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Dust to Dust (2026), charcoal & chalk on toned paper.
Nature's Bounty (2026), chalk pastels on toned paper.
The initial layer before the first spin of the plant. I focused on defining the overall silhouette of the plant before outlining & differentiating the specifics.
After the first spin; I decided to identify each layer with a specific color, but continued working in the same process of focusing on overall shape + accentuating new details.
The second to last rotation. Follows the same formula as below, although I decided to start filling some details in to begin finishing the piece.
All Seeing, All Squirming Eye (2026), charcoal on toned paper.
Assortment of studies done w/ graphite from photo reference to practice eyes & the surrounding anatomy.
Decidedly Not A Mustache (2026), charcoal on toned paper.
Additional charcoal portrait used to explore working from reference, texture, and increasing scale.
Additional charcoal portrait used to explore an alternative paper, contrast, different types of charcoal, and the anatomy of the nose & mouth.
Arden Casts: Fireball! (2026), chalk pastel on X paper.
Series of timed figurative gesture drawings done in sharpie (and a bit of charcoal). 3 at 10 minutes, 4 at 5 minutes, 5 at 2 minutes, and 6 at 1 minute each. Focus was placed on the shapes created by positive & negative space, and the overall sense of movement in the models of line-of-action.com. (above)
Additional gesture drawings (non-figurative) used to push the emphasis of movement, shape, and fluidity with animal models. (right)
Title (2026), media
Title (2026), media
Title (2026), media
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