his presence grace impiety,
That sin by him advantage should achieve
And lace itself with his society?
Why should false painting imitate his cheek
And steal dead seeing of his living hue?
Why should poor beauty indirectly seek
Roses of shadow, since his rose is true?
Why should he live, now Nature bankrupt is,
Beggar’d of blood to blush through lively veins?
For she hath no exchequer now but his,
And proud of many, lives upon his gains.
O, him she stores to show what wealth she had
In days long since, before these last so bad.
Why should she live in this appalling age
And grace a wretchèd world with beauty?
Why should sin use her to its advantage
And lace itself with her society?
Why should stars and models, the popular
(Fakes of her real beauty),
Make beauty all irregular,
Roseless appearing rosy?
Why should she live now, when all is bankrupt
Of anything that’s true?
Has beauty placed all its truth in her and left
Her with nothing to do?
Or has it stored in her remembrance
Of days before all these bad days since?