Wave - a Transfer of energy in the form of a disturbance.
On a rope - the disturbance is a side ways displacement of the rope which is not normally there.
For sound - the disturbance is the slight crowding together or separating of air molecules.
For light - the disturbance is a fluctuation in the electromagnetic field where none exists.
The speed of a wave is determined by the properties of the medium and not by the frequency or wavelength.
For a rope, wave speed is determined by the tension in the rope.
high tension means high speed.
As frequency changes, wavelength changes and the speed stays constant.
Amplitude has no effect on speed, frequency or wavelength.
Energy of a wave depends upon:
Amplitude - the larger the amplitude, the larger the energy.
Frequency - the higher the frequency, the more times the source applies a force through a distance in order to produce the wave, and therefore, the higher the energy.
Polarization
Plane polarized - the displacement of the particles in a medium of a transverse wave in one plane only.
Only transverse waves can be polarized.
Test for polarization - A wave is polarized if there is some aspect of the wave that changes as the medium the wave must pass through is rotated.
Transmission of Waves
A continuous disturbance of a medium at regular intervals will produce a wave in the medium
E.G. A hand holding a rope is swung up and down in a regular manner
The frequency of the wave will be the same as the frequency of the disturbance of the medium (source)
The source alone determines frequency.
We defined the period of a wave as the time it takes a wave to travel one wavelength. This means:
The above equation is the universal wave equation, and it applies to all waves.
The speed of the wave (V) is a constant as long as the medium's characteristics remain constant.
If the frequency (f) increases (because the source frequency increases), then the wavelength (l) decreases so that frequency times wavelength is a constant (V).
Transmission and Reflection
Waves travel with uniform motion unless the medium changes.
It is the characteristics of the medium that determines wave speed.
It is the source that determines the frequency of a wave, therefore, since V = fl, if V changes, then l must change.
If V increases, then l increases.
If V decreases, then l decreases.
When a wave moves from a less dense to a more dense medium, then V decreases and l decreases. On the other hand, if the wave moves from a more dense to a less dense medium, then V increases and l increases.
If wave speed remains constant but the frequency of the source changes, then if f increases then l decreases. Similarly, if f decreases, then l increases.
Speed remains constant if the medium remains unchanged.
Fixed End Reflection - reflection of a wave off of a rigid obstacle.
e.g. a rope attached to a wall.
The wave is reflected in an inverted state with no frequency change (i.e. a crest reflects as a trough and a trough reflects as a crest).
Free End Reflection - reflection of a wave off of the end of the medium which is not fixed.
e.g. a rope not attached to anything (a whip)
The wave is reflected without inversion and there is no frequency change (a crest reflects as a crest and a trough as a trough).
Partial Reflection - When a wave moves from one medium to the next, there will be part of the wave reflected and part transmitted into the second medium.
Consider a wave moving from fast to slow medium (i.e. light to heavy or less dense to more dense).
The reflected wave is inverted (the heavy medium acts like a rigid barrier).
The transmitted wave in not inverted.
The reflected and transmitted waves have smaller amplitude (They share total energy).
The transmitted wave moves slower.
The reflected wave moves at the same speed.
The wavelength of the transmitted wave decreases.
Now consider a wave moving from a slow to fast medium (i.e. heavy to light or more dense to less dense).
The reflected wave is not inverted (The boundary acts like a free end).
The transmitted wave is not inverted.
The reflected and transmitted waves have smaller amplitude (They share the total energy).
The transmitted wave moves faster.
The reflected wave moves at the same speed.
The wavelength of the transmitted wave increases.
In both cases, wavelength changes because speed changes. Frequency remains constant because the source is the same regardless of the medium the wave is in.
Interference of Waves
Waves when they meet, pass through each other, unaffected by the other.
Wave Interference - Occurs when two or more waves act simultaneously on the same particles of a medium.
Principle of Superposition - The amplitude of the medium at the points of interference of waves is the sum of the displacements that would be present for each of the waves acting independently.
Constructive Interference - Occurs when two or more waves interfere to produce a resulting displacement greater than the displacements that would be caused by either wave by itself.
Destructive Interference - Occurs when two or more waves interfere to produce a resulting displacement less than the displacements that would be caused by either wave by itself.
The principle of superposition is used regardless of the number of waves present.
Standing Waves a Special Case
Interfering waves often have different wavelengths and frequencies.
Standing wave Interference pattern - the interference pattern in the medium when two waves of the same wavelength, frequency and amplitude moving in opposite directions interfere.
The pattern is what you see.
This pattern remains relatively stationary, therefore, we call it standing.
Node or Nodal Points - points that remain at rest throughout the interference of pulses or waves.
These occur when two waves of equal amplitude interfere, only one is of negative and the other is of positive amplitude.
The distance between nodes is one half of the wavelength of the interfering waves.
Loops or Anti nodes - regions midway between nodes where double crests and double troughs occur.
Occurs with standing waves
A single source may produce standing waves if the wave is reflected back to the source off of a fixed end.
The distance between nodes can be changed by changing the frequency.
For a given medium, only certain wavelengths will produce standing waves that will be maintained. This is because the reflecting end must be a nodal point.
Only certain allowed wavelengths will fit into the length of the medium.
Modes of Vibration in a Stretched Spring
Resonant Frequencies - (natural frequencies) - The frequencies at which standing waves can exist in a medium of a given length whose ends are fixed
Some objects have only 1 resonant frequency. Examples would be a tuning fork and a pendulum.
Fundamental - lowest resonant frequency (fundamental frequency).
Resonant frequencies are whole number multiples of the fundamental.
A stretched string which is plucked has many wavelengths that travel its length and reflect off of the ends.
Because they interfere with themselves, most reflections cancel the incident wave and therefore, the waves die out quickly.
The frequencies that equal a resonant frequency, will not cancel themselves, and therefore will persist.
For a string attached at both ends
the ends must be a node
Resonant frequencies allow the ends to be nodes. This means that the length of the medium relates to the wavelength of the wave by the equation
In the above equation, L is the length of the medium, l is the wavelength of the wave, and n is a whole number (1, 2, 3, ... ) equal to the number of loops.
Fundamental mode - The mode of vibration where the medium vibrates as one segment.
The number of loops = 1.
produces the fundamental frequency.
Overtones - The modes of vibration that have the medium vibrate in more than one segment.
The number of loops is > 1
Harmonics - The various resonant frequencies of standing waves.
The number of loops equals 1, 2, 3, 4, ... etc.
Are whole number multiples of the fundamental frequency (fo)
The fundamental is the first harmonic
Overtones are second, third, fourth, etc. harmonics.
Most stringed instruments vibrate with a complex mixture of overtones superimposed on the fundamental
Tuning forks produce fundamentals with no overtones.