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Post date: Feb 23, 2017 7:02:12 PM
Making a Fantasy Map
Almost every writer has a map of the world that they are writing about near their desk as they work through their story. For movies, books, role-playing video games and yes-even books having the ability to have a fantasy map is a great addition. It is also a great addition to any Illustrators' arsenal. Although there are some specialist map generator applications available, their results often appear lackluster and uninspiring.
http://www.instructables.com/id/How-to-make-a-fantasy-map-in-Photoshop/
https://design.tutsplus.com/tutorials/create-a-fantasy-map-illustration--psd-5821
http://io9.gizmodo.com/10-rules-for-making-better-fantasy-maps-1680429159
From the io9 Website http://io9.gizmodo.com/10-rules-for-making-better-fantasy-maps-1680429159, we have some recommendations for creating fantasy maps. If you look at the beautifully illustrated fantasy maps on posters, in books, and across the Internet and wish that you could make such incredible pieces of worldbuilding, then you're in luck. We have some guidelines for making your maps better, more beautiful, and easier to understand.
1. Understand how your map tells a story.
Jason Thompson, an io9 contributor who has created some truly spectacular D&D maps as well as maps of H.P. Lovecraft's Dreamlands, points out that the very act of looking at a map can fire up a person's imagination. He told us, "You look at a map and this area is waiting for you to go to it. Look at all this land!"
"The very act of creating a map, it's like taking a snapshot. You're freezing it in time," he continued. Thompson notes that, in games and fantasy worlds, sometimes the map is treated as the static world. But sometimes, maps can go beyond that.
Consider all the wonderful maps — both fan-made and official — that we've seen for A Song of Ice and Fire. We've seen maps that do, in fact, capture a snapshot of the world during the time that George R.R. Martin's series is set. We've seen the history of the world told through a series of political maps. We've even seen a map of the world's geological history. Each of these maps considers the story of Martin's world but in a different way.
Maps can, in some cases, be an instant introduction to the world we're visiting. Consider Keith Thompson's rather spectacular caricature map of Europe, which he made for Scott Westerfeld's Leviathan series. The map gives a clear picture of Leviathan's alternate history and its battle between mechanically minded Clankers and bio-manipulative Darwinists. A map may even convey the way the people of a culture view the world — even if the state of the world itself is in doubt. Consider the fan-made maps based on George Orwell's 1984.
2. Always keep the viewer in mind.
The key thing to keep in mind about maps is that they are a way of conveying information. You want your viewer to be able to understand your map — and you want your viewer to want to look at your map in the first place. Mike Schley, who draws maps for the Dungeons & Dragons games as well as for other games and books, told us over email that this is always in the front of his mind when he starts a new map:
Each time I work on a map or environmental visualization of space I try to keep a triad of fundamental points in mind. In order to be successful, the image needs to satisfy the principal requirements of utility, clarity, and beauty. Will the finished piece provide the information the viewer needs in an understandable manner and inspire their imagination? If any of these three elements are missing, the resulting image will either be unhelpful, unreadable, or ugly.
3. Study real geography.
One of the ways that you can make your map more visually appealing is to understand the way that geographical elements work in the real world. Look at the shapes of mountain ranges and rivers; think about the formation of lakes. Schley offers this bit of advice:
A general understanding of geography, weather patterns, geology, etc. helps quite a bit when designing worlds. Mountains trap rainfall and rivers flow downhill to the sea no matter what world you're developing. Unless, of course, your map rests on the back of an enormous space-faring turtle. Then all bets are off.
Thompson also agrees that, while a basic understanding of geography is important, not every geographic element on your map has to line up with the real world. "I can assume there's a magical weather pattern that keeps things from being hot and terrible there," he told us.
4. Pick your palette.
Often, if you're working with a print book, you have no choice but to work in black and white. But color can do a lot to enhance the look of your map. Want your map to have a storybook feel? Look at illustrations that evoke the feel you're going for, and study their color palettes. Want your world to feel like it comes from a particular era in human history? Look at maps from that same era. Thompson says that sometimes he'll find an antique map that he really likes, and use that map's color palette as a source of artistic inspiration.
5. Look at the work of real-world cartographers.
Really, there's nothing quite like actual maps to help improve your understanding of geography and to gain inspiration than looking at what cartographers mapping the real world have done. Also, he derives some inspiration from other fantasy cartographers, Schley tells us that real world maps fire up his imagination:
Some of my favorite sources of inspiration are the folks I grew up admiring such as Steven Biesty and the stable of artists that National Geographic relied on for their wonderful article illustrations and fold-outs. Later on, I discovered Daniel Reeve's work on the LotR movie maps and began spending more time with historical cartographers like Al Idrisi and Henry Pelham. Exploration notes like the journals of Lewis & Clark are great creative sparks as well. Also, a huge wealth of inspiration can be found by simply pouring over aerial photo books such as the Earth from Above series. Need to get a better idea of how rivers naturally fan out into deltas? There you go!
6. Break out of the rectangle!
Thompson points out a particular pet peeve of his regarding maps in fantasy books. "It has always bugged me," he told us, "that in the maps in the backs of fantasy novels, the world is always vaguely rectangular so that it could fit in the space that's available for the person to draw in."
So when you're drawing a country or a continent or a city, just stop and ask yourself: "Am I drawing it this shape because that's the shape of my paper?" Rethink the shapes and angles of your world and remember that, just because your paper is rectangular, that doesn't mean your fantasy continent has to be rectangular, too.
7. Consider embellishments — but don't overload your map with them.
Sometimes, maps offer an opportunity to convey more than pure information. In talking about his map of Lovecraft's Dreamlands (featured up top), Thompson says, "The area outside the map is as important as the area inside the map. Putting meaning into all the decorative frills and giving them the same weight, that was really hard, but really fun."
Thompson particularly likes maps that convey basic information about the world from a distance, but then offer "meaningful detail up close." There are a number of ways you can do that. On the one hand, you can add heraldic symbols to your map, small illustrations of monsters, representations of events. But you can do it in smaller ways as well, with the style of your legend and compass rose, your font — even simply the way you draw your geographical features. Consider how different Boston, Pittsburgh, and Washington, DC, look when drawn in the style of J.R.R. Tolkien.
It's helpful to give maps your own personal flair, but you want to be careful when adding embellishments to your maps, however. Embellishments can be fun and can add valuable information, but you want to keep in mind Schley's admonition to focus on utility, clarity, and beauty.
8. Try different types of maps. Not every map has to show a continent.
Stuck in a rut of drawing vast continents filled with forests and mountain ranges? Trying drawing a map of a city or a village. Thompson notes that he doesn't see nearly enough maps representing three-dimensional space — towers and compounds and representations of cities that capture not just their layout but also their skyline. Challenge yourself: see how well you understand different types of space and geography. Even if you don't get it quite right the first few times, practicing different map types and techniques can make you a better mapmaker.
9. Seek out feedback.
There are some wonderful communities for mapmakers on the Internet, places where you can share your maps, get feedback, and see the sorts of maps that other people are working on. There is the Cartographers Guild, a community devoted to mapmaking and helping fellow map makers improve their craft. Reddit has communities like r/mapmaking and r/worldbuilding. These are spots where you can get receive critiques on your own maps, see what new styles and techniques other mapmakers are trying out, and find resources to improve both your mapmaking and your worldbuilding. Other people can be valuable in helping you develop your skills.
10. Don't rush! Spend as much time on your map as it needs.
Schley tells us that the number one mistake he sees new cartographers make is not spending enough time on their maps:
The best map makers are accomplished artists in their own right and tend to have a deep interest in how images are crafted, not just what content is going into them. Draw, draw, and draw some more!
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