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Still Burning Life (2025), acrylic on paper.
First day of painting; underpainting for Still Burning Life.
Blue ball (ha) painted as shading/blending practice.
Chartreuse & Vermilion Should Swap Names (2025), acrylic on mixed media paper.
Still Life with Le-meow-ns (2025), acrylic on watercolor paper.
Wheat Field with Cy-purr-ess Trees (2025), acrylic on canvas board.
In progress photos of Le-meow-ns taken while working.
Underpainting for Cy-purr-ess.
Photo after the first session of painting.
Home (2025), acrylic on mixed media paper.
Mother (2025), acrylic on mixed media paper.
The Giver (2025), acrylic on mixed media paper.
Thumbnail sketch (left); the uncommon object that inspired all paintings in the pattern series (above); underpainting for The Giver (right).
Jellyfish in Motion (2025), acrylic on mixed media paper.
A series of abstractions studying the movement, silhouettes, and composition of two purple striped sea nettles.
Inspirations of Autumn (2025), watercolor on hot-pressed watercolor paper.
A technique board created on watercolor paper to explore the properties of a medium completely new to me.
Behind my House in November (2025), gouache on watercolor paper.
Across NC-18 in November (2025), gouache on watercolor paper.
Infinitum (2025), acrylic on canvas.
Initial underpainting of Infinitum.
Blocking in & setting the warm palette.
Photo of me working on the blocking in stage (cr. Maria Padgett)
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