Subsequent to the Development stage, my task revolved around the creation of eight visually immersive animated posters. These posters would then be prominently projected onto a wall, thereby facilitating an otherworldly, immersive experience. The design of these posters was intricately linked to eight established narrative poems, and surrealism served as the primary visual language throughout. A common symmetrical composition was shared among all posters, with each revolving around a central symbolic motif. This composition is reminiscent of what is frequently observed in religious or sacred settings, aimed at intensifying the participants' spiritual connection to the conveyed message.

It is essential to clarify that the design's intention is not an appropriation of specific religious or cultural beliefs but rather an employment of a widely recognised compositional motif to amplify the experience's impact. Individual elements, whether visual or auditory, are orchestrated to elicit various atmospheres and emotions. Collectively, they craft an experience reminiscent of a short guided meditation session, aligning with the objective of enhancing participants' well-being by fostering a sense of belonging.

Technical-wise, crafting these posters proved to be a challenging mission, yet the sense of fulfilment that accompanies witnessing them come together in all their beauty made every moment of difficulty worthwhile. The process was so engaging that I often found myself completely immersed in it, occasionally even losing track of time as I meticulously refined each detail. Admittedly, there were instances when I faced creative blocks and moments of frustration, but my determination prevailed, enabling me to surmount these obstacles and ultimately bring my creative visions to life. In the end, the posters stand as a testament to the gratification that derives from persistently pushing through challenges to achieve a visually stunning and personally rewarding result.

WELLBEING 2023:

INNOVATE + EDUCATE + INSPIRE

@Monash University Clayton

Despite its promotion as a well-being-focused event, the occasion appeared to inadequately address the mental well-being dimension of individuals. My experience at the event paralleled that of a conventional Orientation day, characterised by promotional stalls representing various brands and companies. While there were indeed a few noteworthy keynote addresses, the overarching focus of the event seemed to gravitate towards superficial facets of well-being. Consequently, the event failed to align with my initial expectations, leaving me with limited actionable insights to apply towards my design project.