Gabriel de Saint-Aubin, Lully's Armide at the Opéra, 1761
Map
Michel-Etienne Turgot's extraordinarily detailed map (really a bird's eye view) of Paris, published in 1739 http://en.wikipedia.org/wiki/Turgot_map_of_Paris
Documentary
Le Mozart Noir (on Joseph Boulogne, Chevalier de Saint-Georges); includes period instrument performance of most of the Violin Concerto in D, Op. 3, No. 1
Drawing by Cornelius Høyer of Mademoiselle Schencker, harp soloist at the Concert Spirituel
Musical Facsimile
Printed full score of Philidor's Tom Jones: IMSLP
Recordings
Example 6.1: "Christiane Eda-Pierre: airs d'opéras comiques, Grétry & Philidor," cond. Neville Marriner, Philips; includes the scena "Respirons un moment" in Philidor's Tom Jones.
"Gossec: Symphonies," Concerto Köln, Capriccio; includes the Symphony in C minor, Op. 6, No. 3 (available on Naxos Music Library)
See also "Audio and Video Recordings to Accompany Anthology" (click on left)
Poster announcing the program of the Concert Spirituel to take place on the Feast of the Assumption, 15 August 1754
Reading
Banat, Gabriel. The Chevalier de Saint-Georges: Virtuoso of the Sword and Bow (Hillsdale, NY: Pendragon, 2006) Worldcat
Castelvecchi, Stefano. Sentimental Opera: Questions of Genre in the age of Bourgeois Drama (Cambridge: Cambridge University Press, 2013), 40–102 Worldcat
Charlton, David. Grétry and the Growth of Opéra-Comique (Cambridge: Cambridge University Press, 1986) Worldcat
Charlton, David. Opera in the Age of Rousseau: Music, Confrontation, Realism (Cambridge: Cambridge University Press, 2012 Worldcat
Madame Favart, singer, actress, and dancer, in a portrait painted by François-Hubert Drouais in 1757
Dill, Charles. Monstrous Opera: Rameau and the Tragic Tradition (Princeton, NJ: Princeton University Press, 1998) Worldcat
Fend, Michael. "An Instinct for Parody and a Spirit of Revolution: Parisian Opera, 1752–1800," The Cambridge History of Eighteenth-Century Music, Simon Keefe, ed. (Cambridge: Cambridge University Press, 2009), 295–330 Worldcat
Heartz, Daniel. Music in European Capitals: The Galant Style, 1720–1780 (New York: Norton, 2003), 595–300 Worldcat
A panel of the Plan Turgot, a detailed depiction of Paris published in 1739, showing two buildings important for the history of music: the Tuileries Palace (left of center; site of the Concert Spirituel) and the Palais Royal (far left; site of the Opéra)
Johnson, James H. Listening in Paris: A Cultural History (Berkeley: University of California Press, 1995)
Kushner, Nina. Erotic Exchanges: The World of Elite Prostitution in Eighteenth-Century Paris (Ithaca, NY: Cornell University Press, 2013)
Michel-Jean Sedaine (1710–1792): Theatre, Opera and Art, ed. David Charlton and Mark Ledbury (Aldershot: Ashgate, 2000) Worldcat
Mongrédien, Jean, “Paris: the End of the Ancien Régime,” The Classical Era: From the 1740s to the End of the 18th Century, ed. Neal Zaslaw (Englewood Cliffs, NJ: Prentice Hall, 1989),61-98 Worldcat
Drawing by Georg Wille of an opéra comique, possibly Monsigny's Le Roi et le fermier, being performed at the Hôtel de Bourgogne in 1767
Paris: Life & Luxury in the Eighteenth Century, ed. Charissa Bremer-David (Los Angeles: J. Paul Getty Museum, 2011) Worldcat
Rosow, Lois. "Opera in Paris from Campra to Rameau," The Cambridge History of Eighteenth-Century Music, Simon Keefe, ed. (Cambridge: Cambridge University Press, 2009), 272–92 Worldcat
Schwartz, Judith L. “François-Joseph Gossec,” The Eighteenth-Century Symphony, ed. Mary Sue Morrow and Bathia Churgin (Bloomington: Indiana University Press, 2012), 585–626 Worldcat
Thomas, Downing A. Aesthetics of Opera in the Ancien Régime, 1647–1785 (Cambridge: Cambridge University Press, 2002) Worldcat
Thomas, Downing, A, "Music," in The Cambridge Companion to the French Enlightenment, ed. Daniel Brewer (Cambridge: Cambridge University Press, 2014), 167–83
Verba, Cynthia. Music and the French Enlightenment: Reconstruction of a Dialogue, 1750–1764 (Oxford: Clarendon Press, 1993) Worldcat
Verba, Cynthia. Dramatic Expression in Rameau's Tragédie en Musique: Between Tradition and Enlightenment (Cambridge: Cambridge University Press, 2013) Worldcat
Jo
seph Boulogne, Chevalier de Saint-Georges. Engraving by William Ward after a painting by Mather Brown
Study Guide
Some names, titles, and terms introduced in chapter 6
King Louis XIV
Philip, Duke of Orléans (the Regent)
tragédie lyrique
Jean Philippe Rameau
Arlequin roi de Sérendib
opéra comique
Charles-Simon Favart
Michel-Jean Sedaine
Le diable à quatre
François-André Philidor
Tom Jones
D'un cerf dix cors
recitativo accompagnato
Respirons un moment
Alexandre Le Riche de la Pouplinière
François-Joseph Gossec
Concert Spirituel
Joseph Boulogne, Chevalier de Saint-Georges
Topic for discussion
Music in the Eighteenth Century and the accompanying website contain several concert programs: from Paris (1754), London (1780 and 1790), Leipzig (1785), and Vienna (Beethoven's concert of 1808). Using these, formulate some preliminary generalizations about public concerts in our period. What did they have in common, and what made some concerts (and series of concerts) distinctive?