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*All pricing is reflective of the piece shown OR a comparable commission (materials, size, complexity, etc).
Fawn Response (1/7 V.E.), akua ink on cotton paper.
Full variable edition of 7, all printed with the intaglio process & a press.
Matrix (above) and designs (left). I previously struggled with collagraphs, and wanted to explore concept alongside the aspects of the technique I struggled with. Fawn Response tackles the idea of parallels between traumatic responses and prey fauna.
Shared Temple; Desecration (3/10 v.e.), akua ink on cotton paper. ($25)
Full variable edition of 10, made using the intaglio process and the printing press. Each print used a different paper to experiment with pigmentation, soak time, and cost effectiveness.
My digital design (left) that I then printed out and etched onto plexiglass using a scribe. I wanted to explore shading techniques I had seen on engravings, as well as a form of content I struggle with (gore). This piece is derived from my own experiences with gender dysphoria, and the isolation that I feel within my own body.
Solus (4/open v.e.), block printing ink on craft paper. (+ full edition of 9) $30.
My digital design (left), my very first print (right; top) and some extra prints as I experimented (right;bttm).
My goals with this project were to explore more texture and pattern, the concept of balance in thirds, and work with a challenging creature. My first go at a linocut was satisfying, but I felt as if I could explore these concepts further.
While I focused more on the technical skills I could improve in, I also wanted to communicate the loneliness & protectiveness of the dragon.
Lupus (5/8 v.e.), acrylic on builders paper.
Lupus (8/8 v.e.), acrylic on mixed media paper.
Digital design for my screenprinting using photo emulsion. I wanted to explore a graphic tee sort of style, utilize half-tones, and convey the expressiveness of this character.
Full variable edition of 8 screenprints for Lupus.
Photos of my screen throughout testing photo emulsion, testing exposure times, and a single print pulled from a photo emulsion screen.
Nevertheless, we persevere; I took my design for the photo emulsion process and painted it on with drawing fluid. All halftones were converted to hatching or left alone.
Decay (2025), akua ink on mixed media paper. $30
Petri Dish (2025), akua ink on mixed media paper. $30
Rebirth (2024), akua ink on mixed media paper. $30
Full series of 8 monoprints, each created with leaves found around the CCC campus and layered using a Gelli and CMY akua inks. The two proofs on brown craft paper are my first attempts at monoprinting with botanicals; I took several notes on pigment strength, what kind of leaves I wanted to use, registration challenges, and the designs I wanted to experiment with moving forward.
Guitar (2025), akua ink and acrylic on builder's paper. ($25)
Playlist (2025), akua ink and acrylic on builder's paper. ($25)
The series before being worked back into with acrylics + two A.P's that simply didn't make the cut.
Full series of 6 monoprints made with akua inks and acrylic paint. Inspired by the CYMK color scheme and graphic shapes of negative prints pulled previously, I wanted to explore the bauhaus style using the Gelli plate.
The Horror and the Wild (1/open v.e.), akua on watercolor paper. ($30)
Digital Illustration for The Horror and the Wild, made & inverted on Clip Studio Paint.
Full open, variable edition of six for The Horror and the Wild.
(Left) The plexiglass plate after being etched with a scribe. (Above) An in-progress image showcasing the process of wiping away excess ink from the non-etched surface of the plate.
A Drag Path (4/open v.e.), blockprinting ink on mixed media paper. ($40)
A Drag Path (2/open v.e.), blockprinting ink on mixed media paper. ($40)
Full open, variable edition of six.
Linoleum matrices carved with linoleum gouge (above). Designs used for conceptualizing an additional block, based off of repeating concepts & subjects in my body of work (right).
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